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Pink Floyd
Meddle


4.5
superb

Review

by AnyColour74 USER (29 Reviews)
September 2nd, 2006 | 14 replies


Release Date: 1971 | Tracklist


Before 1971, Pink Floyd hadn’t hit it big yet. The band had released 4 albums (not including the soundtrack “More”), those being “The Piper At The Gates Of Dawn,” “A Saucerful Of Secrets,” “Ummagumma,” and “Atom Heart Mother,” with the most successful of those four being “Piper.” As for the other 3, well, they weren’t as successful. Let’s face it, Pink Floyd was a struggling band. Luckily, 1971 was the year that Pink Floyd put out their first “real” album, “Meddle. “Meddle” has it all, from the bluesy Seamus to One Of These Days, a powerful song with a great bass part. And of course, who can forget the awesome Echoes, the song that makes “Meddle” a truly and remarkable album? Now, to the review…

Pink Floyd is-
Roger Waters-Bass, vocals
David Gilmour- Guitar, vocals
Nick Mason-Drums
Rick Wright-Keyboards, vocals

One Of These Days
The first track on this album is One Of These Days. At the very beginning of the song, you can here wing howling. At :35 seconds into the song, the bass comes in. After the bass plays for a little, the keyboard comes in with a mysterious sound that plays every once in awhile. This pattern happens for a bit, until the drums and guitar comes in. David has a little solo while everything keeps the same pattern. Suddenly, everything fades, and roger has a little solo. Towards the end, the drums come in, and Nick says through some sort of voice distortion machine, “One of these days, I’m going to cut you into little pieces.” As soon as that is said, everybody comes back in and David has another guitar solo, this time, it is longer. It lasts until the end of the song where suddenly everything stops. At the end, you can here the wind blowing again.

A Pillow of Winds
A pillow of winds is a nice, mellow, acoustic song, with some good vocals by David Gilmour. It starts off with a quiet acoustic guitar riff. He soon comes in on lyrics. “A cloud of eiderdown draws around me softening the sound. Sleepy time with my love by my side and she’s breathing low, and the candle dies.” The vocals continue, with the occasional riff coming in. The drums eventually come in, while the same pattern continues until the end of the song. This is probably the slowest song on the album, but it’s enjoyable.

Fearless
David starts off fearless with a simple acoustic guitar part with Roger and Nick playing softly in the background. David comes in on vocals singing softly and smoothly, eventually getting to the chorus. David plays the same guitar part that he did at the beginning of the song after the chorus, which eventually leads into a small interlude. The vocals come in again, getting to the chorus and the guitar part after awhile. After, the song keeps going until it eventually fades into a choir cheering. The choir is the Liverpool Kop’s, the choir for the Liverpool soccer team. (If you don’t believe me, it says so in Nick Mason’s "Inside Out" book.) They’re chanting Roger and Hammerstein’s “You’ll Never Walk Alone.” The choir chants for awhile, eventually fading out.

San Tropez
The fourth song on “Meddle” is San Tropez. This song was inspired by a vacation that the band had taken the previous year to none other than San Tropez. A guitar part starts the song off. For the first and only time on “Meddle”, Roger comes in with the vocals. Rick follows on keyboards immediately after Roger starts to sing. Roger sings for awhile, which is then followed by a soothing guitar solo by David. The solo soon ends as Roger comes back in on vocals, finishing fairly quickly. The singing ends, and Rick comes in and plays a nice keyboard solo that eventually ends the song.

Seamus
Now, most people think that Seamus is a crappy song, and people think that its filler, but Seamus is one of my favorite songs on the album. It starts off with an acoustic guitar coming in, soon followed by a dog barking. David comes in on vocals, which is backed by a slide guitar part and a keyboard part. The vocals quickly end, and then David and Rick each have a few short solos while the dog is still barking in the background. The song ends with the dog howling, and so ends Seamus.

Echoes
“Meddle” has some great tunes on it, but none of the songs on this album match up to the master piece of the album, the 23 minute thriller Echoes. The song starts off with a simple sonar sounding beep. After a few beeps, the keyboard comes in with a soft, almost sad part. Gilmour soon follows with a quiet guitar solo that lasts for awhile. The bass comes in during the solo, and the drums follow at the peak of the solo. David keeps going as everybody follows, until David and Rick come in with the lyrics. “Overhead the albatross hangs motionless upon the air, and deep beneath the rolling waves in labyrinths of coral caves, the echo of a distant time comes willowing across the sand, and everything is green, a submarine.” After this part, the chorus starts, which is followed by a short but sweet guitar solo. David and Rick come back in on vocals, singing the lyrics. The chorus then follows, with a short interlude part coming after it. After the interlude, David starts his wicked guitar solo, which gets more awesome and loud as it progresses. After the solo, there is a short bass/keyboard part. David joins back in on guitar for a little bit, but the song soon fades into a howling wind. For about four minutes, the wind is howling while David and Rick make miscellaneous noises with their instruments. At about fifteen minutes, the sonar beep and keyboards come back in, soon followed by the drums, guitar, and bass. After the building up of the guitar, there is a short solo by David. The song then breaks open with a great guitar part, capping all the building up. David and Rick break the silence with more lyrics, leading into the chorus. After the chorus finishes, the guitar, bass and keyboard plays the same riff that they played at the beginning of the song. That soon ends, as the song slowly fades out, which ends “Meddle.”

