Review Summary: Tech death like you've never heard it before
“The Sum of all Fossils” is the debut and so far, the only full-length release by New York based technical death metal outfit Flourishing. Originally involved with death-grind, the music on this album abandons grind and focuses mainly on death metal with high levels of dissonance and atonality, played in a breakneck, frenetic fashion accompanied by powerful growling vocals. Upon first listen, it might be easy to write Flourishing off as another outlet for Gorgutsish disso-death worship but with repeated listens, it’s clear there is much more on offer here – the influence of genres such as sludge metal and industrial metal become obvious in addition to the occasional pockets of hardcore/post-hardcore.
The production is perfect for the music – organic sounding, with just the right amount of filth and murkiness for death metal while giving off a distinctly cold sensation to the listener – this is amplified by a cloak of cold industrial atmosphere which envelops the whole affair somewhat but is more prevalent on some tracks such as “In Vivid Monochrome” and “By Which We’re Cemented”, the latter of which is one the most diverse tracks on the album, showcasing vocalist Bussanick’s ability to switch from his usual guttural grunting to a strangled, open-throated, post-hardcore shout.
The occasional use of melodic guitar work provides the album with some well-placed variation to the surrounding onslaught. Songs like the aforementioned “By Which We’re Cemented” and “Momentary Senses” use melody effectively to add an element of light to the dark, bleak backdrop of despair which makes up the album’s bulk. The former has some great guitar harmonics in addition to some major key celestial riffs that wouldn’t sound out of place on a 00s sludge album and juxtaposes delightfully with the brutality, adding a small sense of hope in comparison to the overall sense of foreboding. It's clear that “The Sum of all Fossils” demonstrates an adventurous approach to songwriting with unconventional song structures and an ability to successfully combine many influences into one coherent piece.
My favourite aspect of the album is the emotion that oozes from every pore. This reaches its peak on the epic closer “As if Bathed in Excellence” which is almost like a mini version of the album in itself with its technical and brutal first half, the sludgy breakdown and the superb melodic outro which ascends the listener back into the realms of light to bring the album to a conclusion.
Sadly, Flourishing is no more but two members are currently part of the blackened death metal outfit Aeviterne who’s debut album “The Ailing Façade” was released earlier this year. It has a similar sound but with a greater focus on atmosphere, a more grandiose production job and seems to have picked up where Flourishing left off back in 2011. It was only after listening to Aeviterne that I discovered Flourishing and if you are looking for dissonant tech death with a difference, Flourishing and their new re-incarnation have both firmly nailed it.
Attribution:
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http://www.metalmusicarchives.com/review/the-sum-of-all-fossils/733701
