User
Album Ratings 29 Objectivity 70%
Last Active 04-05-15 5:36 am Joined 02-22-15
Review Comments 15
| Hey, it's another Genesis albums list!
From best to worst, of course.
inb4 hate comments because someone's favorite Genesis album isn't on the top. | 1 | | Genesis A Trick of the Tail
Best track: Mad Man Moon
Close second-best track: Entangled
Most powerful track: Dance on a Volcano
Coolest track: Squonk
Feeliest track: Ripples
Most atmospheric track: Los Endos
Catchiest track: Robbery Assault and Battery
Weirdest track: A Trick of The Tail
Worst track: I like them all, but A Trick of The Tail is the least amazing one imho.
Comment: The most unique Genesis album, feels like a more consistent and keyboard-oriented brother of Selling England. Despite Peter Gabriel's absense, everything that made the past Genesis records prog classics is here, from the fantasy-like symbolic lyrics to the absurdly varied sound and Steve Hackett's, subtle this time around, but amazing guitar play. Phil Collins also proves himself to be a very good singer with a unique voice that sounds similar to Gabriel's, but more soothing. | 2 | | Genesis Selling England by the Pound
Best track: Dancing With The Moonlit Knight
Close second-best track: Firth of Fifth
Most powerful track: Dancing With The Moonlit Knight
Coolest track: I Know What I Like
Feeliest track: The Cinema Show
Most atmospheric track: Firth of Fifth
Catchiest track: I Know What I Like
Weirdest track: Aisle of Plenty
Worst track: More Fool Me
Comment: Selling England by The Pound is the best record by the classic Genesis lineup, their sound from Nursery Cryme and Foxtrot perfected and each of them gong all out on their respective performances. What made me put it in second place was exactly the fact that A Trick of The Tail was more consistent and had less weaker moments, but the stand-out songs in Selling England are just as great as the ones from Trick. | 3 | | Genesis Nursery Cryme
Best track: The Musical Box
Close second-best track: The Fountain of Salmacis
Most powerful track: The Return of The Giant Hogweed
Coolest track: The Return of The Giant Hogweed
Feeliest track: For Absent Friends
Most atmospheric track: The Fountain of Salmacis
Catchiest track: Seven Stones
Weirdest track: Harold The Barrel
Worst track: Harlequin
Comment: It kind of pisses me that some people overlook Nursery Cryme and claim the albums from Foxtrot to The Lamb are vastly superior to it. Now with Phil Collins on the drum kit and Steve Hackett on guitar, Genesis had its classic lineup formed and delivered a prog masterpiece that's a lot more robust and less self-serious than Trespass was, I like almost every track here except for maybe Harlequin because it feels filler-ish, but at least that doesn't overstay its welcome, so I'll forgive it this time. | 4 | | Genesis Duke
Best track: Duchess
Close second-best track: Duke's Travels/Duke's End
Most powerful track: Behind The Lines
Coolest track: Cul De Sac
Feeliest track: Heathaze
Most atmospheric track: Duke's Travels
Catchiest track: Turn it on Again
Weirdest track: Turn it on Again
Worst track: Alone Tonight
Comment: Duke is a terrific prog pop album that's, unfortunately, labeled by some Genesis fans as their "sell-out" album due to it having a couple of commercial pop and pop rock tunes such as Turn it on Again, Misunderstanding and so on. I always viewed this as Genesis' last great album that maintained their adventurous prog edge while having some pop tracks that are actually quite good on their own right, most of the songs tend to go from enjoyable to simply amazing, not to mention the album ending with Duke's Travels/End feels significant, marking one last "Hurrah!" from Genesis before abandoning their prog roots on the next albums. | 5 | | Genesis The Lamb Lies Down on Broadway
Best track: The Lamb Lies Down on Broadway
Close second-best track: Back in NYC
Most powerful track: In The Cage
Coolest track: Back in NYC
Feeliest track: The Lamia
Most atmospheric track: Carpet Crawlers
Catchiest track: The Chamber of 32 Rooms
Weirdest track: Cuckoo Cucoon
Worst track: Hairless Heart
