Kings of Leon
When You See Yourself


4.0
excellent

Review

by Dewinged STAFF
March 9th, 2021 | 66 replies


Release Date: 2021 | Tracklist

Review Summary: Are you far away? Are you ashamed? Because you shouldn't.

I would be lying if I'd say I have never lost the wig jumping, kicking and screaming to the beat of "Sex on Fire" in secret parties across the tiny little clubs that blossom from the labyrinthic whirlwind of debauchery that is Tokyo's night life. At the time, I had just arrived in the city in the summer of 2009, leaving a tumultuous break up and economical mayhem behind, which was scored almost accidentally by "Use Somebody", a song I abused unabashed during the whole ordeal, which lasted almost a year. I had no idea who these good-looking chaps from Nashville were, nor I didn’t care. Their anthemic hit was cathartic for me, and for millions of people around the globe. Only God knows if some, or most of those people were also dwelling the same halls of self-imposed guilt as myself, but the fact is that we were given a balm for a shattered heart, and so we swooned along to the feverish charm of Only By The Night. Comparisons with the mighty Strokes had already grown irrelevant. Kings of Leon were unto something completely different with their fourth release, they were an entirely different band, and they had found rightful pride in claiming so.

The new formula redefined their career and granted them a timeless sound, but it also tamed the untarnished flames of youth that helped them burn their way into the charts faster than the wildfire spreading through the increasingly dry woods of their newfound creativity. Success brought undeserved vitriol, and vitriol planted the seed of doubt in the very core of the band, and while I personally lost track of them, a good core of their fanbase stuck with them through thick and thin. 2010 brought a worthy albeit weaker successor in Come Around Sundown, while the not-so-great Mechanical Bull gored its way through 2013 and the mildly acclaimed Walls finally set them for a long break in 2016. Exhaustion was real, fumes were running low, and it was time to vanish.

The Followill took some much-needed family time after touring that last album extensively, and in doing so they found individuality. The title of the album, and the song that sets it on, is the reflection of this idea. A simple thought, flashing like a shooting star in a quiet room while the rest of the house cheers and ravages in Christmas celebrations. A livid strumming and a silly sing along, which Caleb turned into “100,000 People”, the third track of the album, born from a futile attempt to fend off the hollowness of a simple life that was slowly becoming the embryo of When You See Yourself.

From the moment that Caleb started making phone calls and jams resumed, a powerful worm had already made its nest in the hearts of not only their massive and demanding following, but also in their own: a worm called nostalgia.

Because you see, the sound of Kings of Leon is not the kind of sound that would be a matter of discussion among venomous label A&Rs, music industry hyenas and rabid media pimps drooling at the prospect of a new album by the once messiahs of indie rock. Regardless of taste, it's music that have withstood the pass of time admirably, along with the Followill themselves. Together creators and creation have aged gracefully, and in this, the year of our Lord and Savior, when Caleb sings and bends the notes in the chorus of "The Bandit", nostalgia hits, wigs fly again, and the world celebrates with bashful joy: Kings of Leon are back.

The band's eighth release was recorded, mastered and carefully stored in RCA's vaults for over a year, breaking the cycle of new release/touring/new release/touring and giving the band time to contemplate their latest record from a very different perspective. Obviously, there was a good chance that any of the band's four members would snap at the quasi-bossanova feel of “Supermarket”, the static echoes of closer “Fairytale” or the adamant pace of highlight “Echoing”. But none of them did. The new album proved to be exactly what they set to achieve. It's an album that reflects a maturity that is unavoidable, it is a Kings of Leon album through and through, with everything that made you love them (or hate them) over a decade ago, but it's also an album that won't make much of an effort to captivate anyone else. When You See Yourself is, entirely, an album for the fans.

Caleb's voice still channels that broken man's euphoria with the usual bitterness in tracks like “A Wave” or “Golden Restless Age”, Matthew's guitar still finds the way to contribute to every song with subtlety, like the soft howling in “Claire & Eddie” or to reinforce the song’s bones building layers of distorted reverb and crescent waves of melody like he does in “Fairytale”. Meanwhile Jared's omnipresent bass, here more present than ever, and Nathan’s stark but refined drumming become once more the foundation for the eleven tracks included in When You See Yourself. It is thanks to them that some of the most upbeat tracks like “The Bandit”, “Golden Restless Age” and especially “Echoing” retain that unmistakable KoL essence. An essence that here has been complemented generously with the use of synths and piano in a way they had never done before.

Cryptic cryptocurrency strategies aside, which I won’t mention here because they don’t add or detract from the album’s experience as far as I know, (and because I would be rambling about things I quite don’t understand just yet), When You See Yourself is a welcoming return to form for Kings of Leon. It’s a nostalgia sucker punch for those in the right time, in the right place. It's an album that their fanbase will revel in, as opposed to those who found the same satisfaction in scorning them instead. Truth is I may be writing a very different review had my sex never caught fire over a decade ago, but when I see myself, this is what the mirror of time reveals, and I can’t but to trust its reflection.



