neekafat
A.R.O.
Staff

Reviews 86
Soundoffs 78
News Articles 19
Band Edits + Tags 178
Album Edits 247

Album Ratings 2400
Objectivity 65%

Last Active 01-03-23 11:21 pm
Joined 06-03-16

Review Comments 26,172

 Lists
03.28.24 20NEEK23 - Musics 03.02.24 20NEEK23 - Films
10.21.23 Neek's 2023 Cram List 10.16.23 favorite alex garland movie
10.12.23 favorite robert eggers movie10.09.23 favorite ari aster movie
08.06.23 20NEEK22 - Album Ranking06.28.23 Neek's 2000 Ratings Spectacular (+ 7 YE
05.13.23 Black Sabbath: Album Covers Ranked04.14.23 Metallica: Album Covers Ranked
02.15.23 Neek's 2023 Movie Hub01.11.23 20NEEK22 - Film Ranking
11.28.22 i need a new favorite band05.05.22 Best Album Covers: Apr. 2022
05.01.22 Neek's 2022 Movie Hub04.24.22 neek is nonbinary and old
04.21.22 Paramore NEEK'D03.23.22 Best Album Covers: Q1 2022
More »

Neek'd: Spider-Man (films)
9Soundtrack (Film)
Spider-Man 3


2.9 // dir. Sam Raimi

Oh, Spider-Man 3… y’know, in some ways this one’s kinda underrated. The Parker drama fails as a compelling follow-up to 2 (how many times can the same MJ arc happen?), but this is a zany and entertaining movie overall. Venom straight up doesn't work, but Sandman is a fairly sincere villain, and both of them are visually compelling and add to the film in their own ways. James Franco’s Green Goblin feels awkwardly plotted, but the actors are up to the task as always to make things believable here. Honestly, this is just as memorable and iconic and the first two in a lot of ways, but Raimi (and the screenwriters) get too lost in the plot to bring the drama to life this time around.
8Hans Zimmer
The Amazing Spider-Man 2


3.4 // dir. Marc Webb

People can’t stand this one for understandable reasons. The plot is a drawn-out mess with too many elements vying for attention, there are too many undercooked villains, and… well that’s about as much as I agree with. Whine all you want, the core of this film is Spider-Man and Gwen Stacy, and this part just fucking works. Garfield and Emma Stone have incredible chemistry, which makes the conclusion all the more devastating. Bad movies can’t make me ache the way I do when her head snaps back into the concrete. So we’ve got an action film with a strong core, absolutely fucking kinetic action sequences, and a great sense of style. It checks all the important boxes.
7Michael Giacchino
Spider-Man: Far From Home


3.6 // dir. Jon Watts

In Homecoming, Iron Man’s presence seemed like a smart way to introduce him into the MCU and provide a tricky father figure—but now that he’s dead, Stark’s presence is somehow even more overcooked to the point where this sometimes feels like Iron Man 4. At this point, none of these villains are Spider-Man’s and even Gyllenhaal’s brilliant Mysterio (the high point of the film) is out for revenge… on Iron Man. It’s a frustrating cicrumstance, and dragging Holland out on a globe-trotting adventure removes him even further from what makes him Spider-Man. It finally all comes together in a delirious third act with real stakes and fantastic action, but it takes far too long to get there, and a lot of aspects that made the first one work simply don’t here. I like this one less the more I think about it.
6Soundtrack (Film)
Spider-Man


3.8 // dir. Sam Raimi

A nice warm-up from the Raimi crew, this one gets by on charm and fireworks alone. The drama here often feels too staged to land here, and for all the love Dafoe deserves for his performances, the script does not lend his character the weight he deserves. It’s clear to see that superhero films were in its infancy, as we see Raimi strive for a serious tone among the zaniness that lands more often than not. With a weaker cast and director, this film would flounder, but its clear that this isn’t a film that gets by on nostalgia only—it’s got huge helpings of muscle and heart to boot.
5James Horner
The Amazing Spider-Man


3.9 // dir. Marc Webb

A genuinely strong debut for Andrew Garfield, with a great sense of plot and purpose throughout. It’s truly admirable how this film manages to emulate the beats of Raimi’s debut without replicating them, and how nearly every element of the plot weaves it way into each other. It feels dense, invigorating, and the performances have such an ease to them that it more than makes up for a lack of engaging setpieces and propulsive action. Webb directs with a great sense of sympathy and scope, and I’m frankly surprised by how well this lands even years later.
4Michael Giacchino
Spider-Man: No Way Home


4.0 // dir. Jon Watts

Three films in, and aren’t we just sick of Holland’s Spider-Man being such a fuckup? The first act of this film is dreadfully dull, forcing the audience to sit through 45 minutes of college applications, reminding us Iron Man is dead (again!!), and Doctor Strange being irritable. So the film fails at being a good Holland film, but it more than makes up for this by reintroducing the Spider-Man heroes and villains of yore to surprising effect. Garfield (forever underrated) and Maguire add so much to this film, rounding out their characters with a graceful bow full of affecting moments and poignant self-love. The villains are engaging throughout even if they make less and less sense as it goes, and the resolution is a bit of a head-scratcher, but as an action film it's just thrilling, immensely satisfying stuff.
3Michael Giacchino
Spider-Man: Homecoming


4.2 // dir. Jon Watts

A surprisingly effective re-introduction to the character, Watts and Holland imbued Spider-Man with great humor and heart the first time around. The film is a punchy joy all around, from its brisk pace to its engaging setpieces. Keaton works magic as a scene-stealing villain, and Holland’s naivety is never more believable than it is here. The connections to the MCU are strong but not as forced as they are later, and somehow neither does the high school drama elements. This is the one where everything worked just right.
2Soundtrack (Film)
Spider-Man 2


4.4 // dir. Sam Raimi

The gold standard for Spider-drama, Spider-Man 2 works so well largely due to the time and consideration spent on the character work. Whereas the first installment was somewhat cartoony, 2 managed not only to gift serious depth to its main cast, it also delivered a well-rounded villain to heighten the stakes. Doc Ock is framed as a Universal monster, a sympathetic scientist driven mad by his own creation, and his scenes (especially his iconic “awakening”) still land pitch-perfect years later. Maguire and Dunst glow in their roles, lending a quiet earnestness that never allows the melodrama to feel overwrought. Raimi just nailed this one.
1Soundtrack (Film)
Spider-Man: Into the Spider-Verse


4.8 // dir. Bob Persichetti / Peter Ramsey / Rodney Rothman

Funny to think how most people (including me) laughed off this film on announcement. An animated Spider-Man featuring yet another new incarnation of its protagonist while the MCU had just kicked theirs off seemed like overkill even for a character that’d been rebooted twice in less than a decade. But if any character can survive superhero saturation, it’s Spider-Man. This is a brilliant, moving, and beautiful animated film that pops off the screen with engaging characters and a dense, wonderfully melodramatic plot. It’s a joy to watch in every moment, and its action sequences are anything but routine. This didn’t just prove that Spider-Man movies still had life in them, but the superhero genre as a whole.
Show/Add Comments (38)

STAFF & CONTRIBUTORS // CONTACT US

Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Site Copyright 2005-2023 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Terms of Use | Privacy Policy