Leeched
You Took The Sun When You Left


4.7
superb

Review

by Simon STAFF
August 23rd, 2018 | 38 replies


Release Date: 2018 | Tracklist

Review Summary: They are the same. Their tongues, their spines.

Riding on the coattails of last year’s extremely potent EP, Nothing Will Grow From The Rotten Ground, Leeched gives the spectators little time to recover from the first bout of nihilistic devastation by going all out with this fully realised full-length album. 2018 has been an impressive year for up-and-coming metal bands, who don’t seem to politely open the front door for recognition as they do blow the thing off its damned hinges. There’s been a lot of metal music coming out, but I’ve struggled to come to terms with most of it conveying complacency and stagnation. This, of course, doesn’t apply to the underground scenes which appear hellbent on reminding the more successful bands what hunger feels like – and honestly, Leeched are at the forefront of this resurgence. You Took The Sun When You Left is an impenetrable fortress of hopeless despondency, though its mainstay sound is set around the wrathful speed of grind and the lawlessness attitude of hardcore, it has the same downcast pessimism and aesthetic an early Godflesh record would have; a looming shadow of smog-filled industrial air chiefly coating the vividly ominous wreckage. But where Godflesh takes its time in unravelling the chaos, Leeched moves in like a million wrecking balls.

The album’s first single, “Guilt”, is a captivating promotional track that highlights the key selling points to this LP. The intermittent flow from the cavernous, effects-laden vocals serves as the biggest piece of evidence to my Godflesh comparison, but in choosing this approach it intensifies the song significantly: it leaves pockets of air for the violent snare pops, chunky drum kicks and droning guitars with scratchy feedback effects to do the majority of the lifting here, and ultimately leads to some pretty distinct results. From a compositional angle the track is just as engaging, primarily down to its bulking swing and tasteful use of cutting out guitars for the drums to have spastic outbursts before slamming back into gear again. I’ll admit, I’m enamoured by the songwriting here: the impulsive tempo changes, that speed up and slow down at a moment’s notice, bend and twist the dynamic of songs, subverting a lot of initial expectations; the handling on making songs sound heavy comes so naturally – the opening riff to “A Mouth Full Of Dirt” or “Cripple The Herd” holds a gargantuan amount of pummelling energy and breakneck ferocity without sounding forced; and their open-minded approach to experimentation is a welcoming change of pace to the mainstay wrecking ball riffs and outlandish tempos, offering evocative instrumentals that set the dismal tone here perfectly. I could go on, but suffice it to say this record offers a lot of really unique characteristics that go beyond the measures of sounding like your run-of-the-mill hardcore record, standing above and beyond the competition in the process.

That said, I can’t ignore a good chunk of my enjoyment for this project comes from its superb production. Tracks are so densely compact and busy you couldn’t possibly squeeze anything else into them. The super compressed, fuzzy bass and dynamic drums work synergistically to create a claustrophobically grim atmosphere, while Judd paints over these intense explosions with gnashing riffs, feedback squeals and a playing style that is both intricate, yet caters to the whims of any given track to deliver optimum effects. But the versatile production does more than just sound heavy, it knows how to keep up with Leeched’s frantic style of writing. The abrasive electronics on here further the experience and add another layer of carnage and unease to these nuclear numbers. Hearing “Hollow-Point Weddings” revolver-cylinder spinning clicks in the backburner of the track before shifting into the forefront gives off an exciting buzz of discomfort, yet simultaneously ties up the song perfectly. It’s little elements like this that stop You Took The Sun When You Left from ever becoming formulaic or tired. Silence is also a subtle – yet essential – ingredient as well, and doesn’t go unnoticed. There’s a schizophrenic element to all of the songwriting here. You’ll have abrupt stops – lightning-quick gaps that reveal a glimpse into the eye of the storm – where an instrument will go solo for but a note or two and then charge back into the fray again, or Laurie will let out a booming scream to introduce the next part of the track; it’s extremely effective writing that delivers a powerful punch but keeps things constantly moving forward.

It’s difficult trying to review You Took The Sun When You Left without me sounding like I’m gushing, but believe me when I say, this is easily one of the finest metal albums of 2018. It’s unique, punishingly heavy and mingles a string of well executed styles and influences in a way that makes this LP effortlessly enticing. It’s consistent, atmospheric and throws countless curve balls into the works, ensuring you’re always alert when spinning this thing. Most importantly, it’s a stunning debut album that displays a scintillating future ahead, and should not be missed.