Comment: Concept albums are something I tend not to like very much, they usually have way too much filler in-between the good songs, but The Lamb Lies Down on Broadway is one of those concept albums that fortunately avoid this for the most part. Despite having some filler material here and there, this record is also filled with classic Genesis pieces such as the title track, Back in NYC, Carpet Crawlers, In The Cage and The Lamia, and like Harlequin, the filler stuff doesn't last much longer than it should anyway. The Lamb was Peter Gabriel's farewell to Genesis, he would leave the band later to start his successful solo career later on, but it's one heck of a farewell. | 6 | | Genesis Foxtrot
Best track: Supper's Ready
Close second-best track: Watcher of The Skies
Most powerful track: Supper's Ready
Coolest track: Get 'Em Out by Friday
Feeliest track: Can-Utility And The Coastliners
Most atmospheric track: Watcher of The Skies
Catchiest track: Watcher of The Skies
Weirdest track: Watcher of The Skies
Worst track: Horizons
Comment: To many, Foxtrot is the best Genesis album and the biggest reason for this is the fact that this has the 23-minute prog rock epic on the Apocalypse, Supper's Ready. While I do agree that Supper's Ready is a breath-taking number, I think the rest of Foxtrot falls a bit short of albums such as Nursery Cryme and Selling England, there are some good songs here, like Watcher of the Skies, Get 'Em Out by Friday and Can-Utility, but even they don't reach that amazing level found in those albums' standouts. Of course, this is still a great album for Supper's Ready alone, I just like it slightly less than most of the other Gabriel-era records. | 7 | | Genesis Wind & Wuthering
Best track: One For The Vine
Close second-best track: Eleventh Earl of Mar
Most powerful track: Eleventh Earl of Mar
Coolest track: All in a Mouse's Night
Feeliest track: Blood on The Rooftops
Most atmospheric track: Unquiet Slumber For The Sleepers in That Quiet Earth
Catchiest track: Your Own Special Way
Weirdest track: Afterglow
Worst track: Your Own Special Way
Comment: Genesis' last album with Steve Hackett, and widely considered to be the band's last great effort. I don't necessarily agree with that, but I agree that Wind & Wuthering is fantastic, if only slightly weaker than its bunch of predecessors. Hackett's guitar is absolutely beautiful in tracks like Eleventh Earl of Mar, One For The Vine and All in a Mouse's Night, the album manages to get that "windy" feel the cover passes from beginning to end and Collins explores some different vocal ranges instead of trying to sound like Gabriel as he sort of did in A Trick of The Tail. | 8 | | Genesis Trespass
Best track: The Knife
Close second-best track: Stagnation
Most powerful track: Looking For Someone
Coolest track: The Knife
Feeliest track: Dusk
Most atmospheric track: Dusk
Catchiest track: White Mountain
Weirdest track: Visions of Angels
Worst track: Visions of Angels
Comment: I consider Trespass to be Genesis' real debut, because the actual debut doesn't even sound like Genesis and the band hasn't adopted this name officially yet. Here is where Genesis actually shows that it's a prog rock band, maybe a little unexperienced, but still showing a lot of promise for its musical complexity for a bunch of young men's first attempt at this type of record. | 9 | | Genesis Genesis
Best track: Mama
Close second-best track: Home by The Sea
Most powerful track: Home by The Sea
Coolest track: Just a Job to Do
Feeliest track: Taking it All Too Hard
Most atmospheric track: Second Home by The Sea
Catchiest track: That's All
Weirdest track: Illegal Alien
Worst track: Silver Rainbow
Comment: If only Genesis pop records were more like this and less like Invisible Touch... yeah, I'm not a big fan of 80s Genesis, but their self-titled album was the one that I genuinely liked from this period. It's a pop rock piece, but it feels different from typical 80s pop, it's more about atmosphere, it sounds pretty moody and threatening in tracks like Mama, Home/Second Home by The Sea and Just a Job, but it's not afraid to have some catchy and stupid fun as it shows in That's all and Illegal Alien, this album also benefits from Collins giving some of his finest vocals. A genuinely good album in my book, not the one I listen to the most, but a well-crafted record nonetheless. | 10 | | Genesis ...And Then There Were Three...
