The instrumentals (80's style) are a tad conflicting w/ the lyrics (90's in spirit), both sound literally decades apart from blending... It comes off as so edgelord lyrically that the delivery comes off as more funny than scary. Not necessarily bad but I don't think horror-core is intended to be laughed at. Personally the 2nd half is better than the first half. Being an originator I'd argue is not necessarily grounds for meriting an album as great. This album is to hip-hop's horror-core subgenre what Cromagnon's Orgasm was for the industrial genre.
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