Even though there are six songs on “Meddle”, there is a lot of great music on this album. As I said earlier, this is Pink Floyd’s first “real” album. Its got the masterpiece Echoes, the awesome One Of These Days, and the middle four, A Pillow of Winds, Fearless, San Tropez, and Seamus. “Meddle” is an album you will definitely want to get if you are a Pink Floyd fan, or if your just a rock fan in general. This being my second favorite Floyd album gets a 4.5/5. This album not only was the first great and successful album by Pink Floyd, but set the example for what was to come in the following years by this epic rock band.



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user ratings (3604)
4.2
excellent
other reviews of this album
1 of
  • EVedder27 (4.5)
    An outstanding and ambitious effort that is underappreciated....

    Oceania (5)
    Pink Floyd is one of those rare bands whose vast catalog of music is filled with hidden ge...

    e210013 (4.5)
    One of Pink Floyd’s most exquisite pieces. It’s one of their most enduring and beloved...

    scotish (5)
    One of these days, it’s going to cut you into pieces....

  • TheMoonchild (4)
    The moment Pink Floyd made it clear they were here to stay....

    isaacb263 (4.5)
    A classic PF record that compares to DSoTM....

    Seals84 (4)
    Set the tone for some of Pink Floyds best work...

    Killtacular (3.5)
    ...



Comments:Add a Comment 
711
September 2nd 2006


1340 Comments

Album Rating: 4.5

This is one of the albums on my list to get. I cant believe I havnt heard it yet.

Pretty sweet review ;)

pulseczar
September 2nd 2006


2385 Comments

Album Rating: 3.0

This is overrated to the max. Good review, but I suggest focusing more on describing the songs overall with less of "this happens then this happens..."

AnyColour74
September 2nd 2006


1054 Comments

Album Rating: 4.5

AIGHT

AnyColour74
September 3rd 2006


1054 Comments

Album Rating: 4.5

anymore comments?

Jimmy
September 3rd 2006


736 Comments

Album Rating: 5.0

I agree with pulseczar about your review style. This is just like the other review for Meddle in that it describes the songs bit by bit. Instead of focusing so much on exactly what happens musically try to critique the songs. Say how the song makes you feel, why it is a good or bad song etc.



Anyway, this is one of my favorite albums of all time. The way the album flows through different moods and emotions is brilliant. Starting with the driving and frantic One of these Days and ending with the journey of echoes, this album is one of Floyd's best. It's a shame that this is often overlooked.

Quimp
September 6th 2006


3 Comments

Album Rating: 5.0

Yeah, thanks for the album's description, but it's not exactly what the curious readers may need.



I don't agree with you at all when you refer to Meddle as Floyd's first 'real' album. Pipers hit hard when it was released, and still by today's standards it is of great influence. It's in the top 500 sales at amazon.com. Atom Heart Mother is of absolute madness. You love it, or you hate it. It's so innovative that even if you don't appreciate its sound, you should consider it a real album. Ummagumma is an experimental album that does a better job at being of historical value rather than a gem sound-wise, at least for the studio album. Ummagumma Live happens to be one of my favourite CDs. Four songs may be short, but the content is rich, ambiant and very spacey (a plus in my case). A saucerful of secrets isn't as down-right musical as Pipers, but it does have several good songs - being a Barrett fan, I may have a biaised opinion on jugband blues, because I love it and that is not the general public appreciation. Then there is More and Relics, but I'll skip those. You get the point that Meddle isn't Floyd's first good hit.



Do I like Meddle? You bet I do. The only song that I usually skip is Seamus because I can't stand the howling dog. I'd give it 5 stars like I would for most of their albums released before The Wall.

AnyColour74
September 7th 2006


1054 Comments

Album Rating: 4.5

i think you took my "real" meaning out of context. i agree with you about piper. but meddle is where they finally found there sound for the future. i dont dislike atom heart mother, piper, or a saucerful of secrets. in fact, i think they are all great cd's. im not sure about ummagumma, cuz ive never heard it. anyways, what i meant by "real" was that pink floyd on Meddle finally found what they wanted to do (style) in music and what they wanted to sound like for the future on Meddle.

Jim
September 8th 2006


5110 Comments

Album Rating: 4.0 | Sound Off

Yeah, your review is lacking considerably, but it's not terrible by any means. Just make sure you stray away from describing exactly what happens in the songs for your next review.

I do like this album too. Not my favourite at all, but it's a really nice listen, with some ultra-chilled songs. And I do believe that the Liverpool Kop's appear in Fearless, because I've read Inside Out too!

Jimmy
September 8th 2006


736 Comments

Album Rating: 5.0

I think the best way to say it is that Meddle more than any other album brought Pink Floyd out of the Barrett era and into the Gilmour/Waters era.

AnyColour74
September 14th 2006


1054 Comments

Album Rating: 4.5

think the best way to say it is that Meddle more than any other album brought Pink Floyd out of the Barrett era and into the Gilmour/Waters era.


sort of



herb2
November 1st 2006


31 Comments

Album Rating: 5.0

One of Pink Floyd's best work..This album is so relaxing it's enough to put you to sleep (in a good way)

Patrick
November 1st 2006


1891 Comments


^which is generally what their music does

AnyColour74
November 1st 2006


1054 Comments

Album Rating: 4.5

dude the final cut definetly puts you in a relaxed mood. (good album)

deslni01
May 3rd 2008


6 Comments

Album Rating: 5.0

[Quote=patrick]^which is generally what their music does



Digging: Nirvana - MTV Unplugged In New York[/quote]



I have nothing further to say.



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