Best track: The Lady Lies
Close second-best track: Burning Rope
Most powerful track: Down And Out
Coolest track: Ballad of Big
Feeliest track: Undertow
Most atmospheric track: Say It's Alright Joe
Catchiest track: Ballad of Big
Weirdest track: Snowbound
Worst track: Follow You Follow Me
Comment: Steve Hackett left... And Then There Were Three... The first Genesis record as a trio, often overlooked and disliked by some fans, but I find it to be pretty decent. Obviously Hackett left a void that was never fully filled, but Mike Rutherford is a good guitarist, his guitar play is more modest than Hackett's, but he gets the job done. Tony Banks takes over for the most part with lots of keyboard riffs here and Collins also shines both as a drummer and a singer in the likes of Down and Out, Burning Rope, The Lady Lies, Undertow and Ballad of Big. ATTWT can be rather dull sometimes, but the stand-out songs here are really stellar, so it remains a nice proggy soft rock album to me. | 11 | | Genesis We Can't Dance
Best track: No Son of Mine
Close second-best track: Fading Lights
Most powerful track: Driving The Last Spike
Coolest track: Fading Lights
Feeliest track: Since I Lost You
Most atmospheric track: Dreaming While You Sleep
Catchiest track: Jesus He Knows Me
Weirdest track: I Can't Dance
Worst track: I Can't Dance
Comment: Hey, this opener is awesome, this second track is pretty funny, the third also good... could it be that this is a worthwhile Genesis album? Unfortunately, it goes downhill from here until it gets to Fading Lights, one of the better post-Duke prog songs Genesis have put out, too bad you have to deal with filer garbage like I Can't Dance, Hold on My Heart, Tell Me Why and basically every song between Driving The Last Spike and Fading Lights that isn't Dreaming While You Sleep and Living Forever, at least those two are pretty nice. We Can't Dance had potential, but wasted due to a huge amount of filler just for the sake of adding pointless length. | 12 | | Genesis Invisible Touch
Best track: Land of Confusion
Close second-best track: Tonight Tonight Tonight
Most powerful track: Domino
Coolest track: Land of Confusion
Feeliest track: Tonight Tonight Tonight
Most atmospheric track: Domino
Catchiest track: Invisible Touch
Weirdest track: The Brazilian
Worst track: Throwing it All Away
Comment: Far from being the group's undisputed masterpiece, but I'll give them credit for Land of Confusion, it's a pretty good rock number with one of the coolest music videos ever, this one deserves the praise it gets. As for the rest of Invisible Touch, it has some good moments like Tonight Tonight Tonight and the second half of Domino, but most of it is just typical 80s pop that's sometimes catchy, but ultimately unremarkable. Collins, Banks and Rutherford can do a lot better than this. | 13 | | Genesis Abacab
Best track: Dodo/Lurker
Close second-best track: Keep it Dark
Most powerful track: Dodo/Lurker
Coolest track: Abacab
Feeliest track: Man on The Corner
Most atmospheric track: Keep it Dark
Catchiest track: No Reply at All
Weirdest track: Who Dunnit
Worst track: Who Dunnit
Comment: This is where Genesis went downhill to me, Duke was in parts a pop record, but at least the pop there was unique, Abacab is just boring commercial 80s pop, even at its best moments this album pales in comparison to Duke and almost everything else Genesis did before it... oh yeah, and it also has Who Dunnit... Need I say more? | 14 | | Genesis Calling All Stations
Best track: Calling All Stations (basically the only track I actually like)
Close second-best track: Congo
Most powerful track: Calling All Stations
Coolest track: Calling All Stations
Feeliest track: Uncertain Weather
Most atmospheric track: Calling All Stations
Catchiest track: Congo
Weirdest track: Alien Afternoon
Worst track: Small Talk
