Lil Peep



by SadistikEyedeas USER (5 Reviews)
March 30th, 2018 | 9 replies

Release Date: 2016 | Tracklist

Review Summary: Lil Peep introduces an exciting blend of trap flavored hip-hop mixed with classic emo music, that will instantly polarize audiences. An interesting and important step forward for the development of contemporary hip-hop.

While reviewing an artist like Lil' Peep, the first issue people run into is assuming that Peep is claiming to be a lyricist, or that he is setting out to make a project comparable to the albums of his contemporaries. Lil Peep creates an exciting fusion of trap flavored hip-hop mixed with classic emo music, best illustrated by Peep naming two consecutive tracks after two of his biggest influences, in the form of songs "Cobain", followed by "Gucci Mane". But, the music, albeit an exciting new take on trap, is certainly not without it's flaws. Saturated with angsty, cringe-worthy lyrics, and perhaps a bit too much self-indulgence, this album may be a difficult listen for people not accustomed to the emo music Peep takes influence from. But, if you were ever a young fan of bands that routinely performed at Warped Tour, then this album may be right up your alley.

The album kicks off with the title track, which comes in with a vocal sample from the movie in which the title is taken from, then a nice guitar sample, followed by 808's and a deep bass. There is also an Underoath sample, which seems to be a recurring band for Peep (or better said, his producers) to sample in his music. In essence, this instrumental is representative of Peep's general sound. Moody, emotional, but all the while never losing the bass heavy feel of modern hip-hop songs. The lyrics are a confusing mixture of rap music braggadocio and adolescent-like self-deprecation. Throughout the whole album, the topics Peep covers mostly pertain to drugs, heartbreak, depression, death, and the occasional flex.

While the lyrics across the album do contain duds such as the track "OMFG", with the wailing of: "Baby girl, you got nothing on her/ you're the only one that could ever compare/ I can't hear what you're trying to say/ club lights shining on the side of your face/," there are also genuine cries for help, like on "This is the Song They Played When I Crashed Into the Wall", when Peep seems to half-heartedly cry out "I don't want to die right now, but I admit I do sometimes/ these drugs are calling me: / 'do one more line, don’t fall asleep./'" Perhaps these lyrics would all come off as angsty teenage journal entries, if it weren't for Lil Peep's untimely death only a little more than a year after the release of this project, in November of 2017. The news of Peep's death does admittedly make this album require a slightly more serious listen. Knowing that Peep died at the age of 22, hardly even an adult, the tone of this project becomes all the more serious and heartbreaking.

Besides the lyrics, the beats on this project are worthy of praise. Nearly every instrumental on the album takes a simple from a classic emo song, whether it be the Underoath sample on the title track, the Avenged Sevenfold sample on the closer, or the sample from "Lichen" by Aphex Twin (not an emo band, but nonetheless) on "We Think Too Much." Somber, at times even a little atmospheric and spacey, and still heavy hitting all at once, these instrumentals should attract a fanbase even without Peep's vocals layered on top of them.

My largest personal gripe would have to be that this project at times is a little tiring. With many songs consisting of the same verse repeated twice and choruses that overstay their welcome, many of these songs only have to be listened to halfway before you pretty much have heard the entire song. In a way, they follow the same formula that many Nirvana songs and other grunge bands of the '90s stuck so closely to. But it does not work as well when executed by Peep. A project that is in reality just under 50 minutes ends up feeling like a much longer experience, and with a lack of variation or experimentation beyond the new sound Peep has already introduced, the album does seem to drag on at certain points.

All in all, Lil Peep crafts an exciting fusion of trap and classic emo music. Remembering that this was still early in Lil Peep's career, it served as an excellent first step to whatever may have come next from a new artist pushing the boundaries of what was okay in contemporary hip-hop. If you're a fan of either of those genres individually, then I would say go ahead and give this album a listen. But if you're unable to approach it with an open mind, and have no patience for a young emotional kid singing lines about heartbreak and drug use, then I'd highly recommend skipping over this one.

user ratings (69)
related reviews

California Girls

Come Over When You're Sob
recommended by reviewer
Bones Useless

Comments:Add a Comment 
March 30th 2018


Album Rating: 2.0

Nice review. I didn't get into this one much but loved COWYS Pt 1

March 30th 2018


Album Rating: 3.0

summary needs to be fixed up, also how did i not know this was reviewed smh in like september-january i woulda dropped the biggest fanboy 5 review of this project lmao, good shit though i definitely like the stance you take comparitively to others, anyways pos for the solid rev

Digging: IDLES - Joy as an Act of Resistance

March 31st 2018


Album Rating: 3.0

idk i feel like that’s a pretty one dimensional and close minded opinion, as brokencyde were very much moreso talentless hacks and there’s actual structure and legitimacy to peep’s music, especially with how it’s begun to influence youth hip hop/alternative culture n whatnot. but maybe that’s just me and i’m wild ¯_(ツ)_/¯

March 31st 2018


Powergiggs is dumb

March 31st 2018


I don't listen to him but to call him this decade's brokencyde is a little extreme lol

Contributing Reviewer
March 31st 2018


shame about the kid's death, but yea, his music was absolute shite..

Digging: Mark Stewart And The Maffia - Learning To Cope With Cowardice

April 1st 2018


went from lil peep to lil sleep

May 29th 2018


Album Rating: 4.5

peep's best project.. RIP

July 6th 2018


Album Rating: 3.0

i wish people didnt think this was peak Peep because it's not at all?? like after relistening through his whole discog?? man fuck everything major-label akin to Hellboy and COWYS1,,, they feel so much more one-dimensional when his releases all the way from Lil Peep Part One thru Crybaby exist and are so much more than anything found on COWYS.

but idk i'm hopeful for posthumous music still at least. tracy is coming back around after his own struggles, plus the label is stepping back creatively from the looks of it??? idk but regardless 4 Gold Chains (with the vid) was like spine-chilling so hopefully people treat his leftover recordings with as much respect as Clams Casino did,,, (not that marshmello was being a dick with Spotlight, but it’s fuckin marshmello cmon)

last thing though i feel obligated to add:::: the fact that nothing peep has done before this tape (besides California Girls) has a review, is a crime against humanity smh hahah

You have to be logged in to post a comment. Login | Create a Profile


Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Site Copyright 2005-2017
All Album Reviews Displayed With Permission of Authors | Terms of Use | Privacy Policy