ESSENTIAL.

FORMAT//EDITIONS: VINYL/̶/̶C̶D̶/̶/̶D̶I̶G̶I̶T̶A̶L̶

PACKAGING: Grey w/black splatter vinyl; standard cover sleeve.

SPECIAL EDITION: N/A

ALBUM STREAM//PURCHASE: https://leeched.bandcamp.com/releases



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user ratings (42)
Chart.
3.4
great


Comments:Add a Comment 
DrGonzo1937
Staff Reviewer
August 23rd 2018


15511 Comments

Album Rating: 4.7

The album has officially leaked early and can be heard here:



https://www.loudersound.com/news/leeched-stream-new-album-you-took-the-sun-when-you-left-in-full



Additionally, for anyone who's enjoyed this album, I interviewed them a few weeks ago and can be read here:



https://www.sputnikmusic.com/blog/2018/07/21/leeched-interview-the-new-face-for-hardcore/#more-26306

Digging: Slipknot - We Are Not Your Kind

MarsKid
Contributing Reviewer
August 23rd 2018


9823 Comments


A 5 review for a hardcore album, you know I'm on top of this shit

Will wait for an official release though. Spirit pos

Digging: The Offering - Home

clavier
Staff Reviewer
August 23rd 2018


993 Comments

Album Rating: 3.0

consider me hyped

Digging: Friolento - Destroy All Bad Luck

Papa Universe
August 23rd 2018


22385 Comments

Album Rating: 3.0

well shit. this better turn my life around



MarsKid
Contributing Reviewer
August 23rd 2018


9823 Comments


The three singles admittedly didn't do too too much for me, unfortunately. But I'll pass judgement until the final product arrives.

Slex
Contributing Reviewer
August 23rd 2018


7851 Comments


The last breakdown in The Stone and The Steel, holy hell

Digging: Marika Hackman - Any Human Friend

botb
August 23rd 2018


13162 Comments

Album Rating: 3.0

This sounds cool, can’t wait to check it out

SomeGuyDude
August 23rd 2018


374 Comments

Album Rating: 4.5

I'm really loving the singles but it's gonna take some work for this to be a full 5.0...

clavier
Staff Reviewer
August 23rd 2018


993 Comments

Album Rating: 3.0

this is really solid on first listen, loving the oppressive vibes

Evrimen
August 23rd 2018


148 Comments


liked the singles but no "classic" material for a grind/hardcore act imo

botb
August 23rd 2018


13162 Comments

Album Rating: 3.0

Def not a 5 on first listen but reminds me of Purge a bit

DrGonzo1937
Staff Reviewer
August 24th 2018


15511 Comments

Album Rating: 4.7

Well, it'd be a 4.7/4.8 if I could. This thing has blown my socks off. As Clavier has said, the vibes are so damn good.

FearThyEvil
August 24th 2018


16928 Comments

Album Rating: 2.5

I absolutely love that album title for some reason.

DrGonzo1937
Staff Reviewer
August 24th 2018


15511 Comments

Album Rating: 4.7

and the artwork is f-in sweet

SowingSeason
Moderator
August 24th 2018


31906 Comments


Phase 1 was the interview, phase 2 this excellent review. Your level of hype for these guys almost makes me want to check them out.

Digging: Off With Their Heads - Be Good

botb
August 24th 2018


13162 Comments

Album Rating: 3.0

I tend to think Mind Eraser did this sound better but man this is fucking heavy. This is what I thought that sectioned record was going to sound like after the first song but this is way better. Wish they sped things up a little more but still a tasty bit of sludge

DrGonzo1937
Staff Reviewer
August 24th 2018


15511 Comments

Album Rating: 4.7

I'm in love, Sow. haha Thanks for the kind words. Let me know what you think if you do dive in.



@botb



yeah I know what you mean, it rips when you come to the likes of the main riff to "A Mouth Full Of Dirt". The drums are absolutely savage.

botb
August 24th 2018


13162 Comments

Album Rating: 3.0

Between this and the new Jesus piece today is a good day for new sludgy stuff. Thanks for reviewing, probably wouldn’t have checked it otherwise

DrGonzo1937
Staff Reviewer
August 24th 2018


15511 Comments

Album Rating: 4.7

no worries man. it's just nice to see a strong new generation delivering banger's like this.





DarkNoctus
August 24th 2018


10810 Comments


need to spin this. i caught these guys live a couple of months back, they were absolutely fucking brilliant.



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