Review Summary: The storm
Where
AD emphasized the rap tendencies of Despicable,
BC spotlights Despicable’s darker songwriting and heavier rock side of instrumentation. Though not completely dropping the rap flow, the second EP leans into a more aggressive focus with more distorted bass lines and harder-hitting drum chops. Much like the titles indicate, Despicable moves backward, devolving from the smooth grooves of
AD to the abrasive style of
BC.
“Ruckus” and “Silence” showcase the band’s dynamic of rap and rock in a perfect balance. Throughout the verses, chemistry between the drums and bass create grooves similar to those found in
AD, yet the hooks have a more metallic sound with bass focused more on riffing and drums following a 4/4 pattern that deviates away from the typical hip-hop chops. “Renegade” dives head first into the aggressive nature of the EP, with double time drumming, galloping bass lines, and screams from Rob Wheeler, vocalist of Groblin and the Ballistics. Wheeler’s harsh vocals throughout the chorus starkly contrast the poignant rap flows in the verse, amplified by the slowed down breakdown of screams to conclude. The intensity “Human Atrocities” is exemplified through the bass lines that are deeply distorted and filled with various techniques of riffing and harmonics, ending the track with a “riffdown” that is both catchy and worth banging your head to. Even with “Primates,” the rap-focused track of
BC, there is an eerie atmosphere to it that gives a subtly darker tone than the first EP.
However, the true impact of Despicable’s project lies in the cohesiveness between the two releases. Although each one focuses on different aspects of the band’s songwriting,
AD and
BC work in stride next to each other. Whether highlighting the hip-hop grooves and rap flow of the former or tackling the rock-style of the latter, both accentuate each other perfectly.
AD/BC is Despicable’s potential realized, showcasing the extent of their talents and what the band can offer.