Comment: Ray Wilson isn't what made Calling All Stations bad, in fact, I actually think he's one of the few redeeming qualities this album has, he's not unique like Pete and Phil, but he is a fairly capable singer and his deeper vocals fit the dark mood of the album quite well. The problem with Calling All Stations is that it seems they wasted all their inspiration on the title track and then remembered that it was supposed to be a full-length album, the normal songs are dull, the long proggy ones are filled with padding and the lyrics are absolutely terrible. This wasn't ranked as THE worst Genesis album because of the good title track. | 15 | | Genesis From Genesis to Revelation
Best track: Silent Sun
Close second-best track: Where The Sour Turn Sweet
Most powerful track: Silent Sun
Coolest track: Silent Sun
Feeliest track: A Place to Call My Own
Most atmospheric track: In Limbo
Catchiest track: Silent Sun
Weirdest track: Fireside Song
Worst track: One-Eyed Hound
Comment: Maybe I am being a little unfair here, but the thing about From Genesis to Revelation is that not only it sounds a lot distant from Genesis to the point of having me wondering why is this even labeled as a Genesis record to begin with, but it also isn't anything to write home about as its own thing. Calling All Stations had the title track, which I praised, but here the closest thing I come to enjoy is Silent Sun, and even that is just a watered down Bee Gees song. Gabriel and co were basically a high school band attempting an LP, and it surely shows. Then again, maybe I AM being unfairly harsh on this, the first step is an important one after all, but am I glad that they improved. | |
SharkTooth
02.22.15 | 2 is 1 but everything 14 and above is good | JamieTwort
02.22.15 | 1-6 are in a crazy order.
5 and 6 are their best for me. | HappyTheMan12
02.22.15 | I generally like The Lamb better than Foxtrot, but I can see how someone would think otherwise.
What stops me from putting Foxtrot over it was that apart from Supper's Ready, Watcher of the Skies and Get 'Em Out by Friday, the other three songs aren't really as good. The Lamb on the other hand, had a lot of amazing tracks, admittedly with some feeling in the middle, but for a concept album it has a lot more hits than misses, which is kind of rare.
Both are really good albums, though. | JokineAugustus
02.22.15 | 15 is underrated. Foxtrot is 1, lamb is 2, selling is 3. | ButteryBiscuitBass
02.22.15 | Lol Duke @ 4 | BMDrummer
02.22.15 | 5 and 6 behind duke noooooooooooooooo | HappyTheMan12
02.22.15 | Duke is pretty underrated imo, but it was my first Genesis album so I guess I'm sort of a suspect when I talk about it. | ButteryBiscuitBass
02.22.15 | I wouldn't say Duke is underrated at all (look at its average rating), it just isn't held in the same light as the run from Nursery Cryme to TLLDOB, and rightly so. | HappyTheMan12
02.22.15 | I was saying that because people generally lump Duke together with Abacab and the other typical pop Genesis records from the 80s, in my point of view it was kinda poppy at times, but it was the last real prog record they put out before going downhill. And even the pop tracks there are much better than the ones in Abacab or Invisible Touch, I take Turn it On Again over Who Dunnit any day.
Maybe I just hold Duke in a higher regard because it was the album that got me into Genesis, but there's also the fact that I like Nursery Cryme better than Foxtrot and TLLDOB, so I may just be "that guy". | JamieTwort
02.22.15 | I agree that The Lamb is better than Foxtrot but Foxtrot is still their second best. | Jethro42
02.22.15 | 6, 5, 2, 1, 3, 7, 4, 8, 10, 9, 13, 11, 12, 15, 14 | Torontonian
02.22.15 | 7 is a zillion times better than 4 imo | Torontonian
02.22.15 | Is 15 rly that bad? Never heard it. | HappyTheMan12
02.22.15 | FGTR isn't horrible, but I never found anything memorable abut it, I just put Calling All Stations above it because at least there's the title track, which is the only track I remember and sort of enjoy from that album. | Jethro42
02.22.15 | @Torontonian, I have it as a 3. It has cool songs and bad songs, but it's Worth a listen. Collins and Hackett were not there yet. Production was rather mediocre. Herer you can find my song ranking.
http://www.sputnikmusic.com/review/46949/Genesis-From-Genesis-to-Revelation/
| 420Itchy69
02.22.15 | epic | Snake.
