Xiu Xiu
Plays The Music Of Twin Peaks


4.0
excellent

Review

by basementality USER (7 Reviews)
May 1st, 2016 | 24 replies


Release Date: 2016 | Tracklist

Review Summary: Xiu Xiu capture the feelings of Twin Peaks while deftly adding in their own flavor.

When people discuss the works of David Lynch, they tend to focus on the surrealist nature of his storytelling, the dream-like rigidity of his actors’ delivery, and the complexity and originality of a story that, at the hands of another director, could have meandered as a blandly straightforward, tired tale of exploring human emotions. And as great as his idiosyncrasies are, most notably his unnatural focus of soap opera stylizations, Lynch has consistently shown that the music of his works is just as important to the story, if not more so. The modality of his use of songs, the way they precede a character’s revelation or underline the culminating climax, working as not just another element of film but instead as a facet as deeply important as the characters themselves, is something that cannot be ignored. And much like Eraserhead’s “In Heaven” or Mulholland Dr.’s “Llorando”, the music of Twin Peaks is saturated in brash emotionality and theatricalities, the kind that in any other setting, with any other visionary, would never feel so naturalistic.

So when word got out that this year’s Record Store Day would include a full-length cover of the Twin Peaks soundtrack, it felt a little forced as a product, one whose artificiality could degrade the legacy of the show. Its intentions were transparent: to rekindle the love of a show making a return to television, effectively hyping up that whose initial runtime was cut short due to poor viewership. Given the seemingly obviousness of its purpose, expectations were low, at least on a conceptual level. But the fact that Lynch had commissioned the project himself, having hand-chosen Xiu Xiu as the group to accomplish the lofty task, gave much more promise to what could have floundered as a marketing tactic, a means of channeling and exploiting a nostalgia trip whose cult following rivaled the likes of Freaks and Geeks or Firefly. But Lynch’s intentions shouldn’t have been doubted, because Xiu Xiu’s Plays the Music of Twin Peaks never feels like a product of commercialization or a vapid misuse of an iconic soundtrack. Instead, it functions on its own as a unique addition to the band’s growing collection of delicate music whose significance is matched only by its internal emotional fragility.

Xiu Xiu are no stranger to covers, and when exploring the range of approaches found on the Twin Peaks soundtrack, they strike a fine balance between “cover” and “reworking”. Oftentimes, songs will start the same way they did over fifteen years ago, their familiarity slowly chipping away, obscured by the band’s blend of noise and discomfort, but never venturing into experimentation as deeply as they have in the past. The actual sonic approaches vary throughout, something the group does exceptionally well, though with an album like this it can be difficult to note which props should be given to the band and which should be given to the source material. Many albums have historically suffered from a lack of cohesion by pairing clashing styles together, but Plays the Music of Twin Peaks shuffles through dissimilarities with ease. “Nightsea Wind”, an ambient track that harshly drones on and grows more chaotic precedes “Blue Frank:Pink Room”, a fuzzed-out, semi-straightforward bar rock instrumental. It’s a little disjointed, slightly all over the place, but the imperfections of Twin Peaks was always part of its charm. Its accompanying soundtrack is no exception.

Even when Xiu Xiu plays a near identical rendition of the original score, they inject their trademark manic pop sensibilities into the mix. “Audrey’s Dance” and “Packard’s Vibration” have morphed into a much more schizophrenic take on the original’s cool, neo-noir vibes. “Falling”, the vocalized version of the show’s theme song, and “Sycamore Tree” have now been expectantly elevated by Jamie Stewart’s quivering, almost desperately hopeless delivery. Twin Peaks was often cited for its functionality as a mystery, but at its core it was a character drama, one whose focus never strayed from the humanization of its players. And if ever there were a band to capture the experimentations of Lynch and the resounding frailty of his characters, it would be Xiu Xiu. When you watch Twin Peaks, the respective themes of Laura Palmer and Harold Smith stick with you in a form of dangerous memorability, one that cannot be shaken. Told through the perspective of the illustrious trio, it leeches on in the most nightmarishly vivid way, a way you don’t want shaken.

Plays the Music of Twin Peaks could have been nothing more than another in a long line of passable, semi-gimmicky Record Store Day releases whose tangibility as a collector’s item far exceeded its actual worth. But both Xiu Xiu and David Lynch have proven time and time again that when they attach their respective names to a project, its merit is, above all, the central focus and driving force behind its production. What could have been a standard string of covers of Angelo Badalementi’s decade-spanning compositions is instead a reimagining of the themes that fans of the show know so well, told through a lens of hyper-emotionality and subtle, but nonetheless cataclysmic, distortion.

Score: 80



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Comments:Add a Comment 
EatingItchyButthole
May 1st 2016


98 Comments

Album Rating: 4.0

fallin is such a great song, better than the original

JigglyPDiddy
May 1st 2016


3225 Comments

Album Rating: 5.0 | Sound Off

AOTY for me, atm.

Digging: Fever Ray - Plunge

rabidfish
May 1st 2016


2700 Comments

Album Rating: 2.0

Nothing in this is better than the original, wtf are you saying?



I hate the way this dude sings also

Sinternet
May 1st 2016


14853 Comments

Album Rating: 4.0

this is pretty good tbf but yeah not as good as original

Frippertronics
Contributing Reviewer
May 1st 2016


15226 Comments

Album Rating: 4.0

side three is jazzy af and i love it

JigglyPDiddy
May 1st 2016


3225 Comments

Album Rating: 5.0 | Sound Off

Love the original and love this just as much, tbqh.

RobbaqPL
May 2nd 2016


182 Comments


"Oftentimes, songs will start the same way they did over fifteen years ago"

Fifteen or twenty-five?
Pretty good review overall. I saw them perform it live at a festival last summer, it was ok.

jtswope
May 4th 2016


5657 Comments

Album Rating: 3.5

Impressed by how good this turned out.



One of the most important shows ever.

Tyler.
May 5th 2016


13779 Comments


never seen twin peaks or anything is this still worth checking

hal1ax
May 5th 2016


9209 Comments

Album Rating: 3.0

^ya its worth it.

or you could just bypass it altogether for Angelo Badalamenti's rendition

RadicalEd
May 30th 2016


8582 Comments

Album Rating: 3.5

This is some weird music.

owen
May 30th 2016


4939 Comments

Album Rating: 3.5

I love TP and Xiu Xiu but don't love this, sadly

Digging: Brandon Seabrook - Needle Driver

jtswope
June 5th 2016


5657 Comments

Album Rating: 3.5

This version of Into the Night is stunning.

adr
July 9th 2016


11797 Comments

Album Rating: 4.0

this is great

Storm In A Teacup
October 1st 2016


22238 Comments

Album Rating: 4.5

Comment to remember listening later

TheMrAlexK
October 1st 2016


8773 Comments

Album Rating: 4.0

I should try this show

owen
October 2nd 2016


4939 Comments

Album Rating: 3.5

you're just in time for s3

YakNips
October 5th 2016


18944 Comments

Album Rating: 3.5

s3 could ruin it tho



this version of audrey's dance is sick

owen
October 6th 2016


4939 Comments

Album Rating: 3.5

you're right, mark frost has written the fantastic 4 movies after doing s2, so I don't really trust him

Polyethylene
October 11th 2016


4677 Comments

Album Rating: 4.0

"s3 could ruin it tho"



can't be any worse than the third quarter of s2



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