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Mudvayne
L.D. 50


4.5
superb

Review

by JMann USER (2 Reviews)
January 14th, 2005 | 106 replies


Release Date: 2000 | Tracklist


The Band:

Kud - Vocals
Gurrg - Guitar and Vocals
sPaG - Drums
Ryknow - Bass

Background Info:

"sPaG and his cohorts have been pushing the envelope for four-and-a-half years, ever since Mudvayne first conspired together in the forbidding wastelands of Peoria, Illinois, circa 1996. sPaG, Kud, and Gurrg, with a different bass player (Ryknow came aboard two years later), found each other after ten years in the usual maze of local outfits, immediately sharing a vision of their own musical apocalypse.

The band began gigging regularly, winning over audiences from Denver to Philadelphia with an un-matched intensity and a musical attack that was increasingly intricate and brutal. Somewhere along the line, the four members began painting their faces as well, adding an extra layer of mystery to their dense, foreboding approach."


Track Listing:

1. Monolith - An intro track. It’s mostly just creepy sounds with someone talking about science or something. It starts out cool with sounds of wind, but soon gets dull and fades into the next track. 3/10

2. Dig - The album’s first single, I believe. I’m surprised this song was made into a single, it's my least favorite track. It does manage to get you pumped though. 7/10

3. Internal Primates Forever - Starts with an awesome riff and has an upbeat tempo throughout. Some good vocal work. 8/10

4. -1 - One of my favorite tracks. It starts out slow with clean guitar and clean singing throughout the verses. Ryan’s amazing bass playing begins to show on this track. The lyrics are very depressing and negative (hence the title.) But the song still rocks. 9.5/10

5. Death Blooms - I *think* this was another single, but don’t hold that against me. Ryan really shines on this track. He is phenomenal. Kud uses his voice very well in this track and it is quite catchy. 10/10

6. Golden Ratio - This is just a short filler track. It just connects Death Blooms and Cradle with the same sound repeated. Very pointless and could do without it. 1/10

7. Cradle - This song starts with a clean guitar lick. Kud begins whispering and eventually leading into a scream. The song slows down again then picks up for most of the song. 8/10

8. Nothing To Gein - This song is about Ed Gein. Kud describes Gein's twisted actions and schizophrenia. This song is very emotional and eerie at the same time. Ryan again shines on this song with short bursts of cool bass licks. 9.5/10

9. Mutatis Mutandis - Fades in from the last track and a techno beat ensues with the sound of chimes. Another filler, but atleast it's a little more interesting. 3/10

10. Everything and Nothing - Very catchy track. “I am everything! I am nothing!? Some good bass and a cool chorus. Slightly repetitive. 7/10

11. Severed - My favorite track. This song is amazing. It shows off every member’s capabilities very well. The bass and vocals are especially fascinating. The anger in this song doesn’t sound as forced as some of the other songs. The flow and tempo changes fit incredibly well. This is one of my favorite songs ever. 10/10

12. Recombinant Resurgence - Another filler. Actually, this one is two minutes long. I just skip it. 2/10

13. Prod - Quiet verse, heavy chorus, they use this often. The bridge makes up for it though. It brings us into what sounds like a whole other song. Reminds me very much of Tool. Gurrg actually kind of sounds like Maynard. 9.5/10

14. Pharmaecopia - Starts out heavy, the vocals sound like they’re being screamed through a megaphone. Kud uses another voice we haven't yet heard on the album. His vocal versatility is nearly comparable to that of Mike Pattons IMO. 9/10

15. Under My Skin - Gets right in your face from the start. The chorus slows down. Kud even *gasp!* raps on this song. It fits well though, and it’s a short part. 8/10

16.(K)now F(orever) - Longest song on the album, clocking in at 7:06. Some nice riffage from Gurrg. Vocals are good. Everything works here. 9/10

17. Lethal Dosage - Filler, filler, and more filler. More science talk, not very interesting. Every filler track sounds similar. Making it even worse. 2/10

I give the album a 9/10 overall. The band has a lot of talent and they use it well. This isn't ordinary Nu-Metal. Gurrg's vocals are amazing and the overall musicianship is strong on this album. Unfortunately, the filler tracks get tedious and hurt the album. They are easy to skip over though.


user ratings (1914)
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excellent
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Comments:Add a Comment 
YDload
July 16th 2004


1207 Comments

Album Rating: 4.0

Wow, Severed is my favorite track too! Good job (if brief), but this review may have been done before.

