The Smashing Pumpkins - Pisces Iscariot
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Band/Album General Information
Billy Corgan: Guitar, Vocals
James Iha: Guitar, Vocals
D'arcy Wretzky: Bass Guitar
Jimmy Chamberlin: Drums
Release Date: October 1994
About The Album:
After the releases of the underrated Gish and the massive hit album masterpiece that was Siamese Dream, as well as all the accompanying singles, the Smashing Pumpkins had a formidible collection of B-sides and the like; songs that were not bad or discardable ideas, but that had simply not made it to an album. Billy Corgan must have realized that even the songs that weren't deemed good enough to appear on an album were still good listening... The result was Pisces Iscariot. This CD is from a time when the band was still quite young and still at peak energy, but with a more relaxed feel than a precisely set up full album release.
The sound and feel of early Smashing Pumpkins is all here. There is a great amount of variety on the disc, from soft and dreamy songs to paced, chugging ballads to hard rockers to all out insane jam session style rampages, and even a few tracks inbetween. There isn't very much sloppiness present, and most of the songs are rather complex with some very good guitar work, which is not something you might expect to be found in so many songs that didn't make the cut. It works as a companion CD to Siamese Dream, yet has enough to it to stand out on its own as a good album.
The outside of the packaging is a variety of blurry images in green and blue. Inside the thin cd liner is a message in typewriter style from Billy Corgan containing various things about the album, some interesting and informative, others quite random. Behind the disc is an interesting photo of the band during a session, having a good time, in rather unique surroundings. Thus the mood is set for Pisces Iscariot.
Overall Rating
3.5 / 5 using the standard MX CD review scale. Pisces Iscariot is a great collection of B-sides and other tracks that didn't quite make it to Siamese Dream, but it is not quite a critical album in the genre. It happens to be one of the greatest collections of B-sides you'll ever hear. If you're a Pumpkins fan, or if you particularly enjoy the Siamese Dream era sound of SP, this CD is an essential. How obscure these tracks are to most people is a shame.
What's Good About It
How many discs of B-sides do you see in the store? Not very many. How many of those discs do people buy? Hardly any. A B-sides collection usually has a few gems and decent songs on it, followed by a lot of lower quality work, much of it just plain crap, to serve as filler. This CD, however, has almost nowhere to trim fat from. It's for the most part packed with songs ranging from good to amazing. The tight feel of a final album mix isn't present (at the start of at least one track you can hear the tape clicking), and the band is genuinely having a good time. Remember at the end of
Silverfuck when Billy says "Alright... this take... don't give a fuck"? Yeah, it's kinda like that.
What's Bad About It
It's not completely top notch. One or two tracks are bound to make you twist your face and wonder why the heck they showed up, while songs like
Glynis are missing. Even if you love it, Billy's voice can get really irritating on some tracks (
Landslide). One or two tracks (these are all going to vary by person, I predict) will also have you wondering why they move so slowly or go on so long. Also, it's a pieced together album of unreleased tracks, which to me takes away from the feeling that the album was designed to have these specific songs in this order. All in all, it's not their best album.
Individual Song Review
Song rating is relative to the rest of the album, with a 5 indicating the best song(s) on the album and a 1 indicating tracks that simply should never had gone into production.
1. Soothe (2:36)
3.5 / 5. This song is nothing but a guitar and the sweet strains of Billy Corgan's voice. It is very soothing, and a decent song, but it's a little early on for a slow and meaningful piece. You'll either love or hate this song, but it's really not a bad song at all.
2. Frail And Bedazzled (3:17)
4.5 / 5. From the moment this song rolls in on a phase shifting lone riff, you get a good vibe. It's a classic Pumpkins rocker that is very upbeat and positive, considering the lyrics. A trippy solo and unusual a cappella portion lead this song into a hard hitting finish. Frail will instantly come off as one of the gems on Pisces Iscariot.
3. Plume (3:37)
5 / 5. Not to bias the review of this song, but it might be my favourite Pumpkins number. Reguardless, I've never heard anyone say this song was bad. It's a slower, chugging, power number with lyrics about being bored, filled with thick, deep and repeating (but amazing and fun) riffs. The song really shines halfway through and at the end with two very unique, heavily phase modulated bend-filled solos. Another big track on Pisces.
