Anothertwo
User

Reviews 8
Approval 100%

Soundoffs 19
Album Ratings 116
Objectivity 77%

Last Active 03-17-17 2:36 pm
Joined 03-17-17

Review Comments 23

Average Rating: 3.57
Rating Variance: 0.81
Objectivity Score: 77%
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2017
Emily Haines and the Soft Skeleton Choir of the Mind3.5
Julia Michaels Nervous System4.0
Lorde Melodrama2.0
Paramore After Laughter4.0
Kate Nash Agenda3.5
Kendrick Lamar DAMN.2.5
The Chainsmokers Memories...Do Not Open1.0
Michelle Branch Hopeless Romantic4.0
Sorority Noise You're Not As ____ As You Think2.0
Zara Larsson So Good2.5
Bush Black and White Rainbows2.5
Kehlani Sweet Sexy Savage4.5
Kehlani's debut studio album is excellent. She samples Aaliyah on the clever "Too Much" (sample lyric: "too much of a woman, three much of a woman, four much of a woman, too much of a bad bad b*tch"), and edges close to the dancefloor on tunes like "I Wanna Be" and "CRZY" (no, that's not a typo). Comparisons to Janet Jackson aren't unwarranted, but throughout the album, Kehlani demonstrates a sassy personality and cleverness that has been missing from hip-hop for quite some time.

2016
Melanie Martinez Cry Baby's Extra Clutter3.5
This EP offers listeners the bonus tracks from the deluxe version of "Cry Baby," plus her
holiday song "Gingerbread Man." The tracks are sure to please those who are already fans of
her warped-music-box sound and reuse of children's items as symbols of heartbreak and pain,
though it's unlikely that the EP will earn her any new fans.

The highlights, "Cake" and "Play Date," sound more dancefloor-ready than most of her tunes,
while "Teddy Bear," whose lyrics appear to tell the tale of a stalker, comes off more
sinister and demented than interesting. A must-have for Martinez fans; best ignored by
everyone else.
The Chainsmokers Collage1.0
Suzanne Vega Lover Beloved4.0
Banks The Altar4.5
M.I.A. AIM3.0
Frank Ocean Blonde3.0
Grace FMA (Forgive My Attitude)3.0
An entertaining debut LP from a promising Australian songstress. She has a sweet tooth for the retro (check out her cover of Lesley Gore's "You Don't Own Me"), but that doesn't stop her from composing modern pop tunes.
Ariana Grande Dangerous Woman2.5
Pet Shop Boys Super4.0
A pleasantly clever record, with tongue-in-cheek guilty pleasures like "Groovy" alongside interesting electronic arrangements and well-written lyrics ("The Pop Kids," "Happiness").
Rihanna ANTI3.0
2015
Grimes Art Angels5.0
Joanna Newsom Divers3.5
Phases For Life4.0
Carly Rae Jepsen Emotion4.0
Melanie Martinez Cry Baby4.5
Florence and the Machine How Big, How Blue, How Beautiful3.5
Courtney Barnett sometimes i sit and think, and sometimes i just sit5.0
Kendrick Lamar To Pimp a Butterfly2.0
Marina Froot4.0

2014
Charli XCX Sucker3.5
Taylor Swift 19893.0
Tinashe Aquarius4.5
Perfume Genius Too Bright4.0
Morrissey World Peace Is None of Your Business2.5
Jeri Silverman Leaflike4.5
Suzanne Vega Tales From The Realm Of The Queen Of Pentacles3.5

2013
Alice Russell To Dust4.0

2012
Esthero Everything is Expensive2.5

2011
Cascada Original Me3.0

2010
Liz Phair Funstyle3.0
Michelle Branch Everything Comes and Goes3.5
Macy Gray The Sellout4.0
"The Sellout" is one of her best albums. It's more poppy than its predecessors, but that doesn't
spell out disaster in her case. "The Sellout" is surprisingly deep, discussing her hunger for fame
and her desire to stay true to herself, while songs like "Lately" provide an opportunity to dance.
The Velvet Revolver team-up "Kissed It" brings to mind Black Keys, and though its lyrics aren't
phenomenal, it's still refreshing on an album of confessionals, apologies, and love songs. Even
the balladry here is impressive - "Let You Win" could be sung by Adele, but it really pops with
Gray's vocals. There's only one big misstep on the album: "Beauty in the World," a "the world is
wonderful" song whose lyrics ("shake your booty, boys and girls, so much beauty in the world")
leave much to be desired.

