Review Summary: While most in the genre feel like a product of the times, Kristofferson has staying power decades, and possibly even centuries beyond his contemporaries, it's just too bad most don't take the time to appreciate his work.
While most people think of Johnny Cash or Willie Nelson when it comes to Outlaw Country, there's no denying that Kris can stand up to, and without question rival those greats. Mostly known for his work with The Highwaymen, and his song Me And Bobby McGee, his work gets unfairly swept under the rug, despite the countless gems.
A staple of Kristofferson's songwriting is his masterful storytelling ability. Every track here is of equal, if not greater value than the hit 'Me And Bobby McGee'. Haunting dirges such as Casey's Last Ride and Darby's Castle resonate on a personal level while also bringing a heavy dose of nostalgia and charm. Upbeat grooves on songs like Blame It On The Stones and Best Of All Possible Worlds dance the album into images of smokey bars, while Help Me Make It Through The Night and Just The Other Side Of Nowhere slow things down with light, beautiful melodies.
Every story here is worth listening to, wether it conjures images of romance, despair, or outlaws riding into the night. Not many albums (even those of the genre) have managed to capture their ideas so gracefully and charmingly. Though he was young at the time, there is so much wisdom to be heard in these tales he spins.
The voice delivering these stories is very laid back, nothing at all show-y, but Kris' vocals are very unique, and the melodies presented are quite admirable.
Similarly, the instruments are held back, serving the song well by resting behind the vocals and smoothly playing along. Nothing feels overly 'country', despite this being a country album; which is great for those not a fan of the genre.
Released nearly 50 years ago, Kris Kristofferson's debut album still holds up as arguably the greatest country album ever recorded.
