Jessie Ware
Superbloom


4.0
excellent

Review

by SublimeSound USER (37 Reviews)
April 29th, 2026 | 7 replies


Release Date: 04/10/2026 | Tracklist

Review Summary: Feast on the apple, dine with the snake, and fall to your knees in prayer at the altar of sin. It's only human, after all.

When was the last time an album changed you? Have you ever felt the crevices of your heart or corners of your mind pried open through pure musical intervention? Had your preconceived notions on your self, your experiences, or your worth challenged on the grounds of pure sensation? Philosopher Bertrand Russel once stated that “of all forms of caution, caution in love is most fatal to true happiness;” if we are to treat him as our professor of passion, then Jessie Ware has fashioned herself a prophet.

If music can, in fact, act as medicine, then 'Superbloom' is a sexual opiate of peerless potency. It is a rare piece of sexually charged pop that - by means of sumptuous instrumentation, nostalgic composition, & earnest delivery – transcends the baseline impulses of its subject matter, selling the sexual experience as something truly transformative. In it, Jessie Ware not only audibly captures the sensations of sexual liberation, but preaches its practice as a gift for which all can be attuned, and all are deserving.

From the breathy falsetto of the lead single ‘I Could Get Used To This’ to the shuffling syncopation of ‘Mr Valentine’ you see Ware attacking the demons of doubt and chastity with her full suite of skills honed over decades of experience. The harmonic progression in ‘Superbloom’ feels precision engineered to tempt the ear and build listener anticipation – replete with tantalizing hooks built upon towering foundations of teasing open chords. All this craving for resolution: before dropping the listener at suspense’s peak – all to catch the audience’s ear with rhythmically locked in choruses. Tease, build, peak, drop, repeat.

All will be well. This, you deserve. Do not resist.

As always, Ware reminds us of her soul-gripping singing voice, leading the layers of baroque disco arrangement that surrounds her serenades, rather than being buried by them. She shifts her register masterfully from vintage vibrato to breathy falsetto, constantly selling the contrast, audibly reflecting the shifting patterns of power and submission that characterizes true sexual rhythm.

To come down from this gushing high: such praise does not apply to every track. There are more duds in this track list than her last two albums – but that isn’t saying much as the peaks are truly towering on this release. The character here is different from her earlier releases, despite her reputation for singing about sex, sex, and more sex. The face smacking hooks of “That! Feels! Good!” are less consistent on 'Superbloom,' and the romanticism of “What’s Your Pleasure” had a more personal, confessional quality that isn’t found here at 'Superbloom’s' velveteen altar.

None of this prevents 'Superbloom' from being an utterly captivating experience. The title track is her most harmonically sophisticated work to date. The lead vocals are granted a vibrancy and color that contrasts against the counter harmonies of her rich backing vocals. All confidently peaking at its devilishly syncopated bridge that simmers like the sexual id eager to escape the lead’s philosophizing ego: the biological and academic natures of sexuality duking it out in real time. These puzzle pieces play off of one another before cleverly snapping together into a jigsaw-like climax: audibly emulating the release that the prophet calls for.

This highfalutin language isn’t just for show: prophets, preaching, and sexual revelation. I’m sure I’m not the only person who has lived and loved with walls up and guarded. Drifting from year to year under the impression that love songs were ultimately rooted in abstraction – penned for some undefined “other.” That such romance and felt human connection is a mere myth, meant for someone more deserving.

This is where the magic happens. Through a relentlessly earnest character and unpretentious passion, 'Superbloom' tears down those walls. Leveraging phantasmagoria and affirmation it instills an honest belief in even the most jaded or guarded listener:

That you (yes, YOU) deserve love.

What is remarkable about ‘Superbloom’ isn’t how it revels in taboo sexuality, but the ways in which it strips such debauchery of its moral deviance through sheer warmth and affirmation. For anyone who has been plagued by demons of doubt or shame, Jessie Ware has delivered a revelation. And for anyone else: a richly colorful, if uneven, tapestry of sensual summertime bops.

Sex has never sounded so sweet.



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user ratings (31)
3.6
great

Comments:Add a Comment 
insomniac15
Staff Reviewer
April 29th 2026


6471 Comments


Fun record, thanks for reviewing it, pos'd

hamid95
April 29th 2026


1344 Comments

Album Rating: 3.5

great write-up.

album is between a 3.5-4 for me. only occasionally reaches the high of the past two records, but it's just oh. so. sumptuous.

PanosChris
April 29th 2026


120 Comments

Album Rating: 4.5

Great review, easy pos

Unpopular opinion but: I enjoy this more than What's Your Pleasure? and That! Feels Good! (which are both excellent). It blends more soul influences in its disco and sounds so sensual and lustful because of it; her vocal performances are undoubtedly her best to-date.

Counting out '16 Summers' (which is very pretty but sounds out-of-place in a disco record) and 'Ride' (with its clumsy 'The Good, the Bad and the Ugly' interpolation), this consistently delivers S-tier jams.

Album of the year for me - so far!

ShartHarder
Contributing Reviewer
April 29th 2026


866 Comments


Good review. Didn't enjoy this one as much as some of her previous but totally appreciate as a straight man I am probably not the target audience here

TheTripP
April 29th 2026


4998 Comments


shartharder why don't you then

markjamie
May 1st 2026


1179 Comments

Album Rating: 4.0

Great review. I feel a little differently than you though... in my view this is her most consistent work with no duds at all (even if 16 Summers feels out of place) but lacking in as many truly great songs as the last two albums. Probably rate all three pretty similarly overall. Time to make a compilation I think...

Get Low
May 2nd 2026


15568 Comments

Album Rating: 3.0

Boring album. The sound is getting stale.



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