Recent reviews by this author
Suldusk AnthesisChapel of Disease Echoes of Light
Chelsea Wolfe She Reaches Out to She Reaches Out to SheRhun (USA-ME) Conveyance In Death
Lucifer (DE) Lucifer VSlift Ilion
user ratings (105)
3.1
good


Comments:Add a Comment 
Dewinged
Staff Reviewer
March 9th 2021


32230 Comments


Not gonna lie, it's always funny to bash Kings of Leon but fuck it, I really liked this one.

No links this time, because you will probably hear the album even if you don't want to hear it.

C/c always welcomed unless it's bad, then wait for next week, cause I kinda wanna enjoy this one.

tyman128
Staff Reviewer
March 9th 2021


4624 Comments

Album Rating: 3.5

great review Dewi! haven't really been intrigued to check this out, but this gives me some hope for it... might give it a spin later this week

Dewinged
Staff Reviewer
March 9th 2021


32230 Comments


Thanks ty, looking at the average I don't have high hopes for this band's redemption here and considering your taste I'm not sure you'll dig but give it a shot.

Is it your first KoL?

tyman128
Staff Reviewer
March 9th 2021


4624 Comments

Album Rating: 3.5

Nah, I remember jamming Only by the Night a few times a few years ago... pretty enjoyable stuff. I've always been a fan of their more popular songs that literally everyone has heard, grew up on "Use Somebody" and "Sex on Fire" playing on the radio so those definitely made an impact for me. I'll definitely give this a shot and we'll see how it sits with me

insomniac15
Staff Reviewer
March 9th 2021


6264 Comments

Album Rating: 3.0

Great review, but so far The Bandit is the only song I dug off the LP. Will listen to it again, maybe something else sticks.

Dewinged
Staff Reviewer
March 9th 2021


32230 Comments


It's the most immediate for sure. I insist in that the level of enjoyment is proportional to how much engaged you were with their prime stuff years ago. I revisited Mechanic Bull, etc, this morning while writing this but nah, I think this is their best since at least Come Sundown.

insomniac15
Staff Reviewer
March 9th 2021


6264 Comments

Album Rating: 3.0

I agree. I loved Come Around Sundown, even now I still listen to it once in a while. On Mechanical Bull and WALLS they just sounded bored and lifeless.

Dewinged
Staff Reviewer
March 9th 2021


32230 Comments


Yeah man, I feel like in ME they were fairly lost, trying to find their way back to their early stuff with all the annoying screaming of excitement off mic, which was honestly embarrassing.

I feel they found some sort of acceptance with this one that fits them better, they don't rush it, they don't force it, so it sounds way more natural than the last two.

Dewinged
Staff Reviewer
March 9th 2021


32230 Comments


Oh thanks Gyro, much easier to read now.

Dewinged
Staff Reviewer
March 9th 2021


32230 Comments


Oh wait I actually can delete comments now!

See you Gyro! Next time, put a line break!

Gnocchi
Staff Reviewer
March 9th 2021


18307 Comments


Is this #13 or #14?

Asura14
March 9th 2021


587 Comments

Album Rating: 3.0

Bandit is such a good track, best of the singles for sure... looking forward jamming this

Dewinged
Staff Reviewer
March 9th 2021


32230 Comments


@Noct no idea man, I think 13th?

Gnocchi
Staff Reviewer
March 9th 2021


18307 Comments


Machine. Hide Sarah Conner.

BlitzPhoenix98
March 9th 2021


202 Comments


Interesting. I like Kings of Leon and I know their first three albums are considered like their "golden age", but I never really got around to listening to their LPs. Red Morning Light is easily their best song, rapid-fire guitars and a perfect performance to get up at 3 in the morning and yell like a damn rooster.

Dewinged
Staff Reviewer
March 9th 2021


32230 Comments


They are faaaaaaaaar from that band now Blitz. Time doesn't forgive.

claygurnz
March 9th 2021


7692 Comments


I really like The Bandit so I should probs get on checking this out

Gyromania
March 9th 2021


37605 Comments


this page looks so much worse now

Dewinged
Staff Reviewer
March 9th 2021


32230 Comments


What the hell, who is the goddamn idiot that deleted your comment Gyro!?

I want him/her in my office! NOW.

Final Origin
March 9th 2021


891 Comments

Album Rating: 4.0

I think this is a natural evolution of their sound, really refined and matured. Really, really enjoying this one, its way better than WALLS and possibly their past 4 albums.



Time in Disguise, A Wave, and the first track are particular highlights for me. Pretty sure I will like this even more with repeated listens. Great review as well!



You have to be logged in to post a comment. Login | Create a Profile





STAFF & CONTRIBUTORS // CONTACT US

Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Site Copyright 2005-2023 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Terms of Use | Privacy Policy