02.22.15 | rank deftones next | Snowdog808
02.22.15 | 2, 3, and 6 make up my top 3, and 9, 11, and 14 make up my bottom 3. | HappyTheMan12
02.22.15 | The self-titled is probably the only post-Duke Genesis album I like, the A-Side is great and the B-Side isn't as good, but decent enough. Mama, Home By The Sea/Second Home By The Sea, That's All and Just a Job To Do are among my favorite Genesis pop tunes.
I wanted to like We Can't Dance as well, it has quite a strong start with No Son of Mine, Jesus He Knows Me and Driving The Last Spike, but then it's a load of crappy filler you have to sit through just to get to other good tracks like Dreaming While You Sleep, Living Forever and Fading Lights. I still prefer it over Invisible Touch and Abacab just because of these specific tracks, but it's a pretty "bleh" record.
@SnakeDelilah
I'll do it soon enough. | mindleviticus
02.22.15 | 6 is 1 | HappyTheMan12
02.23.15 | I updated the list with some actual descriptions, felt that the original thing was kind of bland. | ZombicidalMan
02.23.15 | horizons is a killer track, idk what else to say | HappyTheMan12
02.23.15 | Horizons is nice, but normally when I listen to Foxtrot I skip it, probably because it's the track that comes before Supper's Ready. | gagnonov
02.23.15 | 1. Selling England By The Pound
2. Foxtrot
3. The Lamb Lies Down On Broadway
4. A Trick Of The Tail
5. Trespass
6. Nursery Cryme
7. Wind & Wuthering
8. And Then There Were Three
9-15. Who gives a shit | DamnVanne
02.23.15 | Dude u got a big problem. Invisible Touch is WAAAYYY better than We cant fucking dance. Land of Confusion, The Brazilian, title, and whatever that closing keyboard extravanganza be VS driving the last spike is the only song phil collins didnt thoroughly bring the gay parts | HappyTheMan12
02.23.15 | We Can't Dance's biggest problem is the ridiculous abundance of filler stuff, take that out and leave this tracklist:
1- No Son of Mine
2- Jesus He Knows Me
3- Driving The Last Spike
4- Dreaming While You Sleep
5- Living Forever
6- Fading Lights
It would still be lengthy enough to be a full album on its own and would probably be a lot better than what it ended up being.
I don't get this feeling with Invisible Touch, it has less tracks and I think almost all of them besides Land of Confusion and Tonight Tonight Tonight blow. | DamnVanne
02.23.15 | oh man i forgot about fading lights. ok BOTH have great closing keyboard sections. but I'll be damned if Invisible Touch has any filler | JamieTwort
02.23.15 | Horizons is one of the best guitar instrumentals ever composed. | TheSpaceMan
02.23.15 | I really need to try to get into this band | HappyTheMan12
02.23.15 | @DamnVanne
Invisible Touch doesn't have as much filler, but on the other hand the main material never impressed me all that much. We Can't Dance had loads of filler but I think its stand-out tracks are far better than Invisible Touch's, they just had the misfortune of having shitloads of filler between them.
@JamieTwort
After the Ordeal was the best Gabriel-era instrumental imo.
@TheSpaceMan
I'd recommend Selling England by The Pound to someone who isn't into Genesis, it's fairly accessible and also shows what the band is about. (or at least was in the 70s) | Jethro42
02.23.15 | The worst track from SEbtP is ''More Fool Me''. Battle rules instrumentally and it has the most theatrical vocals of the album.
For Trespass, Visions of Angels is a cool track with pastoral sounding, yet powerful. Imo, Dusk is the weakest track for being not developed enough, or Stagnation for the same reason. Song is too much linear.
For And then there were three, I agree with you except for Follow you Follow me. I'd say Ballad of Big for the worst song.
Annnd I'm another of these Horizon's lover.
| Jethro42
02.23.15 | *Songs are too much linear (especially Stagnation).
| HappyTheMan12
02.23.15 | Damn, I completely forgot about More Fool Me, it's the Selling England song I tend to skip because it's boring in comparison to the rest of the album. Thanks for reminding me, I'm going to edit and put More Fool Me there.
