The Magnetic Fields
Distant Plastic Trees


3.5
great

Review

by Divaman USER (166 Reviews)
January 14th, 2018 | 9 replies


Release Date: 1991 | Tracklist

Review Summary: "Why do we keep shrieking/When we mean soft things?/We should be whispering all the time." -- from "100,000 Fireflies" by Stephin Merritt

In the beginning, there was no Magnetic Fields. Not really, anyway. There was just Stephin Merritt, a laconic, somewhat depressed musician/songwriter in his mid-twenties. In 1991, he put together his first album under the Magnetic Fields name, Distant Plastic Trees. He played all of the music himself, and wrote nine of the ten tracks on the LP (the only exception being "Babies Falling", a cover of a song by The Wild Stares). He entrusted the vocals, however, to a young woman with a light-but-pleasant soprano voice named Susan Anway. The album went largely unnoticed at first, and probably would have stayed that way. Except ... well, we'll get back to that.

Anyway, I rated this album at 3.5 stars, which by Sputnik Music standards equates to "great", and the site as a whole seems to agree (the aggregate Sputnik rating currently sits at 3.4). "Great" might make you think Distant Plastic Trees is an album of consistent high quality, but you'd be wrong. What you have instead is a 10-track LP with a few pretty good songs, a few average ones, and two or three that are fairly lousy. Oh yeah, and a couple of great ones that pull the whole album to a different level.

The music throughout consists largely of synthesizers and keyboards, sometimes with tinkling bell-like sounds, static and other white noise, swooshing air and humming generators, and various other sound effects. Anway's vocals are pretty enough. They're maybe a little thin, but by and large, they work with this material.

The tracks that don't work (such as "Kings" and "Falling Babies") tend to be a little formless and experimental, and I chalk them up to the young Merritt relying on trial and error as he tries to find his way as a musician and a songwriter. A few others, like "Living in an Abandoned Firehouse With You" and "Josephine" are inoffensive, but a little boring.

More interesting is "Tar Heel Boy". It has a country/Appalachian vibe to it, to the point where Anway even yodels on the chorus, but the instrumentation sounds something like a banjo-inspired music box. "Smoke Signals" and "You Love to Fail" are also winners. The first features some lovely swirling piano, while the second is one of Merritt's classic not-love songs: "And I want to take you out/But you always refuse/'Cause you only play the games/That you know you can lose/You love to fail, that's all you love".

The 600-lb. gorilla on the album, however, is a little ditty called "100,000 Fireflies". This song began with some limited airplay on alternative rock and college stations. Gradually it became something of an underground classic, to the point where various critics have named it one of the Top 10 indie songs of the nineties. It starts off sounding like an inverse and more ethereal version of Springsteen's "Santa Claus Is Coming to Town", until Anway jumps in with one of Merritt's best-ever opening lines: "I've got a mandolin/I play it all night long/It makes me want to kill myself". From that point on, the song manages to be funny, touching and sad in equal measures, as the singer pleads for her lover to give their relationship another shot: "You won't be happy with me/But give me one more chance/You won't be happy anyway." For a certain type of twee teen/young adult, this song was the musical totem of their generation, beloved in much the same way as films such as Donnie Darko and Napolean Dynamite were embraced by their respective admirers in the early 2000s.

Although "100,000 Fireflies" is the song Distant Plastic Trees is most noted for, one other track, "Falling in Love With the Wolf Boy", is almost as brilliant. This one features whirling, carnival-like synthesizers that seem to fall in and out of the sync with Anway's vocal part, and includes lyrics that are both biting and highly amusing. The song is a description of/fantasy about a person of the female persuasion with whom Mr. Merritt is something less than pleased (I'm going to take a wild guess that it's Ayn Rand, but I could be totally off-base): "With a face like an African mask/And the strength of ten men when she's wrong/She's in charge of the world at large/And her novels are all very long". Where someone of a more violent nature might wish for physical harm to befall the object of their derision, however, Merritt has a gentler but stranger plan: "Take her down to the woods where the wolfboy lives/So the villagers say/And the three of you evaporate into the night/And you both fall in love with him." A unique solution to an interpersonal problem if ever there was one.

"100,000 Fireflies" probably didn't make Merritt a ton of money. But it did help to give Distant Plastic Trees and The Magnetic Fields enough of a reputation to build a cult following in indie music circles to carry the band through the nineties until the release of their most successful album, 1999's opus 69 Love Songs. Listeners who first jumped on The Magnetic Fields' train on or after that point would probably find the band's original sound, with its airy female vocals and tinker-toy synthesizer sounds, jarring. But while this first Magnetic Fields album is certainly uneven and immature compared to an album like 69 Love Songs, the hits on Distant Plastic Trees still outweigh the misses by far.



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user ratings (53)
3.5
great

Comments:Add a Comment 
Divaman
January 14th 2018


16120 Comments

Album Rating: 3.5

One night, I spent about an hour just working my way through various covers of "100,000 Fireflies" on YouTube. Some were frightening (I'm talking to you Superchunk), but some were pretty good. Special kudos to the girl who played it on the Omnichord with 3 or 4 versions of her harmonizing with herself, and the acoustic guitar version by someone named Jeremy Jones.

SandwichBubble
January 14th 2018


13796 Comments

Album Rating: 4.0

"For a certain type of twee teen/young adult, this song was the musical totem of their generation, beloved in much the same way as films such as Donnie Darko and Napolean Dynamite were embraced by their respective admirers in the early 2000s."

whole album gives me that feeling honestly. great review

butcherboy
January 14th 2018


9464 Comments


superchunk do a scorchy little cover of fireflies.. pos of course, Diva!

Divaman
January 14th 2018


16120 Comments

Album Rating: 3.5

Thanks Sandwich.



Heh, I knew someone would call me on the shot at Superchunk, butcher. It certainly has a different feel than the original. I just like all the videos made by amateur kids who aren't necessarily great musicians, but you can tell that they're doing the song because it meant something in their lives.

Dewinged
Staff Reviewer
July 23rd 2021


32046 Comments


This is great, "Love to Fail" especially.

robertsona
Staff Reviewer
September 9th 2021


27486 Comments

Album Rating: 4.1

The lady who sang this and The Wayward Bus died, RIP

GhandhiLion
September 9th 2021


17643 Comments


oh no rip :[

Pheromone
September 26th 2021


21415 Comments


RIP

100,000 fireflies is so rightly praised hnng - great review pre-best-friend diva

Dewinged
Staff Reviewer
January 5th 2022


32046 Comments


"The lady who sang this and The Wayward Bus died, RIP"

God fucking dammit, I was just listening to Wayward Bus now and thinking how much I love her voice. RIP



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