RemedyLane99
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Last Active 12-08-20 3:19 pm
Joined 12-08-20

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09.09.23 My 10 favorite Albums of all time

My 10 favorite Albums of all time
1Pain of Salvation
In the Passing Light of Day


This album only got my attention in June 2017 which also was the moment I discovered Pain of Salvation. I enjoy "Remedy Lane" as much as this record and regard it to be a 5 too, but the background story woven in here gets me more and I think of Ragnar Zolberg's background vocals as a component in favor of "In the Passing Light of Day". And: The solo in "Angels of Broken Things" just SLAPS and the title track with the western guitar is amazing if you commit to it.
2Ethel Cain
Preacher's Daughter


I adore her voice, the guitar parts and the production of this one. Okay, to be fair I like almost everything about these first two records. In this one:
How "American Teenager" tricks the listener - and Barack Obama apparently. The climax in "A House in Nebraska" with the piano leading to one of the least expected guitar soli. The chapel bells and the bass-lead outro of "Family Tree". How "Thoroughfare" is built-up and how it tricks the listener AGAIN. How dirty and swampy "Gibson Girl" sounds and its guitar solo. The doom and despair of "Ptolemaea" and that last "STOP!" which is very metal for a non-metal album.
And EVERYTHING about "Sun Bleached Flies". A gospel containing the lines "God loves you, but not enough to save you" and "If they strike once, then you just hit 'em twice as heart." Not exactly what the bible says, but works way better for the concept. The last lines are more suitable for a closer than "Strangers" but I love the cynicism and the album's final solo.
3Leprous
Coal


AAA-AAAAAAAAAA-AAAAAA-AAA-AAAAAAAAAAAAAAA-AAAAA-AAAAAAAAA

Ahem. The dense atmosphere of despair and distrust this album creates - amazing. Just let it immerse you! The rhythm section (Rein Blomquist on bass and Tobias Anderson on drums) is extremely coordinated. In terms of guitar work this might be the heaviest Leprous record (e.g. the breakdown in "Coal") and Tor Oddmund Suhrke gets his moments to shine, first of all the mid-part of "Echo". Einar Solberg shows his enormous vocal abilities and range - in "Salt" the verses climax into a high chorus, only piano-driven at the start. And then there's Contaminate Me" - one of the most intense songs I've listened to and one of my top favorites. It demonstrates how a Crossover should sound like: Ihsahn joins quite abruptly with the first chorus, which makes it darker and fits perfectly to the song's lyrics and tone, until violin player Håkon Aase surprises with an artsy / jazzy outro.
4The War On Drugs
Lost in the Dream
5Opeth
Blackwater Park
6Joni Mitchell
Blue
7Tom Petty
Wildflowers
8Fleetwood Mac
Rumours
9Joy Division
Unknown Pleasures
10Def Leppard
Pyromania
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