From Trespass, Stagnation's build up and the breakdown at the end made it feel like a predecessor to The Musical Box, and Dusk gets me because I was always a sucker for folky acoustic numbers, despite me just claiming I'm not much into More Fool Me, but it's mostly because Dusk gets the execution better and isn't as repetitive. Also Dusk and Stagnation have some of my favorite Peter Gabriel lyrics to date, so that did contribute to me favoring them as well.
As for ATTWT, I like Ballad of Big, it has a funky feel to it and Collins' drumming is quite energetic, better than Deep in The Motherlode imo. If I would get a song for least favorite aside from Follow You Follow Me, it's Scenes From a Night's Dream, never clicked me much. | Jethro42
02.23.15 | Yeah, agreed, ''Scenes from a night's dream'' has to be the worst. ''Ballad of big'' is better than I thought.
No love for ''Me and Sarah Jane'' from Abacab?
For The Lamb, I don't agree ''Hairless Heart'' would be among the worst, at the contrary. It would be ''Ravine'' for me. No, there is absolutely no worse song in fact :)
| menawati
02.23.15 | weird choice for 1st spot but nice list, entangled is wonderful song | JS19
02.23.15 | This is a great list but:
Horizons is bad?
no | JS19
02.23.15 | Also someone else who thinks Duke is amazing awesome! Heathaze is wow | HappyTheMan12
02.23.15 | @Jethro42
Never paid much attention to Ravine now that I'm thinking about it, the same goes for Me And Sarah Jane, but that's because I don't listen to Abacab much frequently.
@menawati
I figured it would sound weird to put ATOTT first, but that's really the one Genesis record I think has no considerably weaker moments, it was a fresh take on their trademark prog sound and even the albums they made after it didn't have the same feeling. Selling England is a very close second, apart from More Fool Me which I find meh, I get goosebumps from every single of the other songs, the highlights of both ATOTT and SEBTP are equally amazing to me.
@JS19
I never said Horizons is bad, just my least favorite Foxtrot track, but it's still pretty good as far as Genesis instrumentals go.
Good thing I'm not the only one who loves Duke here, Behind the Lines, Duchess, Heathaze, Turn it on Again, Cul de Sac and Duke's Travels/End are all fantastic tunes, and I even get a kick of the other poppier tracks as well despite finding them inferior to the aforementioned ones. | Jethro42
02.24.15 | I find the list pretty well done and overall quite accurate. We have something in common; We both love to the bone the best band of the world. And you're right with everything you said about Duke. I have it at a 4.5/5 | zakalwe
02.24.15 | Have these always been your fave band Jethro? | Jethro42
02.24.15 | Yeah I grew up with them since the late seventies. I love the other classic prog bands just as much I have to say. I'm still progging hard nowadays as you know it, I think. | zakalwe
02.24.15 | Cool.
I don't know why they don't do it for me. There's just something there that doesn't sit right with me. | Jethro42
02.24.15 | If you don't like this piece of art (a rather poor quality bootleg but it's the only one I've found;
https://www.youtube.com/watch?v=m9U358JawGc
If you don't like it, Genesis is definitely not for you. | HappyTheMan12
02.24.15 | I didn't grow up with Genesis, but I did grow up with some of Phil Collins' solo work, mostly stuff from his first three or four solo albums and the music he made for Tazan. The first Genesis album I gave a shot was Duke back in 2007 with all the ruckus about the Turn it on Again Tour and the remastered boxes, Duke was actually one of my all-time favorite records back then.
Duke convinced me to listen to Genesis' entire discography, then I discovered that before Phil Collins, the band was fronted by Peter Gabriel, the "Sledgehammer guy", and his Genesis albums were mostly quite good, very different from the impression Sledgehammer gave me. Then I discovered Collins himself would only join the band in their third album as a drummer, and I went on until Calling All Stations and the extra tracks, it was great regardless of me thinking their post-Duke albums were mostly hit and miss. This opened my mind in a handful of ways, I checked Peter Gabriel and Steve Hackett's solo stuff, and went on to listen to other prog rock bands such as Yes, King Crimson, Kansas and Pink Floyd.
I still like Genesis better than these, but I'll admit it's an acquired taste, especially Gabriel-era Genesis. |
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