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| 2.5 average | TheManMachine | October 8th 15 |
DiMaggio's permanently choked-up flamboyance-vox are something to behold and, yes, perhaps appreciate too -- a voice that loquaciously exudes personality right on through and, yes again, perhaps overbearingly so. Out of the fluctuating-degrees-of-legitimate arrangements, it's the domesticated state conveyed during a handful of great full-band-ish songs where he (and they) come across best, and most self-evidently. Ah, but then there's the flatulent goofy-keyb gasper-sonnets and stagnant chanteys, and a particularly flummoxing crypt-dive into rusty-chain rustles/spotty yelps/miscellaneous knockings/empty space.
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