SubtleDagger
July 17th 2004


737 Comments


"Death Blooms" was the second single. Probably the best Mudvayne song I've heard, so I should check out "Severed".

limpbizkit_maggot
July 17th 2004


1 Comments


death ****ing blooms!!!!! hell yeh!!!!!!

extreme_191
July 20th 2004


17 Comments


Do you guys suggest this over their second album?

YDload
July 20th 2004


1207 Comments

Album Rating: 4.0

[QUOTE=extreme_191]Do you guys suggest this over their second album?[/QUOTE]



I do, especially because I play bass. This one has more of a prog feel to it because of the electronic interludes and abstract song structures (not too many verse/chorus/verse/chorus/bridge/chorus stuff here!).

robnathanson
August 20th 2004


93 Comments


I prefer the endo of all things to come (I own both)


what;'s the deal with the CD "the Beginnig of all things to end"? I've seen it at Music World, but near as I can tell it's just a cd full of remixes?

correct me if I'm wrong?

YDload
August 21st 2004


1207 Comments

Album Rating: 4.0

^ It's their debut album, re-issued with some remixes too.

Praiz
August 21st 2004


14 Comments


Released in 1997 under the title "Kill, I Oughta" which I don't own.

Dancin' Man
August 21st 2004


719 Comments


Is it actually prog?

GhoulScout
August 21st 2004


23 Comments


[QUOTE=Fast Fingers]Is it actually prog?[/QUOTE]

its mildly laced with prog tones to it.....but not enough to label it prog.

mexicanfloydian
August 21st 2004


165 Comments


This album is cool, but they play better live.

Kage
August 21st 2004


1172 Comments


Good review. I happen to think the filler tracks are really cool and add a lot of creepiness to it.

Mekkalayakay
August 21st 2004


169 Comments


I downloaded a few Mudvayne songs a long time ago, and surprisingly liked it. I'll check this album out.

alcoholocaust
August 21st 2004


15 Comments


Nice review. My favorite tacks are -1, Death Blooms, Cradle, Severed, Prod and Under My Skin.

3rdplanet
August 21st 2004


46 Comments


Nothing to Gein is one of the greatest songs ever.

bassaholica2004
August 22nd 2004


40 Comments


I pulled this CD out today after this review, and I really like it. Its kinda wierd how something this talented wound up on MTV. Great lyrics, lyrical subjects, musicians, musicianship, hell, this whole band is great. I would call them Progressive Nu-Metal. They are progressing the genre of Nu-Metal.

ScorpSath
August 22nd 2004


23 Comments


Pretty good review.

Chop Suey!
August 25th 2004


12 Comments


This cd is ****ing amazing. DIG is my favorite song. The video is cool too. And why did you even bother rating the filler tracks?

AssJackk
August 27th 2004


4 Comments


L.D.50 is an awesome album 10/10

Davidian85
November 26th 2004


1 Comments


The whole album is pretty ****ing spectacular... I wouldn't categorise them at all... they have managed to merge all sorts of influences they have ever had musically and managed to form an original, and distinct sound which they can be recognised by. I know many people who refuse to listen to them because they have heard the first single (Dig) and have not liked it, so they distance them immediately. Dig is a good song, albeit one of my least favourites on the album, but you listen to tracks such as Death Blooms, Nothing To Gein (my personal favourite), Severed, Prod, and Cradle, you can really admire and enjoy the musicianship and work they have bled in order to create what can be called a masterpiece.



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