The album is a testament to her range and talent; she wrote almost everything on it, and gives it
a unique spin with her raspy voice, which sounds jagged but authentic, especially in a time when
auto-tune is making 99% of the pop sound as if it came from a sterile factory in Hollywood. Though
her vocals and eclecticism may be a turn-off for some, this record shows that Macy Gray is back,
and with good reason.
Christina Aguilera Bionic4.0
Sleigh Bells Treats5.0
Kelis Flesh Tone4.0
Kate Nash My Best Friend Is You3.0

2009
Cascada Evacuate The Dancefloor3.5
Not exactly the Holy Grail of dance tunes, but there are some great songs here: "Evacuate the Dancefloor" and "Fever" are charming, if unoriginal, dance tracks, while "Everytime I Hear Your Name" is the sort of shiny, heartfelt electro-ballad that only Cascada could pull off.

2008
Alice Russell Pot of Gold4.0
Pussycat Dolls Doll Domination3.0
Little Jackie The Stoop4.5
Charlotte Sometimes Waves And The Both Of Us4.0

2007
Cascada Perfect Day3.0
Imani Coppola The Black And White Album4.0
The Veronicas Hook Me Up3.5
Skye Sweetnam Sound Soldier4.0
Korn Untitled1.5
Kelly Rowland Ms. Kelly3.0
Feist The Reminder4.5
Folk-tinged indie pop with something to say and great rhythms. "1234" and "My Moon, My Man" rank among the best pop songs of the year, and the whole album proves remarkably cohesive.

2006
Joanna Newsom Ys4.5
Amy Winehouse Back to Black3.5
TM Juke Forward3.5
Kelis Kelis Was Here4.0
Cherish Unappreciated2.0
A tepid and utterly faceless foray into mid-2000s R&B. Though hit single "Do It To It" is fun and "That Boi" boasts a good beat, the rest sounds like something a Destiny's Child cover band would record. The worst offender? "Taken," where they shamelessly attempt to emulate Beyonce and end up sounding like a second-rate Kelly Rowland.
Alice Smith For Lovers, Dreamers & Me2.0
Feist Open Season3.5
Cascada Everytime We Touch3.5

2005
Esthero Wikked Lil Grrrls4.0
Telepopmusik Angel Milk3.0
Telepopmusik's second LP is fair, but it frequently tries too hard on puzzling experimental tracks that are mostly silent. They're best om songs like "Into Everything," a Deborah Anderson collab that sounds like "Breathe"'s more-complex cousin.
Robyn Robyn4.5

2004
Skye Sweetnam Noise From The Basement2.5
Madison Park Boutique4.0
A sleek, sophisticated collection of electropop. Perfect for cocktail parties, romantic evenings, and days at the beach alike.

2003
Kelis Tasty4.5
Liz Phair Liz Phair3.0
Michelle Branch Hotel Paper4.0
Robert Palmer Drive4.5
Weird Al Yankovic Poodle Hat3.5
Yeah Yeah Yeahs Fever To Tell4.5
Madonna American Life3.5
A fun effort full of sparse electronica and lyrics that ream modern American life and ideals. Her criticism of beauty-obsessed culture would sound a lot more convincing if her career hadn't hinged on sensationalist showing of skin since Record No. 2, but most of her complaints are valid. At times, the record sounds like a precursor to M.I.A.; elsewhere, it sounds like a stripped-down "Music." It's not perfect, but it's more of a risk than her prior few albums, and that is worth applauding. At least it's different, another color Madonna the Chameleon effortlessly morphs into.

