Nord (FRA)
The Only Way To Reach The Surface


4.0
excellent

Review

by Mitch Worden EMERITUS
April 24th, 2020 | 108 replies


Release Date: 2020 | Tracklist

Review Summary: ... And there's only one way to truly listen.

The art of opening an album seems somewhat minimized in a music culture conquered by streaming services. Without paying attention to labels or investigating into singles, the introductory track is where the audiophile and creator first meet, establishing expectations and slowly or forcefully pulling the audience further into the depths. There’s a particular thrill to a post-hardcore band metaphorically kicking down the door, screaming “eminent domain!” in your ears and controlling all music listening habits for the ensuing week. I find that something even more exciting is what is not heard—when the guitars aren’t in attack mode just yet or the drumming is relegated to cymbal-tapping in the distance. It’s this subtle, intriguing tactic that “Love” excels at; the first song of sophomore effort The Only Way to Reach the Surface has not a modicum of grit to it, nor does it hint as possessing any in the future. Wavering, auto-tuned vocal harmonies creep in quietly underneath a gentle, ethereal synth contribution, immediately crafting a dreamy air around the tune. When the rest of the band enters the scene, it’s with the same restraint, the drums quietly driving the track as modest, polished strumming follows suit. As stripped-back and relatively plain this appearance is, the refinement that dominates it demonstrates an admirable ability to craft a certain mood in a moderately short time span, gradually bringing the audience under its spell. From here, anything is possible; the wistful wanderings of “Love” could reign supreme or succumb to something more expansive—after all, French collective Nord have the listener in their grasp at this stage. Like waiting for the drop at the top of a theme park ride, the first offering inside The Only Way… generates a sense of anticipation that wouldn’t otherwise be there on a Spotify playlist.

The sudden plunge exhibited in succeeding entry “Violent Shapes” makes it abundantly clear that Nord’s approach is multi-faceted, yet still adhering to that delicate, melancholic aesthetic encountered previously. These Paris gentlemen weave through alternating passages of unassuming, atmospheric forays and direct assaults punctuated by thunderous post-hardcore riffs. A sizable helping of math influence permeates the duration of the record, with clean and harsh vocal performances fluctuating between the dueling heavy and calm sections. It’s a common dichotomy in this specific realm of music, but as displayed in a creation such as “The Unstoppable,” it is executed wonderfully through commendable musicianship, helped in no small part by a knack for songwriting that includes each band member’s individual talent. Twisting guitar lines ignite the aural assault, the rapid percussion kit and commanding bass line providing strong support as the beast plows forward, polished singing giving way to raw screams. Internally, the song functions as a microcosm of the entire album: Melodic tremolos and soaring clean vocals collapse into unexpected breakdowns while powerful crescendos crumble into nothingness, yet they are promptly rebuilt in earnest. Pop sensibilities are intermixed in a boiling pot of post-influences reminiscent of The Hirsch Effekt at the top of their game, possessing a level of unpredictability that makes every second of the track engaging. Nowhere is this more evident than the opening bluesy vocal lines of “Anger Management,” a foot-tapping rhythm and alt-rock instrumental styling harkening to the similarly sporadic-and-melodic-but-contained nature of Exotic Animal Petting Zoo. Despite those comparisons holding considerable weight, neither take away from Nord’s personal take on their chosen sound.

