Best live performer, best record of its kind (which there wasn't before it) followed by a somehow even more
impressive record, and now with this record it's clear that we can call it a pattern, not coincidence, that every release
outshines any thing out that is put into the categories used to classify music of resistance to mainstream culture and
politics, made by anyone who isn't a member of the dominant class, but rather that of the group self identified and
united by a shared enemy, fighting a battle that more and more rapidly is becoming a battle being fought by the
entire planet, simply generalized into "the oppressed".
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