Underoath   Erase Me
2.8
good
Release Date: 2018
Tracklist

 Full ReviewRatings (392) Give your Rating

3.5 greatpizzamachine | March 31st 18

Imagine your mom in a blender. Now imagine that that blender is by no means musical in any way. Now imagine
that I have not listened to this album yet and that this soundoff has entirely wasted your time.


19 Bumps | Bump

3.4 greatWillie STAFF | March 30th 18

Defintiely a more melodic, diverse, and accessible version of the band I knew. Granted, I only really bothered with their last two albums, but this sounds nothing like them. The music is really good, mixing melody, electronics, and post hardcore, but the clean vocals don't always do it for me. Still, a pretty great return even if it's not nearly as intense as their previous two releases.

7 Bumps | Bump

2.0 poorSteakByrnes | April 7th 18

These guys went to go get some milk 8 years ago and they're finally back

Too bad the album is a snooze


6 Bumps | Bump

2.4 averageXenophanes STAFF | April 6th 18

I know I?ve made this joke already but this is the best Linkin Park album in some time

5 Bumps | Bump

3.5 greatJesusCage | April 6th 18

To get a better experience you can make an EP out of it.
And if you dont mind me making a suggestion, it goes like this:

1 It has to start
2 On my teeth
3 Sink with you
4 Hold your breath
5 No frame
6 I gave up

(3,3)


3 Bumps | Bump

0.0 VaxXi | March 31st 18

Erase Me (Feat. Kanye West) > this album

2 Bumps | Bump

2.0 poorYourStarryEyes | April 8th 18

Wow. We've been waiting 8 years for this? Don't get me wrong I am stoked to see Under´┐Żath
back, but I must say this album was very, very hard to listen to. After their last 3 killer albums,
you'd think they'd have something crazy in store for the next release, but instead everyone was
granted with 40 minutes of boring, bland, and generic songs. I don't know how they went from
Define The Great Line and Lost In The Sound of Separation to this. If they wanted to make
something more simple, that's fine because they proved that approach could work with They're
Only Chasing Safety. But instead, it appears they wrote these songs simply for radio airplay. It's
sad to see one of your favorite bands come to this.


1 Bumps | Bump

2.5 averageJared Floryan | April 7th 18

Seen as one of the faces of melodic metalcore, the Tampa-based act Underoath have done very well up until this point carving an identity to call their own. This is coming from somebody who was introduced to the band through "Writing on the Walls" and gave their back catalog a kinda sorta cursory listen. Erase Me symbolizes two firsts for the group: it's the outfit's first record in a decade to include drummer and clean singer Aaron Gillespie; and tellingly, it's also the first ever Underoath release that drifts away from the Christian themes present on nearly every past offering - except Disambiguation to a small degree. Musically speaking, Oath's eighth album pretty much downplays the post-hard/metalcore influence and shines its light more so on an unambiguously radio rock sound... with layers of electronics and industrial-isms. In theory Erase Me could've worked out nicely in the end, though overall, I'm rather disappointed with most of what's being displayed. "Sunburnt" and "Unsound" felt like natural progressions compared to this unimpressive buttfest of an effort. Spencer's great on the mic and sometimes the musicianship proves solid, but the lyricism makes for a shallow (plus forced) read, production is way too polished, and the songcraft's rarely exciting. The album wouldn't have been so hard to sit through had it just been a 4-5-track EP. Not a strong comeback, to say the least. Angel recommends: "On My Teeth," "Hold Your Breath," "No Frame," "In Motion," and Mr. Watch Yo Profanity.

1 Bumps | Bump

3.0 goodRisodo | June 5th 18

"Erase Me" was a surprise when it was announced, but many already knew that the result might not be so good after a few sabbatical years. The first half is very tiring, not engaging or even holding to listen anymore. But what really saves is the second half, which presents a nostalgic version of a band that seeks innovation in a new field that does not yet have the knowledge to act. It is worth checking for the affection with the band, but it is very disposable.

Bump

2.0 poorMasBarHigeuoris21 | May 13th 18

If bland and boring is what Underoath was aiming for, they have met their goal with Erase Me. Gone is the heaviness that made Underoath, Underoath, being replaced with a more melodic, alternative rock sound. I don't mind the change in musical direction, it just doesn't sound very good. Hopefully they go back to their roots on the next album or at least execute the transition to melodic music better.