Although punishing at certain moments, the primary strength of The Only Way… resides in the ambiance it is immersed in. Instead of applying absolute aggression and craziness akin to early Fall of Troy, Nord concentrate on erecting landscapes that have more of a space vibe, the focus being on adding depth to that environment and embarking upon various progressions. The intention to maintain an understated haze coupled with a forlorn aura is buttressed by a series of interludes inserted into the record’s existence. These conversions aren’t always quite as defined or pleasing as may be desired—the shift from “Violent Shapes” to the jarring string compositions of “Circular Haze” being the most egregious—but they own a precise purpose in cementing the journey illustrated by the release. Though not necessarily a totally detailed concept album, each arrangement feels interdependent, the entire output becoming less of a singles machine and rather a full experience. All involved formations act as individual, developed steps in an adventure directed towards the towering, 15-minute lifespan of the eponymous track, which consumes the lion’s share of the disc’s humble 44-minute duration. Nord take the opportunity to operate the tune as a collection of their several characteristics. An ominous start transforms to roaring post-hardcore riffing, the resonating guitars rapidly diminishing their attack to compliment a quiet instance of reprieve. The peak-and-valley format endures throughout the titanic expedition, graceful thrumming and soothing chords emerging and eventually blossoming into climactic explosions. Jazzy noodling cohabits with wailing guitars, groovy bass lines and versatile percussion, never once encroaching into the territory of gaudiness or otherwise vapid technicality.

Considering the cohesiveness French collective Nord have imbued in their latest construction, ignoring “Love” and proceeding straight to the conclusion would be a disservice; the finale would lack thematic impact and the voyage would be less rewarding. The record presented here is unequivocally designed for an observant listening session, not a skip-through romp. There are unfortunately downsides that arise, namely due to the aforementioned interludes—a problem also shared with The Hirsch Effekt—for while they diligently obey to an overarching objective, they generally disrupt rather than compliment the experience. And, though respectable in its scope and tonally consistent, the enormous title track overstays its welcome, perhaps wandering off too much for its own good. For every flaw and potential nitpick, there is an equal amount of praise to be had in how Nord works. In every moment of The Only Way…, the Paris crew is making the most of their amalgamated resources in order to produce a complete escapade through lush soundscapes, stunning melodies, and mesmerizing ambiance. Also worthy of distinction is how the band manages to preserve that sneaking sense of fascination or curiosity, sitting back in a rollercoaster car and watching the rails rise above you. The chilling synths of “We Have to Burn Down this Submarine” and the ensuing guitar onslaught are an incredible display and they exemplify the enthralling setting that Nord lays out. However, if every step is taken beforehand and the entirety of The Only Way… is allowed to settle in, the greater picture at play becomes richer. What the listener is left to unpack is a work of art that unravels when met on its own terms: One-on-one, with compilation videos tabbed out, and no distractions. The ensuing blend of musical categories is an excellent, memorable album that demands repeat visits—not a list.



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user ratings (78)
3.7
great

Comments:Add a Comment 
MarsKid
Emeritus
April 24th 2020


21030 Comments

Album Rating: 4.5

Shout-out to my friend Uzumaki who recommended this to me. Great pick my man, and it's got a bit of a growth factor to it. Worth checking more than twice!



Listen on bandcamp: https://nordnordnord.bandcamp.com/



Also streaming on Spotify (bit of irony in there considering my writing, perhaps?)



Comments, criticism, optimal jump-rope strategies, and discussions about puzzle-building all welcome.

bludngorevidal
April 24th 2020


378 Comments

Album Rating: 4.5 | Sound Off

Great review! I wholeheartedly concur that this album commands attention but rewards the avid listener.



Also, fantastic album, came out of nowhere for me but I'm digging it super hard. Really glad you gave it a spotlight, I hope folks give Nord the attention they deserve.

Uzumaki
April 24th 2020


4471 Comments

Album Rating: 4.5

Thanks for taking the time to listen to it, and an excellent review as well! I’ll definitely be re-spinning this in the days and months to come.













What are your thoughts on “3-D” puzzles?

Observer
Emeritus
April 24th 2020


9393 Comments


Great detailed review. Not that familiar with your rec'd artists but ill give a track a whirl

MarsKid
Emeritus
April 24th 2020


21030 Comments

Album Rating: 4.5

You all are too kind. Thank you for the words and stopping by!



@Observe worth a check, my man. It's got a great feel to it and opens up with a dedicated listen. Appreciate the word catch as well

parksungjoon
April 24th 2020


47231 Comments


> Great detailed review

ikr how does he do it every time?

im not sure i fully understand the spotify angle but thats prob just me

MarsKid
Emeritus
April 24th 2020


21030 Comments

Album Rating: 4.5

Thanks bud.



