Review Summary: The sound of hype and expectations being butchered by delusional arrogance and empty promises.
The forest is teeming with darkness.
I love the four seasons and the way they can change our understanding of the world. Every time they shift, it’s as if our moods and perceptions are shifting with them. And as such, they can each bring out a beautiful variety of emotions and vivid imagery in their wake. That’s why baroque violinist and composer Antonio Vivaldi had such great success with his famous composition
The Four Seasons. With every season, certain stylistic deviations were introduced to signify its characteristics; for instance, the sprightly and festive feel of the legendary “Spring” movement of the piece. Now, before I go any further, I’m not against someone in 2017 presenting us with a modern-day update of a timeless classic with a timeless theme. But when I heard that one of metal’s premier musicians and procrastinators Jari Maenpaa was behind the project with his primary project Wintersun, my eyebrow was more than raised… and not in a good way, really. I once loved Wintersun, a band whose first album was among my favorite modern metal debuts and provided a glimpse to a once-promising future for the band. But between the gradual dip in quality and the waiting time between albums, Jari seemed to be an artist who could only answer high expectations with false promises. But I’m always ready to keep my mind open and think positively, so I’m ready to dive into this new piece with open ears. Let’s go season by season, shall we?
Spring - The Season of Genre Cliches
We plunge into Spring, a bright and colorful season. But in the world of Wintersun, the skies remain as gray as ever. The cheap keyboards give a mood of cheap dollar-store melancholy, and the shameful production values seal the deal before the experience gets off the ground. I don’t even want to hear the rest, but I press on. The season of spring is apparently devoid of its usual life, and its generic cookie-cutter riffs are as recycled as they were on the last album. The percussion sounds like the drumset was wrapped in a giant paper bag to siphon it of all its power, then beaten senselessly over and over in the same two or three tempos. There are some “creepy” (I use this word hilariously lightly, hence the quotation marks) spoken word parts, I suppose in an attempt to enhance the atmosphere. But it’s remarkable how little Jari’s evolved as a singer, pretty much using his most familiar cleans and growls in the most predictable ways. The more I dig into the band’s discography, it seems ever more evident that Wintersun are only capable of conveying the season of their namesake (even then, not in very interesting ways). I only hear cold, distant, passionless blandness. If this is the sound of spring, I want to skip the season altogether.
Summer - The Season in Which Experimentation Meets Redundancy
At least there’s a bit more effort as we approach the season of Summer. There’s a decent acoustic guitar buildup in the intro, even though it bears a bit too much resemblance to “Sadness and Hate” in the notation and guitar tone. The tempo is more Opeth-like and the anthemic clean singing is neat, but there’s not enough to differentiate this season from the one preceding it. That is, except for the admittedly nice folk interlude in which folk and sitar sounds are integrated to add some atmosphere. Still, there isn’t nearly enough of a “wow” factor to any of this to excuse a 12-minute running time, and that’s a criticism seems to run through the entire recording. For the record, the lyrics are also a load of garbage. Check this out:
"In the dark ruin the grey mountains sing
A sad song of winter and the howling wind
Visions of the past in the haunting dreams
Under the dead sky, under the withered trees"
If that cliched nonsense is Jari’s idea of high art, then my high school alternative rock band was full of Shakespearian poetry.
Autumn - The Season of Brooding, Brooding, and More Brooding… and Dark Riffs!
We kick off Autumn with some dark tremolo riffs to give an evil, black metal-oriented sound… spooky! Too bad the thin production makes the blast beats sound like trash. Beyond that, the mixing is so horrible that the drums overpower any of the riffing or other guitar licks we’re supposed to make out. I’m glad we’re finally listening to a song that comes a little closer to representing the weather and feel of its chosen season, but I’d like to actually hear the songwriting too! Granted, it’s nothing special. The keyboards are still bland and gimmicky, and the melodic death metal-inspired riffs are just as meandering and unengaging as ever. Somewhere around the middle, Jari uses a deep spoken word vocal style that makes him sound like Dani Filth… it’s somewhat interesting, but mostly seems like a means of distracting us from the boring 6/8-time riff and its directionless lead guitar work. The solo that follows is just some generic shredding too, so it’s really not very interesting. Just trust me: Autumn may try to sound sinister, but Jari’s not inspired enough to convey this properly.
Winter - The Season Wintersun Knows
We finally come to our final season, the season of Winter. And, lo and behold, this is actually the best piece in the collection. There’s some nice buildup in the icy synths, generating a mood both eerie and depressing. The actual title of the track is “Loneliness,” and the doomy tempo is a fine demonstration of such an emotion. The vocals are a bit melodramatic at times, but at least I’m hearing something other than the bland growls that have dominated the other seasons. Jari sounds more anguished and desperate here, fitting the theme of the composition and its blustery vibe like a glove. Alas, not everything is perfect here either. The tune seems to stick to the same tempo for most of its duration, making it a slog to sit through to the end. As usual, there’s not enough experimentation or new instrumental perspective on this season to justify a 13-minute closer to an already-overlong mess of an album. Also, the production is still pretty atrocious, but now I’m sounding like a broken record.
The forest is teeming with dread.
The four seasons can be open to such fruitful depictions and fantastic musical avenues, but Wintersun manages only to produce a small handful of these. Whenever I hear
The Forest Seasons, I don’t hear the sound of fresh ground being broken. I don’t hear an exciting new aural adventure of both aggression and beauty. I don’t hear a band displaying a new or interesting take on a promising concept. I hear the sound of dread. I hear a project that has long passed its expiration date even after just three albums.
Most distressingly, I hear thousands of loyal Indiegogo funders being fucked by one egotistical Finn.
