The Ralf Hutter and Florian Schneider show had ten seasons, the best of which were without a doubt 4-8. The first two seasons were pretty shaky, but the third season began to right the ship and show even more of the glorious potential they had. The episodes all have at least some degree of experimentation going on with ambient electronics, whether they be simple synthesizer lines that evolve into melodies played a full band of instruments or just fluttering piano and light bass. Point is, the episodes here is generally easy to watch, and while still a bit unstructured, has more direction to it than either of the first two seasons did. It was a necessary process for the duo to go through, otherwise they wouldn't have been able to create the fine seasons we all know and love from them. Television analogies.
Bump |