Lingua Ignota
ALL BITCHES DIE


4.0
excellent

Review

by Finn Baker USER (35 Reviews)
March 8th, 2018 | 12 replies


Release Date: 2017 | Tracklist

Review Summary: "I really wanna fuck the girl on the cover, I'm gonna keep pretending it's the vocalist."

Reviewing this 40+ minute EP, All Bitches Die, by Lingua Ignota almost feels like a disservice to the artist herself. Graphic, untreated emotion is indescribably palpable on all four tracks. The artist is not trying to hide a bit of information from the listener as she screams into your ears deliberately. A quick trip to her website, or perhaps a cursory look at some interviews she has granted, also provides some context as to why this was created—it is essentially a form of expulsion after spending so much of her life being abused by her partners. Her art pieces are a way of taking the music of her abusers, letting it effervesce into a brand new beast, and spewing it back into the world as her own. From the depraved screeches of biblical phrases to the perturbing samples used in key segments of some tracks, Lingua Ignota crafts this in a way that doesn’t make it hard to grasp. You’re supposed to get it, understand why it exists at all.

Someone on a site I would rather rise above than name outright tried to pin the label of “Bandcampnoise” on this entire album. It’s true that All Bitches Die is not on Spotify, Google Play, or any streaming service other than Bandcamp at the time this review was originally published. However, the person who said that must have only listened to, at most, 60 seconds of material across all four songs. Some movements are bookended with agitated static layered with Lingua Ignota’s evil-yet-arresting singing voice. Between these, though, is where the most powerful music is orchestrated. Around the 10-minute mark of Woe To All, there is a truly beautiful harmony coupled with an equally-poignant piano arrangement. The 7-minute mark of the titular track is no different; she begins a sequence of notes that shows off the immense capabilities of her vocal range. Moments like these, of course, pair up with vivid lyrics. “He held me down to strip me bare/Said ‘Hell is real, I’ll take you there’” is just one example of a lyric that no one wants to hear under normal circumstances. You sit through it nonetheless. You are demanded to listen.

It is insulting to pick up the entirety of All Bitches Die and drop it in a bin reserved for bedroom noise projects. Effortlessly, Lingua Ignota tears through holes in all of those boundaries. She shouts herself hoarse on phrases that sound as if they have spent years inside her body, fermenting, refusing to leave. They cannot pass like any other event in her life, so they must be forced back out the way they were administered. Still grounded in reality, yet becoming something unusual in the process. Even assigning a numerical score to this piece and ranking it among albums created by others does not feel healthy. Other musicians write music inspired by people they meet on the sidewalk, their respective government, short phrases said to them by close friends. Lingua Ignota instead makes a necessary decision to trill “my rapist lay beside me” from the top of a foggy mountain alongside the souls of those abused and driven to harm.

In a culture of misogynistic lyrics and a male-dominated subgenre of noise and industrial music, Lingua Ignota makes an imperative album with All Bitches Die. It orders people to listen and come out of it a new being. If the listener does not feel affected, then we can only assume the artist will feel an even stronger urge to convey her message, and I am certainly not the person to ask what the message is.



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user ratings (23)
Chart.
4
excellent

Comments:Add a Comment 
IcelandRevel
March 8th 2018


783 Comments


Hello, new user! There's a little edit button in every comment you make. It's in the bottom-left corner. That way, if you want to make an addition to a pointless remark, you don't have to make a whole new comment. Just edit your old one!

edit: Their account was deleted. Woot.

Digging: The I Don't Cares - Wild Stab

gryndstone
March 8th 2018


1075 Comments

Album Rating: 4.0

seems interesting

gryndstone
March 8th 2018


1075 Comments

Album Rating: 4.0

ok hold on. this is making me feel weird. kinda want her to beat the shit out of me

gryndstone
March 8th 2018


1075 Comments

Album Rating: 4.0

wow. in hindsight that's a reprehensible comment

JJKeys
March 8th 2018


950 Comments

Album Rating: 4.5

y'all need jesus

DinosaurJones
March 8th 2018


9500 Comments


I've only heard the title track, but it was mesmerizing.

Dimorphic
March 9th 2018


331 Comments

Album Rating: 4.0 | Sound Off

That summary is amazing. Echoes my thoughts entirely.



Album is incredibly powerful. Catharsis of the highest degree!



Also, excellent review.

Frivolous
March 9th 2018


744 Comments

Album Rating: 4.0 | Sound Off

"echoes my thoughts entirely"



they are literally your thoughts

Digging: The Body - I have fought against it, But I can?t any longer

Dimorphic
March 9th 2018


331 Comments

Album Rating: 4.0 | Sound Off

Haha, I know, just wanted to see if anyone would notice.

IcelandRevel
March 9th 2018


783 Comments


I don't want to offend anybody with this review or anything I say about the album. But your thoughts, the ones I quoted for the summary, are hurtful. Even if they are a joke, it's jokes like that which stimulate the misogynistic elements of this subgenre and culture.

BallsToTheWall
March 9th 2018


48602 Comments


Have a pos. Dope album.

Digging: Bleeding Through - Love Will Kill All

Dimorphic
March 9th 2018


331 Comments

Album Rating: 4.0 | Sound Off

The actual review itself shouldn't be insulting to even the staunchest SJW. You wrote an excellent review using objective language and painted the situation in the grey colour of neutrality. You literally just made me go back and actually buy the album, so... Yeah, the review did its job.







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