Jacob Collier remains an enigma in the realm of pop music. As a jazz-trained musician and former theater enthusiast who gained popularity through YouTube, he has always exhibited a plethora of ideas and promise in his music. However, he often struggles to reconcile his intricate and grand concepts with the expectations of a mainstream audience. Despite this, Collier's charm shines through in subtle moments within his music, and "Djesse Vol. 4" is no exception. The opening track, "100,000 Voices," is a dense and dynamic progressive pop masterpiece that traverses various musical styles and ideas. Unfortunately, beyond this standout track, the album becomes somewhat of a snooze fest. Each subsequent track attempts to shoehorn complex instrumental ideas into the confines of a millennial pop anthem, resulting in a collection that feels out of touch with the modern era. While "Djesse Vol. 4" may be Collier's most accessible album to date, it also sacrifices much of what makes him unique and interesting.
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