The Flaming Lips
Fight Test



by Two-Headed Boy USER (86 Reviews)
May 10th, 2006 | 12 replies

Release Date: 2003 | Tracklist

If Radiohead are the kings of alternative rock, then The Flaming Lips are the jokers. Constantly defying what's popular, yet somehow forcing themselves into everyone's cd library. Just take a look at these guys; whether it's Wayne Coyne wearing a $2000 suit covered in fake blood on stage, the band rolling around in clear, ten foot tall/wide bubbles over the audience, or just a picture of the band standing and giving us their little eight year old smirks, these guys may be odd, but it's hard to deny their amazing music. This is only a petit example on the first of their Yoshimi EP's, Fight Test.

When one listens to this EP, the listener is usually confused at what this is; is it a remix EP" Nope. Is it a covers album" Partially, but what it most dominantly is just a damn fine, seven-track album that at places really packs a punch towards the listener. So, without further ado, here's the EP.

The album kicks off with the original album version of Fight Test. Sort of like the starting pistol at the 1,000 meter dash, this song has enough oddities to make it's claim as a Lips song, but also has the definitive touch of sincerity that makes it an amazing listen. As far as the music goes, it's not too impressive, so to say, but it's not how they play; it's the effect that the spectacular chord structures and the variety of instruments that make your jaw drop; the overall beauty of the song is almost over-whelming. The vocals are also very proffesional, something not that the Lips are not most fond of; they're very calm, yet distraught as they sing about the training of a little, eight-year-old girl who's off to fight a swarm of gigantic pink robots. The result is an amazing song that is the musical equivalent of the Yoshimi cover art - a young warrior facing horrible odds of survival against a large, frightening and oddly adorable giant creature. Unfortunately, this isn't the running mood of the album; hell, they've already used it for Yoshimi, but it's a shame because this album seems to have a lack of flow. The songs are quiet varied and don't tell as story, so therefore the result isn't as interesting as the full length albums; it's just a bunch of good songs.

Good songs, of course, save for a few. The remix of the formerly brilliant Do You Realize"" is a long, dull and anything-but-Lipsish version of the song. It's essentially a 1999 party dance mix, and it's really, really boring. The whole fizzy space pop gets old really fast, and it just doesn't seem to end. Clocking in at over nine minutes long, this song doesn't leave a good mark on the album; it, unfortunately, is just one of those Crazy Frog or Hampster Dance songs that takes the brilliance of the Flaming Lips and butchers it. If you're eight years old, this song can amuse you. If you're over 12, then you really shouldn't waste you're time.

The cover songs are brilliant, to say the least. The cover of Beck's The Golden Age is about as incredible as a good portion of Nirvana's Unplugged session. It's an acoustic gem, complete with an ailing and trudging piano. The coarse, painful and breathtaking vocal performance is only one of the many things to savor in this brilliant cover; others are the simple yet extremely enjoyable guitar, with a slow and climbing guitar strum, as well as the backup instruments that include piano, slide guitar and a pounding drum performance. The cover of Radiohead's Knives Out takes the brilliance of the original, steals the guitar riff and transfers it into a piano piece, which is as sad as the original but adds that assurance that it's a Flaming Lips song, so it's still quite an enjoyable listen. The whole song isn't that varied, but it doesn't really make for a big issue, seeing as the Lips crank out as much emotion as they can, which makes for a constantly enjoyable listen. The cover of Can't Get You Out Of My Head does justice to the original version, but it's also fair to say that the Lips take this song and give it a royal treatment. The song itself has a theatrical, big and eruptive aspect to it; it constantly gains strenght, especially in the thundering percussion and string sections, where the progression is imminent and noticable, but also in the persistance of Wayne's performance. He's just sitting there and strumming an acoustic guitar, and giving us his all with his hoarse voice, which isn't to say that it's a bad thing. No, it's a very amazing vocal performance, as he has as much passion as the music itself, and while he may end up repeating himself for a little while, it never gets boring.

The "strange design" of new song The Strange Design Of Conscience is that it's very varied; it has a faint accordion in the background throughout the song, but the forward music is a phased guitar and electronic drumset. As far as musical performance goes, this isn't anything special, but like it's predecessors, it's a very amazing listen, just for it's overall incredible effect alone. This song may have a twist of space-age pop to it, but when the chorus rolls around, one can't help and feel the strong influence of Pink Floyd. Eventually, the song fades away with a heartfelt performance by all, and the bar is set for another new song: Thank You Jack White (For the Fiberoptic Jesus You Gave Me) is pretty self-explanatory. It's about, well, Jack White giving our heroes a fiberoptic Jesus. But the music is an ode to Johnny Cash, as it blends old school country and rock n' roll into one, and the result is a fantastic, ballad like song with a country twist. It's a great listen, and the talking intro from Wayne makes even that much more enjoyable.

This EP should be considered if you're a fan of the Flaming Lips. Though it's well over $10 for seven songs, it's still an amazing listen save for a single dud song. The overall feel of the song isn't very story telling, however, and that's a bit of a turn off. However, the songs themselves are great all around, whether they be new Lips or covers of classic alt-rock pieces, this album has brilliance written all over it in terms of musical performance/writing.

The Flaming Lips - Fight Test:
Wayne Coine
Michael Ivins
Steve Drozd

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user ratings (61)

Comments:Add a Comment 
May 10th 2006


Album Rating: 3.5

This was released as 2 discs here, one a DVD. I have both.

May 10th 2006


It'd be interesting to hear the Knives Out and the Golden Age covers but other then that this doesn't seem that interesting.

Storm In A Teacup
May 10th 2006


I do not have this, but I really want it. It's nice to know that there is at least one good band from Oklahoma.

May 11th 2006


I have this. Found it in a bookstore for $5. Half of it is good, half of it sucks. The good outweighs the bad, I think.

Two-Headed Boy
May 11th 2006


Album Rating: 3.0

originally posted by Iai:

This was released as 2 discs here, one a DVD. I have both.


May 11th 2006


please tell me "cant get you out of my head" is a kylie minogue cover? i dont know why, but i cant get enough of good bands covering cheesy pop music!

May 11th 2006


Album Rating: 3.5

Yes it is. It was also on a CD that came with Q this month, if you're looking for a much easier way to get it. That CD also has Franz Ferdinand doing Gwen Stefani's What You Waiting For and travis doing baby One More Time, so it sounds like your kind of disc.This Message Edited On 05.11.06

The Jungler
May 11th 2006


I pretty much agree with Zebra, good review AV8RS.
How do Franz do with that Gwen song? What You Waitin' For kicks ***.

Two-Headed Boy
May 11th 2006


Album Rating: 3.0

Alright, who negged this?

Apocalyptic Raids
June 28th 2007


Album Rating: 3.0

decent EP. I want to hear the Ego Tripping EP too, especially since it's got 4 originals on it.

October 14th 2009


I think I need this..

October 21st 2014


Album Rating: 3.0

An excellent FL song

3 odd covers of great songs

A weird house/techno version of Do You Realize??

And then two great original songs

It's definitely an enjoyable listen

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