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Smashing Pumpkins: An Honest Ranking

As a Smashing Pumpkins discog junkie, let's get right to it.
12The Smashing Pumpkins
Machina/The Machines of God


The weakest Pumpkins album is still a good album in its own right, bolstered by the blistering "The Everlasting Gaze" and the beautiful "Stand Inside Your Love," but at the same time is weakened considerably by the meandering "Heavy Metal Machine" and the just plain ugly "Imploding Voice." In between are a serious of solid but mostly forgettable pop or gothic inspired tunes.
11The Smashing Pumpkins
Zeitgeist


*See album review*
10The Smashing Pumpkins
Machina II/The Friends & Enemies of Modern Music


Instilling the sound of the first Machina with dense mixing but a far more varied sonic palate, the second is a far more interesting and fun experience, especially in the lovely "Go" by James Iha and the dark and layered "In My Body."
9The Smashing Pumpkins
Judas O


Combining b-sides from the Mellon Collie-to-Machina era, Judas Ø combines the general feel of what each album had to offer in a surprisingly cohesive collection of mostly mellow (with a few straight-up rocking) tracks. The main downside is that some of the best songs were already released on Aeroplane, but this features the incredible but devastating "Blissed and Gone" and many other worthwhile additions to the Pumpkins discography.
8The Smashing Pumpkins
Monuments to an Elegy


The slightest and most immediate Pumpkins offering since Gish, Monuments is a refreshing throwback to the Pumpkins of old while also embracing the new. "Tiberius" ranks among some of the greatest songs they've ever released, and others like "Being Beige" and "Anti-Hero" are great highlights.
7The Smashing Pumpkins
Pisces Iscariot


The original companion album to Judas Ø, Pisces features b-sides from Siamese Dream and Gish. Much like Judas, the album is really well sequenced and features some genuine classics such as the dreamy "Obscured", hulking "Starla", and of course the classic cover of "Landslide."
6The Smashing Pumpkins
Oceania


Coming off the oft-criticized (often far too harshly) Zeitgeist, Corgan dials it back and creates a lush work of vibrant synths and full atmospherics that combine greatly with his trademark guitar sound, ultimately making what seems more like a continuation of 1998's Adore more than anything else. Also, "The Celestials" is the best thing New Pumpkins have ever done, and could easily rank among their top tracks.
5The Smashing Pumpkins
Adore


After falling from the top of the world due to the death of a touring member and the firing of his "musical soul mate" drummer Jimmy Chamberlin following Mellon Collie, Adore features Corgan at his bitterest and most dangerous lyrically (see "Ava Adore" for a prime example), these ideals clash directly -- and wonderfully -- with his newfound electronica-meets-acoustic stylings, creating an entirely new world with this album's unique sound.
4The Smashing Pumpkins
The Aeroplane Flies High


As someone who considers Mellon Collie as one of his favorite albums period, it goes without saying that this extremely lengthy collection of b-sides from the album is a blessing beyond words. As amazing as the highlights are, such as basically the entire "1979" EP, the vast amount of styles and ideas creates an obvious unevenness to the collection, but there's plenty here for everyone no matter which Pumpkins you prefer.
3The Smashing Pumpkins
Gish


This isn't the dreary, artsy, perfectly orchestrated Pumpkins that we've come to know and love, but what Gish does have is an incredible energy and ear for melody that would come to be monumentally important for their future. There is no song off of this that isn't great, and the riffs are out of this world. A lesser band could've made an entire album off the riffs in "Rhinoceros" alone.
2The Smashing Pumpkins
Siamese Dream


The album that kicked everything off is undoubtedly a masterpiece on so many levels that it's hard to critique. On the other hand, it's far from a perfect album. The first half is uneven and the second half can't help but seem a little repetitive structure wise, but when the lows could've been the best songs off of some of their other albums and the highs are so ridiculously high ("Disarm" is one of the best songs ever made, like ever), I'm not really going to complain.
1The Smashing Pumpkins
Mellon Collie and the Infinite Sadness


As uneven and (allegedly) poorly sequenced as Mellon Collie might be, I'll be damned if it isn't one of the most important contributions to rock music in the history of the genre. Unfathomably varied musically, excellently written, exquisitely performed, and very likely the only album that all of the band members were actually content while making it, Mellon Collie and the Infinite Sadness is the kind of album that its flaws only make it that much better, and it still grows on me with every listen.
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