4. Whir (4:10)
3.5 / 5. "Whir yourself around... just to fall back down." This is a relaxed and very light slow song that drifts along but doesn't really have a solid sticking point. There's some nice acoustic guitar work and octave stuff on here involving the bass, as the lyrics muse through a fictional life situation that the singer has to find ways to deal with. It's a good slow song with a neat ending, but doesnt possess enough to be very moving.
5. Blew Away (3:32)
5 / 5. This song is just... beautiful. Soft guitar leads and a mellow flow along with very present bass make for a very pretty sounding piece, sung entirely by James Iha. After dancing around through a few bridging progressions the song quiets down and suddenly the distortion cranks up and a powerful solo backed by thick chords absolutely pours in for a final chorus. Smashing Pumpkins make some of the absolute best love songs out there.
6. Pissant (2:31)
5 / 5. The first thing you might notice about this song as the furious drumbeat comes running in is that it is mixed all as one, a rare live recording. A chunky and fast riff with pounding bass quickly takes over and is accompanied by loud, angst-ridden vocals. This song is fast, hard, and fun.
7. Hello Kitty Kat (4:32)
4 / 5. In the liner notes, Billy Corgan heralds it as his most passive-agressive song. This song gets into its heavy, neverending overdriven run right from the start. For having the format of a simple hard rocker, it contains a lot of creative variations, including a key change leading into a guitar solo'd ending. The mix is distorted due to Billy playing around with it, and as such there's some crackling, and the vocals are difficult to hear.
8. Obscured (5:22)
5 / 5. A long, slow, dreamy number containing massive quantities of guitars and some unusual alternate tunings to achieve unique sounds. It's much dreamier than Whir or Soothe, and you fall into it deep and float along with the river of sounds until the dramatic feedback ending. A very amazing song.
9. Landslide (3:10)
3.5 / 5. It seems like everyone's got a cover of this song... and it's a good song after all... but I tire of hearing it. It happens to be one of Billy Corgan's favourite songs, and it's not like this is a bad cover... it's better than most. It stays simple, but Billy gets very whiny throughout, subtracting from the feeling. After hearing Obscured, this track just feels shallow. Curiously, it is the only song on Pisces to ever air on the radio.
10. Starla (11:01)
5 / 5. This song is LONG, and it's in the best way possible. A truly remarkable progressive pattern is present here. Interesting backwards guitar floats around as a simple ascending riff begins, and Billy sings the verses. After a few minutes, the reversed guitar fades away and some distortion slams onto the riff while the verses repeat. The guitar steps off and a short, soft interlude begins. After a few powerful lyrics, the distorted main riff comes back for more and Jimmy's drums go into overtime as well. An insane lead composed of two guitars comes in over for a very complex 'solo' lasting no less than four minutes. When the action ends, a peaceful fading out riff comes to walk you to the door.
11. Blue (3:19)
4 / 5. A chime track introduces this song, which contains a very prominent bass with some noteworthy handling. The chorus line is simply, "For you.... Blue". After a while the song comes to a conclusion, but it is not the end... A short and very mellow follup section comes in to conclude the song.
12. Girl Named Sandoz (3:34)
3 / 5. This is a cover of a song originally performed by The Animals... and no, the original wasn't so hot either, but it might be better. A fun song that feels like significant heaviness has been added from the original (it has) with silly lyrics about an odd girl. A part of the song contains rather random guitars playing lead lines and making feedback and really deteriorates from the integrity of this song, which worked better with a simple structure. The solo is also mediocre, although not that bad. There's a good chance you won't be so keen on this track.
13. La Dolly Vita (4:16)
3 / 5. A slower song with some nice guitar parts. The feel is loose, and although it is nice sounding it's hard to get into, similar to Whir. "Cool as ice cream."
14. Spaced (2:24)
2 / 5. In the liner Billy ponders what he was thinking when he made this track. You will too. Starting with what sounds like a propeller gradually slowing down, this track becomes two minutes of two repeating measures on guitars gradually swelling in volume, accompanied by simple lead lines. All the while Billy is saying the most random and profane things, and they're all spliced together in the song, many parts overlaying each other. Spaced is simply disappointing, although it may teach you a few new innovative ways to use "fuck" or "whore" in a sentence.
Pisces Iscariot finishes overall as a quality piece of work. It defies all expectations for a collection of B-sides, and contains a few outstanding, memorable songs. It's a valuable part of any Pumpkin lover's collection as it completes the early years. At the end of the day, a few of their other albums are better, but Pisces Iscariot is still rich with goodies.
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- Dennis Rybes 05 Sep 2004