| | Ratings (6) |
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3.0 good | Gene Gol-Jonsson CONTRIBUTOR | December 29th 21 | I don't speak French, so I cannot speak on the lyrical content, though I've read up on it a little bit. But even though she tackles some serious and surprising stuff, I cannot say whether her writing can handle it. So I will only judge the musicianship, song-writing, and production. Musically, this is a bit of a slogging and straightforward pop album. Not a lot piqued my interest outside a few earworm moments, which are mostly carried by Angele's vocals anyway. Songs follow a similar tune; at one point I felt like I am listening to alternate versions of the same song one after another at least three times in a row and then again. The album quickly becomes quite repetitive, unfortunately.
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3.5 great | charlopiano | December 6th 21 | I think it's great that Angele has the popularity she has. She's quite a great vocalist with insightful lyrics on society, being a woman or a pop star, so even though her composition aren't always the most original thing, she's a lot of fun to listen to.
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3.1 good | Erwann S. STAFF | December 6th 21 | Some bangers, some introspective tracks that feel more like personal diary excerpts, and then not much else in terms of memorable melodies or ass-shaking grooves.
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3.5 great | Bedex | December 3rd 21 | Fuller soundoff to come later probably, but in short this album (contrary to what the artwork may suggest) shows Angele's more nocturnal, urban, neon side, where Brol was more of a chill summer afternoon soundtrack. This one is more produced, more autotuned in the back, and has a lot more prominent rap/trap DNA. It feels more full. At first I wasn't so keen on this new style, but as I got to terms with knowing that the style of Brol would scarcely come back - except maybe on 4 -, it got better. And whilst some of the tracks feel like slightly forced radio anthem fodder, some are true successes. 3.5
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