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Literally being punched in the face is most likely an experience that many people will associate with pain, something to avoid. This mostly holds true unless you look at it from a musical standpoint, in which a punch in the face can only be considered a good thing. Listening to Nonpoint's latest album, "To the Pain" is the equivalent to being decked in the face by 10 metal guitarists. Currently, Nonpoint consists of
Elias: Vocals
Andy: Guitar
Robb: Drums
Bastard: Bass
The Muscle
The real force behind Nonpoints powerful hits is the instrumental work. The guitar work is unique and seriously heavy. Only one guitarist is listed for the albums guitar work, but occasionally, there does appear to be two guitarists at work, but it could be layering, so the guitar smackdown might be a little weaker during a live show. Andy has the ability to produce truly dizzying riffs and licks. The song with the most power guitar-wise is easily the second track on the album, "There's Going to be a War!" in which Andy shows of his speed and produces a lightening fast flourish before the first verse. The guitar parts are also very heavy, as Andy slams out consistently heavy riffs throughout the entire album, the only songs that don't involve bone breaking aggression are the 2 instrumental tracks on the album, "(Ren-Dishen)" and "The Shortest Beginning", in which the primary focus seems to be on the bassist's notable bass skills. Throughout most of the rest of the album, Bastard remains pretty un-noticed, but in the aforementioned tracks, he really shows his talent. The drumming is your typical metal drumming, double bass, cymbal crashing standards. This is not necessarily a bad thing, as the drummer is rather talented, he just rarely shows it. The drum solo-intro to the song "Skin" is Robb's shining moment on the album. This all combined provides the real power behind the punch.
The Fist
The in-your-face aspects of the album come from the lyrics and vocals. Elias has abandoned his rapping vocals and is now really just either shouting or screaming. The only real screaming points of the album come in the song "The Wreckoning" in which Elias repeatedly builds up his voice into a harsh scream. He does do some clean vocals, which only appear a few times on the album, most notably in the song "Explain Yourself" (which, oddly enough, features a trumpet solo). Group vocals are used very rarely on the album; the only real moment in which the group vocals come through is in the song "To the Pain" which is arguably the most powerful performance on the album. Elias himself only seems to sing in Spanish at one point on the album, in the song "Buscandome" in the verse. The line "Yo soy, lo que soy. No me voy. Buscandome" translates roughly to "I am what I am. I won't go. I look for myself" or "I find myself". The song also features a man slowly building to a scream while shouting in Spanish, and in the song "To The Pain" a conversation is carried out with a woman speaking Spanish and a man replying in English. The lyrics on this album are occasionally cliched, which are mixed into some very creative lyrics. Opener "Bullet with a Name" is a song about a bank robbery in which Elias threateningly shouts "People running in every direction with their hands up, waiting for the drama to end. I got my hand out looking for some money to spend, I've got a bullet with a name on it, bullet with a name". Those lyrics are the strongest points on the album, as Elias is not the best lyricist in the metal genre.
The Counter-Punch
In the words of Sir Isaac Newton: "For every action, there is an equal, but opposite, reaction" The downside to this album is the vocal redundancy, as Elias almost never changes the tone of his voice, which really does get songs a bit of a mixed up feel. Another bad point of the album is the guitar solos. Andy does solo, and they are good, but he is clearly not using his full ability. The lack of audibility in the bass department is another negative point of the album, as bass work usually keeps an album interesting. The lyrics are also somewhat weak.
The Impact
This is a very solid metal release. For someone who has a primary interest in punk, the impression of this album varies. It might take some time to grow, but eventually, you will find yourself listening to it every day. Mostly, fans of metal and hardcore are the primary audience, but this album has some potential to reach out beyond that target audience. Good album, I strongly recommend that you atleast listen to a few songs.
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Interesting format, and it is well-written for the most part. While this isn't my particular cup of tea, I shall vote for you anyway. Nice job.This Message Edited On 05.27.06
| | | Album Rating: 3.5
this review doesnt really do justice to the sound of the album, if you havent already, you should definitely listen to a few mp3's off this album. I cant find the cover art for this anywhere, so sorry about that. Thanks for the compliment
| | | It's no problem. Not alot of people comment on reviews this late.
| | | Album Rating: 3.5
i guess it is pretty late, 1:47 a.m. my time. this review actually is one of my favorites that i have done.This Message Edited On 05.27.06
| | | I actually prefer their older stuff, but this album was alright.
Good review, but the guitar work isn't THAT amazing.
| | | Album Rating: 4.0
nice review.... their song the wreckoning is a great track
| | | Album Rating: 3.5
thanks. I like the guitar work alot, it did impress me, but i must say that funeral for a friend probably outdoes nonpoint and almost any other band on my playlist in the guitar department. I havent heard their older stuff, what's it like?
| | | Album Rating: 3.5
wow, i just realized that my reviews dont really get alot of comments. anyway, does old nonpoint atleast change the vocals between songs or is it like this album? its not bad or anything, its just that the songs do mix a little.
| | | The vocals on their old stuff are more like harsh singing than actual screaming. This album really feels like they lost some of the melody and tried to be more 'metal'...as far as the old stuff goes, listen to Broken Bones, What A Day, The Same, or Hide And Seek, and you'll see what I mean.
I dunno, in the end I just think they used to write better songs.
| | | Album Rating: 3.5
this is a stupid question, but what about their old guitar work and whatnot, is that better or have they improved since then?
| | | This is a really nice review. The formatting is really cool.
| | | pos vote jsut for the formatting
these guys arent really my cup of t though
| | | Labonza:
The guitar work has stayed pretty much the same in terms of skill I think...and what you said earlier about FFaF is true, those guys are pretty fucking sweet guitarists for their style of music.
| | | Album Rating: 3.5
amen, i was just listening to "Hours" for the first time a few minutes ago and the guitarists are so good, i cant get enough of it, although i dont think "hours" is as good as CDADIC.
| | | Yeah, same here, but there's certain songs on Hours that just totally pwn, like The End Of Nothing and Hospitality. Recovery is fuckin awesome too.
| | | Album Rating: 3.5
those are actually my favorite songs on the album, especially "the end of nothing" i just cant get enough of that song. streetcar is pretty good too.
| | | Album Rating: 4.0
let me see that muthafucka who said nonpoint is rock. NONPOINT IS NU-METAL you...
Alive and Kicking is probably the best song in the universe... And To The Pain is best album Nonpoint made.
| | | Album Rating: 3.5
well that's ok, i kind of hate this album now anyway, it got old because everything is so similar, i should really edit my review.
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