2002
Kelly Rowland Simply Deep2.5
For a while, it looked as if Kelly Rowland was going to be the Destiny's Child member with the big solo career. First, she helped Nelly with "Dilemma," then hit the charts solo with "Stole," a touching song that tells the story of a school shooting and the lives of those involved; a simple but haunting arrangement completes the package, making it one of the best singles of 2002. Unfortunately, the rest of the album is a disappointment. "Train on a Track" is a cool, laid-back tune about falling in love helplessly, and "Love/Hate" and "Can't Nobody" are good as far as dance-R&B goes, but too much of the rest sounds like dated filler.r
Telepopmusik Genetic World4.0
Alanis Morissette Under Rug Swept4.0
Dirty Vegas Dirty Vegas3.0

2001
Michelle Branch The Spirit Room4.0
Vitamin C More1.5
A mushy collection on painfully dated pop; most of the album sounds like it was influenced by "Genie in a Bottle" and Britney Spears. Each track sounds Radio Disney-ready, but the lyrics would have parents changing the channel ASAP - just look at "Sex Has Come Between Us." The worst track? Her cover of "I Know What Boys Like." It has 0 self-awareness and her voice sounds like a chipmunk on helium. Her first record was at least bearable, but this album is another story...
Nivea Nivea2.5

2000
Michelle Branch Broken Bracelet3.5
Hoku Hoku3.5
Not exactly Shakespeare, but it's a fun, innocent pop album that's far superior to anything Britney Spears or Christina Aguilera has ever done.
Snake River Conspiracy Sonic Jihad3.0

1999
Pet Shop Boys Nightlife2.0
Though the album has some good songs, like the disco-inspired "New York City Boy" and the toned-down Kylie Minogue duet "In Denial," much of the album feels nondescript and lacks the wit on the Boys' earlier work.
Collective Soul Dosage4.0
Fiona Apple When the Pawn...4.5

1998
Alanis Morissette Supposed Former Infatuation Junkie3.0
Vitamin C Vitamin C3.0
Liz Phair Whitechocolatespaceegg4.0
Air Moon Safari5.0

1997
Imani Coppola Chupacabra4.0
A lesson in clever lyrics and interesting sampling.
Chumbawamba Tubthumper4.5

1996
Fiona Apple Tidal4.0
Beck Odelay5.0

1995
Garbage Garbage4.5
Alanis Morissette Jagged Little Pill4.0

1994
Liz Phair Whip-Smart3.5

1993
Pet Shop Boys Very4.5
Though this record has lots of dancefloor-ready tunes ("A Different Point of View," "One and One Make Five"), there are some weighty lyrics - "Dreaming of the Queen" deals with AIDS, while "Can You Forgive Her" examines a relationship in which the woman is unsatisfied and close to learning the truth about her partner. A dance classic.
Liz Phair Exile In Guyville1.5

1987
Pet Shop Boys Actually4.0
Sinead O'Connor The Lion And The Cobra5.0

1983
Toni Basil Toni Basil4.0
Toni Basil's second LP feels a little dated, but the songs are so much fun that that hardly matters. "Space Walkin' the Dog," which sounds eerily similar to Madonna's "Material Girl," is a must-hear (Toni's came first), and the MTV hit "Over My Head" has the new wave sound perfected.
The B-52s Whammy!4.5

1982
Toni Basil Word of Mouth3.5
1981
Grace Jones Nightclubbing5.0

1980
Robert Palmer Clues4.5

1964
Diane Renay Navy Blue3.5
Emblematic of early 60s girl-pop. Though it's clear that she wants to be Lesley Gore, Diane Renay avoids sounding like a copycat. Highlights include "Watch Out, Sally," an exciting tale of a girl who falls for a bad boy only to be dumped for another girl, and the title track, a top 10 hit in the US.
The Shangri-Las Leader of the Pack5.0
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