Empty Vessel: The Lost Soul



by HalfManHalfAmazing USER (12 Reviews)
November 1st, 2020 | 6 replies

Release Date: 2018 | Tracklist

Review Summary: A 2018 phonk classic. Soulzay, DJ Akoza, and co. capture much of what made early Three 6 Mafia and Lil Ugly Mane great while remaining fresh and original.

In 2011, the fledgling internet genre known as vaporwave came to many music listener’s attention. Defined by fuzzy textures, eerie slowed-down vocal samples, and faux-nostalgia, it eventually came to exert some influence on the production style of several hip-hop producers. These producers met vaporwave halfway, combining the former’s penchant for cloudy soundscapes with the sinister pitch-shifting and topical matter of early 1990s Memphis rap. As a result of this unlikely union, phonk was born.

Phonk in 2020 is by far and large dead. Too many artists in the subgenre failed to distinguish themselves as anything other than Underground Vol. 1-era Three 6 wannabes. Perhaps the only rap outfit able to properly combine the vaporwave aesthetic and Memphis rap ethos while explicitly identifying themselves as phonk is Houston underground label Doomshop Records. Doomshop’s in-house producer, DJ Akoza, collaborated with Mexican American rapper Soulzay to jointly create much of the obscure 2018 internet classic, Empty Vessels: The Lost Soul.

So what makes Empty Vessels so good? The production is absolutely killer. The closer, “That’s Where I Stay,” opens with an interview excerpt of what sounds like DJ Paul ridiculing rappers who are forced to try their luck outside of their hometown scenes due to an embarrassing lack of talent. Slowly but surely, an aggressive vocal sample proudly boasting “THAT’S WHERE I STAY” builds upon clattering drums and a looped, tinkering xylophone. Soulzay comes in at the crest of the instrumental, ominously laying threats, bragging about blindsiding detractors, and expressing pride in being from H-Town. It excels as a dark spin on the archetypal “hometown anthem” banger popular in so many rappers’ discographies. It also sums up Doomshop Record’s stubborn devil-may-care attitude when it comes to obtaining popularity outside of Houston, Texas.

Another highlight is the Jak3-produced “DoBadOnMyOwn,” which features a sample of Sir Mix-A-Lot’s “My Posse on Broadway” layered beneath a demonic ambiance. Lyrically, it sounds like a serial killer manifesto, with Soulzay lashing out against society and slurring lines such as: “It’s hell on this Earth, try and escape from the mystic fog.” Guest rapper Freddie Dredd’s high-pitched vocals are nigh indecipherable, with only the occasional “f*ck” and phrases such as “hanging from the noose” popping up as intelligible to the listener. But this only adds to the B-movie horror film charm. Most of the rest of the album follows a similar formula, although the upbeat, jazzy “Step Up” and the quicker-paced, sound collage of “Neva Die” serve as a foil to the constant apocalyptic vibe.

Empty Vessels checks many of the same boxes that Underground Vol. 1, Mystic Stylez, and even Mista Thug Isolation do, but with a unique spin that never comes close to sounding like shoddy imitation. While featuring similar slower-than-molasses pitch shifting and equally sinister production, Empty Vessels is far more serious and contemplative. Instead of facetiously rapping about murder and drugs, Soulzay employs a calm, observational approach, as someone observing a real apocalypse safely from afar would—while stoically lamenting the suffering. With Doomshop’s in-house producers behind the boards, including DJ Akoza and Jak3, Empty Vessels proves to be a 2018 SoundCloud phonk classic—one of the few to exist in what has become a quickly forgotten internet subgenre.

Recent reviews by this author
DJ Akoza Vol. 1Danny Brown Atrocity Exhibition
Soda Stereo SignosYung Lean Unknown Memory
Jehst The Dragon Of An Ordinary FamilyPRhyme PRhyme
user ratings (1)

Comments:Add a Comment 
November 1st 2020


Album Rating: 5.0

First review for quite some time. I would appreciate any feedback or criticism--I'm looking to write more as time allows. If anyone wants to check this out, peep some of the tracks here:

Step Up:

That's Where I Stay:

November 2nd 2020


Classy write up. You've got me excited to hear this.

Also your username reminds me of halfsharkalligatorhalfman by dr. octogon haha

oh wait, it's a nas reference isn't it!?

Digging: Biosphere - Dropsonde [Reissue]

Contributing Reviewer
November 2nd 2020


This sounds pretty compelling. Nicely written little piece here. Was never aware of this scene of the concept of whatever 'phonk' is. Neat!

November 2nd 2020


Album Rating: 5.0

Yeah, it's a Nas reference. Thanks Gyro! You should check out the songs I posted. I really think the main producer on this album, DJ Akoza, is something else man. I would honestly put him in the same conversation as DJ Premier, Pete Rock, DJ Paul, J Dilla, Dr Dre, RZA etc. as one of my favorite hip hop producers.

Edit: Had to throw RZA into that list. I think the best description of Akoza's production style is a blend of RZA/ early 90s DJ Paul

November 2nd 2020


Album Rating: 5.0

Mars, most of this scene is on SoundCloud. Think of it as the maligned cousin of lofi hip hop beats to relax/ study to.

November 10th 2020


Album Rating: 5.0

DJ Akoza and Soulzay are still putting out bangers together.


You have to be logged in to post a comment. Login | Create a Profile


Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Site Copyright 2005-2019
All Album Reviews Displayed With Permission of Authors | Terms of Use | Privacy Policy