Panopticon   Kentucky
3.6
great
Release Date: 2012
Tracklist

 Full ReviewRatings (358) Give your Rating

2.0 poorSinNanna | March 17th 19

Austin Lunn's commercial breakthrough under the Panopticon name sees a significantly more prominent incorporation of the american folk elements that were used more sparingly in the past. Although definitely one of the most ambitious records in its catalogue, I've frankly always found that its execution left a lot to be desired, as often whenever this record takes a detour into its more folky aesthetics it tends to make the music fall pretty flat. Examples of this are the really offputting flutes on the tracks Bodies Under The Falls and Killing Giants As They Sleep or the jarring bluegrass covers of old labor standards on Come All Ye Coleminers and Which Side Are You On?. There's some pretty cool moments on here as well, like the first half of Black Soot And Red Blood which is backed by some beautiful and righteous background vocals, but even that track turns tedious with the overuse of documentary samples that aren't incorporated very creatively and just get drowned out by the black metal instrumentation anyway. I also don't really care too much for the sudden hypermelodic heavy metal style guitar solos that pop up here and there as well, which to me made the music sometimes feel even more awkwardly structured. The title track, which is a melancholic sounding instrumental bluegrass piece, is maybe the only moment on the record where I think this folk influence comes through in a great way, even though by then its way too late and too little. A record I admire and I wish I liked more, but every time I revisit it I am treated with a pretty underwhelming listening experience.

1 Bumps | Bump

1.5 very poorAyil | August 9th 14

This album is some of the worst shit I've heard. While the black metal bits are decent, the Bluegrass crap makes this album painful to listen. I would honestly listen to 'The Unspoken King' over this any day. Bleh.

1 Bumps | Bump

2.0 poorSanta Koopa | July 9th 25

yokel guntsch whinin

Bump

4.0 excellentFirstStrikeIsDeadly | October 13th 19

Great atmosphere and great fusion of styles. Really emotionally involved in presenting its message too. My only thing is the vocals: they're very raw which I appreciate, but I can't really feel the righteous anger as much in the black metal songs if I can't understand what he's saying! And the bluegrass vocals sometimes have this kind of nerdy timbre to them that betrays their gritty working class meaning. Cool album though.

Bump

3.2 goodErwann S. EMERITUS | May 24th 19

It's been a long time, and it's much less challenging than what I remember. The idea is however much better than the execution, and it might be his weakest opus (vs. Social Disservices), but the dude shows us that almost any genre can mix with bm. Plus he's experimenting, so respect bruh.

Bump

4.0 excellentTheNemeton91 | April 12th 18

Every decade or so, an album will shake up a genre so fundamentally , or so daringly
inject progressive elements that a fanbase is ultimately unwilling to tolerate, or
simply unprepared for. "Kentucky" is most certainly the latter, and made strides towards
achieving the former. If for boldness alone, I doff my cap to Appalachia's son, Austin
Lunn.

Now, I fully concede I am more lenient than most. I don't agree that elements of an
album being too disparate should so deeply shatter the quality of the product. However,
such arguments are not without merit. The production of "Kentucky" practically
highlights just how distinct and stylistically juxtaposing Americana and Black Metal
conventions really are. For my part, when broken down to it's individual components, I
enjoyed the stylings of this record considerably. The campy, rootin' tootin' Bluegrass,
the (punk-in-spirit) socially conscious folk tunes, the humanity of the tasteful voice
samplings, and the ambitiously structured Black Metal tracks. I'll be the first to admit
that tin whistle is irritating, but "Bodies Under The Falls" (particularly past the folk
building mid-section) peaks higher than nearly anything Austin has ever done, and
"Killing The Giants As They Sleep" is a crushing and emotive monster.

Ultimately, "Kentucky" is a bold and unique stylistic synthesis, one that Austin Lunn
would later markedly improve upon, and, for however much it's disparate elements are a
jarring misfire for many, the Wright Brothers didn't learn to fly on their first attempt
either. - 3.9/5

Bump

4.0 excellentlolersaktes | August 3rd 12

A unique sounding album, even for a Panopticon release. On its own, the black metal aspect sounds as if it was composed by a veteran of the genre. The drumming is punishing, varied, and filled with interesting nuances. Lunn is also no slouch behind the guitar. The most common technique here is layering a hopeless yet melodic FX-heavy guitar over aggressive BM riffs. Throughout he manages to string in 'shredding' guitar leads and solos, as well as flutes, banjos...basically any instruments you'd expect find in a bluegrass band. Song structuring is rough (and may appear to meander on the first few listens). Despite this drawback, the album remains cohesive and is gratifying to listen to from start to finish. Last thing to note; the melodies found in this album are complex, nuanced, and fresh - unlike anything you've heard in the black metal genre (or elsewhere).

Bump

3.0 goodSevhead | July 11th 12

completely and thoroughly original, absolutely fresh and unique in a genre spilling over with stagnation and copycat sounds. r...but I wouldn't recommend listening to it.

Bump

0.0 XGX | July 6th 12

Panopticon have never been a band that sticked with traditional black metal standards , they look always for something unique , in each sequent release there's a strong experimentation, however, this one takes the cake. Merging black metal and bluegrass, The unique folky elements of Kentucky are punishing the black metal boundaries and giving room to an excellent original record.

Bump

2.8 goodTrey STAFF | May 30th 12

The novelty of black&blue (grass) metal is initially pretty cool, but it loses its appeal after a few listens. Still a great album but not as cool as initial listens would have had me believe.

Bump

3.0 goodTheFourthCircle25 | October 8th 25
3.5 greatNick Mongiardo | September 27th 25
3.5 greatAffableMartyr | August 8th 25
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4.2 excellentRyan P STAFF | July 1st 12
5.0 classicCrustOrDie | July 1st 12
4.5 superbPittsburgh | June 29th 12
3.5 greatMisterTornado | June 28th 12
5.0 classictomr4 | June 27th 12
5.0 classickilzaar | June 27th 12
2.5 averageKyle Ward EMERITUS | May 23rd 12

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