| Full Review | Ratings (36) |
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3.5 great | ajcollins15 | October 22nd 20 | On the surface this is a fairly interesting listen because it takes a genre of music, jazz, that is not new to the idea of odd time signatures and melds it with another genre that is based on the idea of odd time signatures to create this new sophomore LP from the Connecticut 7-man band, The Most. On first listen this is a beautiful showing of what classic math rock can do to an already dense genre of jazz fusion. However, the more I listen to it the recording issues breakthrough?who in the world produced this because none of the instruments have room, and they all clash on top of each other. This is still a solid listen with a lot of great song structures and ideas, but the recording hinders this album from being a great record.
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3.7 great | Erwann S. STAFF | October 13th 20 | Wowee a jazz-influenced math rock record = a happy me. This one is much less emo-sounding than At Once, although the emo isn't entirely gone. Rather, the jazz focus is further improved, wind instruments working together with the stringed one to jam 11/8 shit or whatever time signature they wanted to try. While this aesthetic sure pleases me, I am left with a slight sentiment of "not enough" at the end of this album's listening. They're almost there for me.
Bump |
4.0 excellent | Oobaloo | July 18th 23 |
1.5 very poor | eckology | February 28th 21 |
3.0 good | jmh886 | December 31st 20 |
4.0 excellent | BogdyB88 | December 28th 20 |
3.0 good | GamamJ | December 24th 20 |
2.5 average | Project | October 13th 20 |
3.5 great | Sowing STAFF | October 13th 20 |
2.5 average | Paint | October 13th 20 |
4.0 excellent | Nine | October 13th 20 |
4.5 superb | zzf1918 | October 11th 20 |
3.5 great | NBA | October 10th 20 |
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