AlkemestRedux
09.20.26 | We debate |
Josh D.
09.20.26 | There are a lot MIDI grooves online you can get, mix and match, edit, etc. Mixed with your own programming, you can do a lot. That's how I've always made drum tracks. |
cylinder
09.20.26 | nothing wrong with programming long as it sounds good |
Eakflanderyof
09.20.26 | As a drummer, my opinion is see if you can find a session drummer willing to do it for a grand. Maybe 1.5k. It's worth it imo |
BAT
09.20.26 | programmings a good skill to learn cause it'll build up your general knowledge of sequencing which can applied to pretty much any electronic based songwriting. once you've got your head around how beats and structure works thaaan you work on creating feel. there's plenty of free playstore 16bar drum sequencer apps to get started with buuut if your going all in on diy recording you may aswell learn how to sequence in a daw. looking around can get some free vsts/loops/samples buuut even like professional grade drumset vsts are likeee 30-50bucks now, it's a good time to get into it cause there's a lot of options |
AlkemestRedux
09.20.26 | I do have some basic drum programming knowledge from using Ableton to make a couple shitty dubstep songs back in the day but they were pretty basic. I have Reaper now and use it to track guitars but the thought of learning to program anything kind of makes my brain hurt. But at the same time it may also be easier than trying to wrangle a drummer in today's economy.
Although a studio drummer may be good too. Do they write the parts as well? Or should I have basically everything thought through and just relay that to them? |
BAT
09.20.26 | Oddly enough like 15 years out of date fruity loops is my favorite thing to program drums in, but it's awful for tracking/live instruments. I've dabbled in reaper/Ableton but not enough to sequence in them, my friend that makes super technical breakcore stuff swears by vertical trackers like renoise and opentracker2
And never worked with a pro drummer but for session guys main thing you'd probably want is to have the song arranged definitively so they can map out fills and tempo |
budgie
09.20.26 | you dont need to be a good drummer for this
embrace the punk origins of black metal
listen to the drums in sodom's outbreak of evil, second half of celtic frost's visions of mortality, gorgoroth's begravelsesnatt. the exploited's uk 82, sacrilege lifeline, burzum stemmen fra tarnet
the good shit. sloppy offtime drunk plodding amateur drums with dbeats thrown in is black metal as fucking fuck |
Hyperion1001
09.20.26 | programmed drums always sound bad. |
BAT
09.20.26 | I think they work best when they kind of avoid being a "replacement" and people embrace the inhuman nature, buut tbh almost all modern metal production uses samples so it's not too far off from programmed. Buuut than you get into a lack of uniqueness: most 2000s metal programmed drums always sound like the tomas samples from catch 22, because they're using those exact samples(ezdrummer drumkit from hell iirc.) If you are trying to pass programmed drums off as real you've gotta pay attention to hit velocity to create dynamics, annnd intentionally move stuff slightly off beat to create a more organic feel. Most triggered/electronic drums use the hit velocity hence it keeps more of a dynamic than generic programmed drums, some bands just keep them all maxed which is where you get the obvious crappy stuff
Regardless drummers are usually better at coming up with beats than a guitarist, for demoing thoo programmed is a great tool to build with. Even playing to premade loops is a great way to come up with riffs or tighten up your guitar playing |
Eakflanderyof
09.20.26 | I'll just say, a buddy of mine is actually writing and recording his own black metal album and he's hiring a pretty well known bm drummer who's popular on IG and has played in some pretty big bands and the rates arent bad at all. If you've got even just a little extra cash to spare I'd recommend going that route... but like someone else said, you should obviously have all the initial work done so they dont have to put effort into anything but recording |
brickhed
09.21.26 | as someone who's coming to the same crossroads, i'm much more willing to try to do them myself. right now i'm focused on taking my project from bedroom to something more concrete. my small town barely has anyone who likes extreme metal, and most metal acts don't get anything more than underground shows, which I don't have access to.
i feel that i'm good with drum beats, and i've been wanting to learn them anyway. but if you want to go that route, nothing's wrong with "blast beat here, skank beat there" type of songwriting. the main thing is stamina, though.
i second "sloppy offtime drunk plodding amateur drums with dbeats thrown in is black metal as fucking fuck" |
AlkemestRedux
09.21.26 | Yee the idea of learning some basic drumming sounds kinda cool to me. I live in a townhome so I wouldn't be able to have a full kit, but we do have a shitty digital kit kicking around. Maybe I could learn on that and then go track on a rental jam room kit. |
Eakflanderyof
09.21.26 | Yeah, if you really dont care about being fancy and you just want some raw, maybe slightly sloppy black metal drumming then I'd say yeah anyone can pretty much learn to to do traditional blast and d beats at slower tempos. If you put a little time in you can probably even get those tempos up to the 150-160 range without too much effort.
It would probably be refreshing to hear a bm album with sloppy drumming nowadays with everyone being so concerned with technicality and precision. I actually prefer raw, sloppy live drumming over something that is obviously programmed. The human element is important to me
Drumming is addicting though. Dont be surprised if you find yourself immersed in learning more 😉 |
Josh D.
09.21.26 | "programmed drums always sound bad."
Don't think I can agree with that. |
Gameofmetal
09.21.26 | Absolutely learn. It's really hard to find session drummers as well as plan around their in-demand schedules, it'll teach you stuff about composition in the meantime, help you get a demo off the ground for cheap. |
Hyperion1001
09.21.26 | "Don't think I can agree with that."
they only sound good if theyre very obviously not trying to emulate a real drumkit, like how industrial bands use drum machines and stuff.
if its a stand-in for a real drummer it is 100% always bad. |
Josh D.
09.21.26 | Getgood Drums m8 |
Eakflanderyof
09.21.26 | Ive heard some pretty convincing drum programming but it has to be done by someone who knows what they're doing... so, more than likely, if you dont know much about drumming or drum programming then I'd say go for real drums whether it be your own playing or hiring a session guy
"It's really hard to find session drummers as well as plan around their in-demand schedules"
Guy in my band had no problem. He literally messaged the one guy he wanted and got his songs back with drums within days lol. Just definitely have all your ducks in a row before you ask them to lay down the drums. You dont want to have to pay them extra to re record something or encountered any problems that hinder the process |
Emim
09.21.26 | Yeah programmed drums can sound really good. There are a lot of production tricks to mask that's what it is.
As a drummer I always prefer the real thing, but also as a drummer, finding one can be pretty hard lol |
Deathconscious
09.21.26 | The answer is always real drummer. |
Josh D.
09.21.26 | If you're doing solo work, here's an example of what you can do: https://spieglass.bandcamp.com/track/dead-before-the-fire
That's the last song I made. The first minute is layered with orchestral drums for effect, but everything after is just my go-to drum library. I programmed (by which I mean drew in MIDI notes on a piano roll) the first half, the second half is MIDI grooves I drag-dropped on the project. I don't know a drummer (other than myself), let alone one that can record professionally. |