Fit for an Autopsy
The Great Collapse



by Brett W USER (21 Reviews)
April 30th, 2017 | 64 replies

Release Date: 2017 | Tracklist

Review Summary: Fit For an Autopsy rejuvenate an increasingly bland genre with their politically charged riff-lord that is The Great Collapse.

Deathcore is a touchy subject with many metal fans. Much of it is disregarded simply because of the label, and it is rare that a band makes such a wave in the metal community. With Suicide Silence being - for lack of a better word - disowned by the deathcore scene, people are starting to turn their heads towards more lesser known and less established bands. Enter Fit For an Autopsy. Breaking into the scene with their 2011 release The Process of Human Extermination, they steadily climbed the scene’s ladder. In 2015 they released their first album with new vocalist, Joe Badolato, and proved themselves a strong member of the community. Now in 2017, Joe, Will, Pat, Josean, Tim and Peter return with the emotional kick to the head that is The Great Collapse; chock full of riffs, social commentary, and politics.

Sonically, the record is incredible. Will Putney, guitarist and producer for the band, does a fantastic job in post-production. No one instrument overpowers another in the mix, which makes for a more relaxed listen. The guitars are chunky and very full sounding. Every drum sounds as loud as it should, most notably the booming, but not overbearing kick drum and double bass. The drums of the album are not of typical deathcore fashion. Josean Orta does a great job of sparingly and tastefully using double bass and blast beats, giving this album a more subtle kick-to-the-head sound. The sound relies more on groove and atmosphere to invoke emotion, rather than a full on sonic assault. This is found in the riffs and guitar lines as well. The two instruments work very well together to create a groove that is very unique in this community. Many times you will still hear chugging guitar riffs, but unlike what would be expected, the kick drum typically doesn’t follow the same rhythm. There are many sections where the drums are keeping an interesting beat while letting the guitar create a heavy groove or riff on top. That’s not to say that the guitar and drums never match rhythms, but it isn’t relied on, and makes for a great atmosphere that I feel is very unique to this band.

A highlight of The Great Collapse is the way it uses its breakdowns. They are used tastefully, as the guitars tend to utilize menacingly blistering or groovy riffs during the majority of the tracks’ runtimes. Though chugging is used in some cases, the breakdowns rely more on heavy, even catchy riffs as opposed to typical open string palm muted rhythms. The most notable being in opening track, “Hydra” and in “Iron Moon”; both of which have punishing breakdowns, while still keeping the energy alive with enjoyable riffs. Perhaps the most intriguing and enjoyable feature of this record is the use of melodic vocals. Badolato’s monstrous Joe Duplantier-esque (Gojira) melodic vocals add an incredible amount of atmosphere and emotion to the music. Most notably in third single, “Black Mammoth”; Badolato uses his melody in the chorus to invoke a very strong feeling of despair, which pairs very well with the angry nature of the verses. These emotions are a great way of getting message of the song across, having to do with the Dakota Access Pipeline and the struggle of Native American tribes. “When the Bulbs Burn Out” is another example of emotional and atmospheric melodic vocals used to give the listener a feeling of despair and struggle while Joe Badolato belts out lines about our planet dying.

Overall this album is an emotional experience front to back. It is apparent that all members of the band were very passionate about the music and lyrics that they wrote, because this album shines above so much of modern metal. It makes a statement, and whether you agree with the statements and opinions or not, it is hard to say that the message isn’t being conveyed passionately. The band makes an effort to stray itself from the typical deathcore idea of just being constantly angry with showing no other emotion. That being said, there is anger in this record, but the anger comes from a less superficial place, it feels, than most deathcore. The band is angry at the modern iteration of the human condition, and how we treat both the world and one another. The anger is expressed more prominently in the beginning tracks, and as you progress, you’ll find that it transforms into more of a cry for help; personally and as members of planet Earth. This music comes from a real place, and that is part of what makes it so incredible. To reiterate, sonically alone this album is an experience; from the refreshing take on deathcore - be it the riffs or drums or melodic vocals - to the production and mixing itself. The only points being taken off of this record is in the fact that if you aren’t paying enough attention, it is easy to get lost in the sound, and the tracks may blend slightly. Other than that, this album is absolutely an amazing experience from beginning to end. The future of deathcore is looking bright in the hands of Fit For an Autopsy.

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user ratings (399)

Comments:Add a Comment 
Brett W
April 30th 2017


Album Rating: 5.0

This album needed a proper review.

Staff Reviewer
April 30th 2017


Album Rating: 3.0

Solid review man, large step up from some of your past stuff, good job

April 30th 2017


Album Rating: 4.0

my vro back at it again. yr welcome for proofreading ;))) sick review. deathcore is having a phenomenal year somehow

April 30th 2017


Great review.

I saw these guys live at a small venue recently and the absolutely pummeled the place. They were second to last but they managed to indisputably outshine the final band.

You might want to rework this awkward sentence, "The band is angry at the modern iteration of the human condition, and how the world and each other are being treated." into something more along the lines of, "The band is angry at the modern iteration of the human condition, and how we treat both the world and one another."

Brett W
April 30th 2017


Album Rating: 5.0

I'll replace the sentence with your version now. Thanks my man.

Iamthe Nightstars
May 1st 2017


If Nate Johnson was on this I might have been interested.

Brett W
May 1st 2017


Album Rating: 5.0

Nate isn't needed.

Iamthe Nightstars
May 2nd 2017


Neither is any deathcore band but at least Johnson's vox were brutal.

May 5th 2017


Album Rating: 4.5


May 6th 2017


Album Rating: 4.0

Solid album and solid review. I've seen these guys live before and if anything they're even better on the stage than in the studio.

May 9th 2017


Album Rating: 4.5 | Sound Off

Wanna see these guys live so bad..

Awesome review tho, agree on every point.

September 5th 2017


Album Rating: 3.0

This rips hard

September 15th 2017


Album Rating: 4.0

Black Mammoth rips hard

October 24th 2017


Album Rating: 3.5

Boring as newest taim album. Overrated album

October 25th 2017


Album Rating: 4.0

seein these next week with a reinvigorated trivium hehe

November 7th 2017


This sounds like Gojira during some moments. Like in Black Mammoth

January 8th 2018


Album Rating: 4.0

Got to see these guys alongside Trivium, they were really good.

The vocalist is a really cool dude too. I get to play video games with him sometimes which is pretty cool.

March 22nd 2018


Album Rating: 4.5 | Sound Off

Listening to this album now and first thing I can think of is GOJIRA. Surprised to not read that in this review. Black Mammoth sounds so simmilar to Gojira, including their signature sweeping guitar sound, that I would almost say ‘ripoff’. But, I’m not one to make too much of a hassel over this. A good Gorija copy is appreciated.

May 30th 2018


Album Rating: 4.0

This album is great with alot of sweet highlights, needs more Sputnik love

Get Low
May 30th 2018


Album Rating: 3.0

I need to check this. I've been trying to find the "good" deathcore.

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