A lot of people just listen to singles or playlists that have singles rather than full albums. That's less prevalent on here, but many people I know skip around and pick-and-choose, which basically nullifies the purposes of a full record.



Some pop records, rock records, what have you, are engineered in such a way that single, choice cuts work best in order to maximize stream numbers on hits, while the rest of the disc is filler. That's not always the case of course, but it's increasingly common.



Approaching this album with a single-streaming mindset can therefore be damaging. You get good songs, absolutely, but you lose the experience of having them come together to make a whole.

parksungjoon
April 24th 2020


47231 Comments


strange

far be it from me to tell others how to enjoy their music though

i just listen to full albums when im listening for the most part

MarsKid
Emeritus
April 24th 2020


21030 Comments

Album Rating: 4.5

I'm an advocate for full experiences. I feel like for albums like this that rely on interdependent tracks to an extent, a concentrated listening is the most rewarding.



Noise Trail Immersion's Symbology of Shelter, one of my favorite albums, is written to function as one song. I can pick out highlights for sure, but hearing each song together in sequence adds to the endeavor.



If people want to be selective, they're more than welcome to, and I don't dislike that in of itself. My main point is that it can potentially detract from something that is more enjoyable when taken in at once as designed, if that makes sense.

parksungjoon
April 24th 2020


47231 Comments


agreed

Observer
Emeritus
April 24th 2020


9393 Comments


Actually having to buy cassettes and cds, or online on itunes before stream services set in, made the album, as a package, way more "valuable" to me, which greatly increased how much time I gave the actual album to grow, more listens, cared about individual songs, lyrics, etc. Streaming services, like spotify, have created a huge influx of shit people can listen to, legally anyway, but each product seems to matter less overall because its so easy to get with no effort. New music is everywhere and easy to listen to.

My thoughts anyway.

MarsKid
Emeritus
April 24th 2020


21030 Comments

Album Rating: 4.5

Oh absolutely. Both a gift in a curse depending on perspective. I still venture to collect vinyl and CDs because there's something special about getting that physical release, you know?

parksungjoon
April 24th 2020


47231 Comments


dunno if i agree with that take however



MarsKid
Emeritus
April 24th 2020


21030 Comments

Album Rating: 4.5

Ha, I'm aware CDs especially are rather antiquated these days. Still love to buy 'em up.

Observer
Emeritus
April 24th 2020


9393 Comments


How so, Park? God in my teen years I treasured the albums (cds) I had, because they were all I had and could afford. Now, I'm literally drowning in music.

I buy used cds off amazon for esoteric stuff. Its so cheap.

parksungjoon
April 24th 2020


47231 Comments


well i suppose it depends how you define value, maybe i misunderstood your point

without a doubt though, i definitely prefer the internet era. look up information, find and obtain music, all these other means of supporting the artists like bandcamp etc. it's night and day, i'd never go back

plus hard drives take up less space than records or discs ;]

Observer
Emeritus
April 24th 2020


9393 Comments


Oh I get that for sure, now is wayyyy easier as opposed to then.

As far as listening to an album over and over, getting to know it, the artist, etc. For me, that definitely goes to the physical era. It's deprivation over quantity, as far as me and an album goes, that is, 1 on 1.

parksungjoon
April 24th 2020


47231 Comments


ahhhh this kinda goes back to a discussion ive been having on and off with a number of different people on a number of different platforms in recent years.

i get where you're coming from now, and i respect it without a doubt, but i dont think i will ever agree.

MarsKid
Emeritus
April 24th 2020


21030 Comments

Album Rating: 4.5

For me, I just enjoy physically owning a release, being able to see all the included art/lyrics/what have you. There's something nostalgic about putting on a record or inserting a CD. Plus, helps support the band more than a digital purchase, which tend to be cheaper.

Observer
Emeritus
April 24th 2020


9393 Comments


Actually buying shit is no doubt more helpful for them, now more than ever, no doubt.

Park, if you don't mind I ask, around how old are you? Also, respectful handshake extended.



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