Bump

1.5 very poorjpaulwegenast | April 22nd 18

Went from a 2.5 to a 3.5 after a few listens (picking up the vinyl helped). I'm
definitely starting to understand the evolution from DTGL to LISSOS to
Disambiguation, and then with the better half of a decade to Erase Me; the result is
an album that makes sense. I'm really enjoying the ominous presence of Chris Dudley
with Spencer and Aaron trying out a new formula. Grant, James, and Tim still pull of
the classic UO instrumentation and riffs, it's just other elements take the lead this
time around, and I think it's actually quite refreshing. They hold on to the post-
hardcore, let go of the metal and overtired breakdowns, and finally get into some
atmospheric electronic elements that, until now, were not being optimized. Might go
up to a 4 for me, I'll give myself some time. Definitely something different.

Update: Going down to 1.5. Didn't stick.

I had hopes. I definitely held UO to the expectations of DTGL; wasn't hoping for a 2.0, but
rather an evolution from them that went deeper into what UO came from with maybe some
maturity. This felt like something that should've been under the name of another project.
Hilariously enough, they went into this release (as one article read) promising each other
not to judge/be critical in the creative process of writing that didn't "sound like
Underoath." Fair enough, but there's a huge disconnect even from Disambiguation. I have far
too much to say for a comment or sound off. I might've outgrown UO.

Bump

3.0 goodmeenwolf131 | April 12th 18

more accessible straightfoward-structure heaviness / twisted with industrial elements but mostly uninteresting / still explosive aggressive banger and tight atmospheric dynamic but mostly forgettable listenable

Bump

3.5 greatcoma2rium | April 9th 18

Can't hate the album for what it's not. I'd be lying if I said I wasn't disappointed the album didn't continue down the DTGL/LITSOS/Disambiguation path, but given Spencer's activity in Sleepwave during their time off, it really isn't too surprising when you think about it. That and this album is pretty obviously not a cash grab, anyone who thinks otherwise clearly hasn't seen the turnout for them touring on 12 year old albums for the last two years. rThat all being said, as far as this vein of "metalcore goes radio rock" a la Bring Me The Horizon, Of Mice & Men, etc, Erase Me blows these previous bands' efforts out of the water. As much as I loathed Rapture and Wake Me upon first listen, I woke up in the coming days with the choruses gnawing at the back of my mind and over time the album has grown into a master-class in how to soften rough edges, throw in a massive chorus, and push more accessible themes to the forefront while still retaining interesting song structure and lyrical integrity. rSure, I wish Spencer would've let loose with some lows here and there, and leaving Loneliness off the tracklisting of the actual album is a travesty, but all in all I'm happy to have a new underOATH album in 2018, and I have no doubt they will still put on one of the most intense live shows I'll see this year. r

Bump

3.0 goodiamaviate | April 9th 18

3.0 just isn't good enough for Underoath. I'm really fucking sad tbh

Bump

3.0 goodcloakanddagger | April 7th 18

This album is such a huge disappointment. Just sounds like a sleepwave album but with
different musicians and some glimpses of what made Underoath great to begin with. It's not
awful but they could've done so much better.

Bump

3.0 goodPaul Quinones | April 6th 18

I'm vibing. It seems to keep the unmistakable Underoath vibe. While the formula has changed, the dynamic remains the same. It's ferocious in a different way, but still hits hard. Lots of bands seem to fail in transition to a more accessible sound, but in my opinion Underoath has succeeded. Color me impressed.

Bump

1.5 very poormementomxri | April 6th 18

i don?t think i have ever heard a band betray their originial sound like this. it?s different to make a more mature album but this monstrosity literally backtracked everything they had going. majority of these songs sound like they belong on Sirius XM Octane and your local butt-rock station that plays Greta Van Fleet and AC/DC religiously. Even the songs that seem like they?re gonna go somewhere fall totally flat with the most predictable song structure ever put in a ?metalcore? album. Maybe soon they?ll write actual underoath songs, and not recycle shitty Sleepwave demos for 40 minutes.

Bump

0.0 TheSpirit CONTRIBUTOR | April 6th 18

Erase Me ... even the album itself is begging to be eradicated from your library. Listen to
the plea, not the songs.

Bump

2.5 averageBiscuitKnees | April 6th 18

Dives far too deeply into radio pop territory. Not quite the full 180 that Linken's Park did but it is close. The music isn't terrible, just not the quality I would hope/expect from Underoath. If this was any other band this would be a throwaway album.

Bump

2.5 averageLucman | April 6th 18

Like its title implies Underoath's big return effortlessly erases everything that made them good during their mid-2000 stretch.

Bump

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3.5 greatDalton DuBois | March 30th 18
4.5 superbFaraudo | March 30th 18
3.0 goodRowan5215 STAFF | March 30th 18
1.0 awfulStorm In A Teacup | March 28th 18

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