Submo submotioning hard. Then again, it's a downtempo/nu jazz/electronic/soul/dub maelstrom of album, but the band slightly experiments here and there, with a more important and uniform use of trumpets (not only used in bridge anymore, but throughout all songs), as well as some more experimental tracks (Bring Back the Wolf). While this is ofc really good stuff, this is a slight step down from Fragments and Finest Hour: if overall this is extremely consistent, no track here attain the first two albums' best cuts awesomeness.
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