Stella Donnelly
Beware Of The Dogs


4.0
excellent

Review

by owl beanie STAFF
March 9th, 2019 | 246 replies


Release Date: 03/08/2019 | Tracklist

Review Summary: sit. paw. lie down. roll over. don't touch me without consent. GOOD BOY

A letter of indignation: You (or ‘we’, maybe; it changes) are missing the point even though she’s making it so, so difficult for you to do so. You’re picking and choosing -- taking words out of the box they came in and wearing them around your neck as if the meaning is yours to shape. This letter is anger wrapped in wit and charisma. A palatable castigation of a pervasive injustice that wears a stubbled face, condescending smile.

So far, so familiar. Beware of the Dogs is the logical progression of 2017’s Thrush Metal – an EP that gutted social issues of their politics and left the sinew and blood of a beating heart exposed to the audience. The audience, Stella thought, would be diminutive, a few tapes distributed to friends and family. But her delicate fingerpicking and shimmering vibrato carried her across state lines, oceans, into record deals and mixing rooms. The juxtaposition is apt: Beware of the Dogs is Stella adjusting the scales, shifting seamlessly between intimate and all-encompassing.

Just so, the title track addresses political chauvinism and then pivots into U Owe Me -- a daintily fingerpicked campfire singalong about a boss neglecting to pay his bar staff (“he actually paid me like a week later, I was just looking at the wrong payslip”). She digresses, undercuts important conflicts not to belittle them but to ingratiate herself with the demographic that needs to listen the most.

Anyway, that transition from the panoptic title track to the definitively personal, arguably petty U Owe Me seems to imply that the imbalances of power Donnelly sings about are, above all else, systemic. Beware of the Dogs is a timely reminder of how deeply ingrained certain toxic dynamics are, how every condescending riposte, every failure to admonish misogynistic behaviour within your own circle (even – no, especially those little offhanded remarks) perpetuates and strengthens a social order which disparages the agency of women and other groups that are decidedly Not-Men, Unmale, Whiten’t.

And if this reads like the kind of protest your Dad would go to war against, it’s because it’s impossible to discuss Stella’s music without addressing the personal experiences that make up the DNA of her music (i'm sure the decision to release this record on International Women's Day was deliberate). But in the melting pot these experiences go, blending into a passion which belies the effervescence of what, to the inattentive, sounds like a summer album, all impish guitar tones and irreverent one-liners played off with a laugh (“My mum’s still a punk, and you’re still ***”). It’s a masterful little contrast that’s historically absent on debut records; the push and pull of snark and sincerity is what ekes out a space for pathos amidst the inclusion of gliding synths and modest percussion. When the credits roll, the contingency of diametrically opposed tracks like Season’s Greetings and Allergies is the thing that so efficiently conveys Stella’s ability to walk the blurred lines between sadness and anger, bitterness and hope, vulnerability and tenacity.

A letter recounting the changing of seasons: we're welcoming a new summer, a new way of playing old songs, and we're taking a leap of faith from the ‘you’ to the ‘we’. At its heart this thing is about relationships of all kinds of significance, how they begin and how they end, and these timelines are outlined and analysed with a world-weariness that holds the potential to turn listeners inward. *We* are convinced to reflect on our own little worlds with this album, which is a gift not many records can claim to possess, and Stella is the perfect host for this little party of self-examination (awareness? castigation? improvement?). The warning signs over there are painted in bright, happy colours. Make sure you read them carefully.



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3.6
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Comments:Add a Comment 
verdant
Staff Reviewer
March 9th 2019


2435 Comments

Album Rating: 4.0

the songs are good too

Pangea
March 9th 2019


4029 Comments

Album Rating: 3.5

great review. this looks interesting

Digging: Woods - Strange To Explain

Slex
Contributing Reviewer
March 9th 2019


9604 Comments

Album Rating: 3.5

Incredible writing as always

This is a great, strange album

Digging: Jeff Rosenstock - NO DREAM

Flugmorph
March 9th 2019


22792 Comments


"the songs are good too"

thats a nice tid bid

Atari
Staff Reviewer
March 9th 2019


25711 Comments

Album Rating: 4.0

Yeah, very intelligent writing as always!



Intrigued by these lyrical themes. They already remind me of Julia Jacklin’s latest



Australia is killing it lately

Digging: Jeff Rosenstock - NO DREAM

Slex
Contributing Reviewer
March 9th 2019


9604 Comments

Album Rating: 3.5

This is significantly quirkier and rougher around the edges than Jacklin but yeah lyrically I can see some similarities

Atari
Staff Reviewer
March 9th 2019


25711 Comments

Album Rating: 4.0

Agreed they sound quite different musically, but the fact they both have to explain being touched should be consensual stood out to me in a weird way



I’m struggling trying to decide who to compare this to honestly. The lyrics are definitely more abrasive and musically it borders on art pop at times. The Australian Jenny Hval?



Slex
Contributing Reviewer
March 9th 2019


9604 Comments

Album Rating: 3.5

Reminded me of a mix between Regina Spektor and Soccer Mommy personally, she's pretty unique tho

ramon.
March 9th 2019


3707 Comments


she’s like 2019 era Stella Donnelly uwu
jack ur 2 talented 4 school

KevinKC
March 9th 2019


888 Comments


"Beware of the Dogs is a timely reminder of how deeply ingrained certain toxic dynamics are, how every condescending riposte, every failure to admonish misogynistic behaviour within your own circle (even – no, especially those microaggressions) perpetuates and strengthens a social order which disparages the agency of women and other groups that are decidedly Not-Men, Unmale, Whiten’t."

You came here to read a review and you get propaganda from another brainwashed poor soul.

SheWatchedTheSky
March 9th 2019


16 Comments

Album Rating: 4.0

"You came here to read a review and you get propaganda from another brainwashed poor soul."



Issa oof from me

Gyromania
March 9th 2019


29908 Comments


"You came here to read a review and you get propaganda from another brainwashed poor soul."

yep. trash review.

tcat84
March 9th 2019


1297 Comments


That album cover is something

clavier
Staff Reviewer
March 9th 2019


1097 Comments

Album Rating: 4.0

nice review, first time listening to stella and i really like this

OldCrime
March 9th 2019


431 Comments


If the album is even half as well written as this review it's worth a listen.

YakNips
March 9th 2019


19941 Comments


deja vu

rabidfish
March 9th 2019


5962 Comments

Album Rating: 3.5

the instrumentation here rules, well done job.

Not 100% sold on her voice, tho, i can't put my finger on it, but there's something off there that takes me out of it.

Digging: Aine O'Dwyer - Daedalus Airs

Deathconscious
March 9th 2019


24632 Comments

Album Rating: 3.0

"(even – no, especially those microaggressions)"



you know, the review was going well enough, and then you had to unironically use the word "microaggressions". lol.

Digging: Defeated Sanity - The Sanguinary Impetus

Slex
Contributing Reviewer
March 9th 2019


9604 Comments

Album Rating: 3.5

Gotta be honest, I've heard she's been trying to get out from the shadow of Boys Will Be Boys, but that's the best track here lol

verdant
Staff Reviewer
March 10th 2019


2435 Comments

Album Rating: 4.0

imagine mentioning that women suffer from inequality and then being called trash and brainwashed for it lmao



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