Aesop Rock
Labor Days



by Zebra USER (177 Reviews)
April 11th, 2006 | 283 replies

Release Date: 2001 | Tracklist

If I were to tell you that a man named Ian Matthias Bavitz had mad rapping skills would you believe me? Probably not, just because it doesn't have that gangster feel to it. Unlike rappers such as 50 Cent, Ludacris, and Snoop Dogg Ian Matthias Bavitz is a white boy name. I can't imagine another thug rapper going up and saying "Yo, this cat named Ian Bavitz has some tight rappin' skills playa." I mean you can't even shorten a name like that to give it a gangsta feel, let's face it, Ian Bavitz is already in trouble before he even started.

Now, if I were to tell you that Ian Matthias Bavitz is also known as Aesop Rock would that interest any of you? Maybe, that all depends if you're into hip-hop music or not. I'll give Ian some credit for referring to himself as Aesop Rock just because it sounds much better. To be honest that's not the real reason why I give Ian so much street cred, the main reason is because of his hip-hop album Labor Days.

First things first I'm going to analyze Ian's rapping skills. He has an extremely deep and smooth voice, it's both nasty and rebellious. The man slurs his words nicely and spits them out with authority, he has a ton of energy and sounds quite pissed in most of these tunes. If I heard this man rap without ever seeing a picture of him I would immediately assume that he was an African American. His booming voice is so just so damn soothing and smooth, but the thing that makes everything work is the phat beats that he is rapping over. The music consists of deep bass-lines, crafty beats and some sneaky trumpets, guitars, and various electronic effects that make their way into the music. The interesting instrumentation works well because the music still has a tight rap feeling while Ian still has the ability to be creative.

Labor Days is a chill out/relax type of hip-hop album. It's not very aggressive and rough, it's more slow paced and Ian's gangsta voice creates a deep, and night club type feel. Labor Days is the kind of hip-hop album that you can just put on and let it roll all day. It's extremely addicting and soothing, it's also fun just to kick back and sing a long to some of these tracks. Aesop Rock is a perfect example of laid-back hip-hop music at its finest.

The album kicks off with one of my favorite hip-hop tracks of all time, Labor. It's propelled by a deep, easy going bassline that is repeatedly played throughout the whole entire song. Ian's voice takes control of the song right away, and his rapping is quick and very mellow. The easy going beat is hardly noticeable because of the pounding bass work and the mellow vocals. The following track, Daylight is much more uplifting and bright than Labor. It features a melodic electronic guitar riff along with some stuttered beats. It's much more quick paced then anything off the album and the chorus has a nice little flute line to go along with it. Ian's voice is smooth as hell on this one, he sings nearly every minute of the song and keeps everything upbeat yet mellow. Save Yourself explores areas that the album hasn't seen yet. It takes eerie sounding female vocals, along with a gentle little guitar riff and forms a haunting little riff. The "oohhhing" backing vocals are bone chilling and Ian manages to mix in some various electronic effects throughout the song. The first three songs are all obvious highlights.

Other highlights would obviously include Coma. It's the simplest track off the album, comprised of a simple bass line and a steady beat. Funky guitar riffs make their way into the song at points and the song will force you to nod ya' head. No Regrets is a trippy hip-hop tune, and Ian takes turns rapping with another guest rapper. The main focus is on the simple yet effective beat. It sounds like a combination of a harp and a light sounding grand piano. The two rappers spit out words at a quick pace and the beat goes on throughout the track. Some turntable samples weave in and out of the music, but for the most part the song is comprised of just a beat and some deep voice rappers. Aesop Rock at its best.

Other then these five tracks nothing else really stands out amongst the album. I'm not saying that the rest of the songs are not worth listening to but nothing is really up to par with the other five tracks that I mentioned. Flashblood is as close to electronica as Aesop Rock gets to. It's another track with a deep pitched beat and Ian's rambling rap skills. The thing that makes it slightly different from every other song is that it has a gentle, spacey vibrating riff throughout the song. I really enjoy the whole "space" feel to the track even though Ian's rapping doesn't synch up to the beat, nor the various electronics. One Brick is sort of a watered down version of the opening track. It is propelled by practically the same bassline and has almost the same exact night club feel to it. Boombox is the big single that was released off the album. It's the most inventive track off of the album featuring hissing noises, dynamic beats, and some monotone vocals. The thing that takes the song down a notch is that it runs over five minutes long and nothing seems to change up that much. Ian decided to go with just one formula and stick with it for the whole song. Battery is another that suffers from being to lengthy. It is extremely addicting at first, it has some African sounding timpani beats, some coohing noises in the background and Ian goes back to his monotone vocal delivery. If the song wasn't stretched over five minutes long then it would be much more effective. Aesop Rock have some brilliant ideas, and the production is very well done but they could have easily shortened some of these songs down.

That's basically all I have to say about Labor Days. It's a great hip-hop album, and I wish I could reward it with a higher rating because there are some amazing tones, beats, and basslines. The album is very well done musically, but at points Ian lets a certain beat go on for to long and recycles some material which just kills the album. Ian's vocals are deep, booming, and mellow and the only problem is that he tends to ramble on and on over the music and it just doesn't fit very well. That being said when Aesop Rock creates a good tune it is jaw dropping good. There are about five or six amazingly good rap songs and Labor Days is extremely relaxing, soothing, and fun to sing a long to. If you enjoy rap music in general then I think this is something that you should defiantly look into. Although Ian Matthias Bavitz doesn't sound like he can rap it up with tha true gangstas 'n thugs, his rap skills are superior to most of them and this cat truly represents.

Recent reviews by this author
The Dead C Secret EarthJohn Coltrane Lush Life
Crystal Castles Crystal CastlesUlaan Khol I
Four Tet RingerHarmonia Musik von Harmonia
user ratings (1046)

Comments:Add a Comment 
April 11th 2006


This album is insanely good

I hear you on your point about him rambling sometimes, cause yeah, some of his lyrics make no sense, even if you really try to understand

So good review, I just disagree with your final score a bit

Zesty Mordant
April 11th 2006


Album Rating: 4.0

I love this album. IMO no way this is a 3.5.

I don't find that he's rambling so much as his rhymes are just "dense" and he's got references and metaphors galore. that's exactly what I love about this album because every listen you hear or "get" a new lyric.

And I think you were too hard on the second half. "Battery", "Bent Life" "The Yes and the Y'all" and "9-5ers Anthem" are all great songs. The beats fit the mood of his lyrics perfectly.

April 12th 2006


Album Rating: 3.5

I never payed to much attention to the lyrics, and that's probably something that I should defiantly do. Don't get me wrong, I love some of the beats and rhythms on "Battery" and "Boombox" I just think that they go on for way to long.

I was actually thinking of giving this a 4 out of 5, but I wasn't going to go any higher. I think that there are some excellent beats and rappin' skillz, it's just that I think Ian rambles a little to much. To be honest, I actually prefered Float over this.

April 12th 2006


Lyrically these guys just pwn the shit out of everyone. Love this.

April 12th 2006


Album Rating: 3.5

You think his voice is deep? I think he sounds like he's on some sort of helium the whole time...

Anyway, I don't like Aesop Rock a lot. That being said, I really like this album. The production is great and I actually understand some of Aesop's lyrics on here. The main problem for me is variation. The beats all have that same vibe to it and some tracks just go on for too long (like you said). Also, Aesop's voice is very monotonous, which makes it kinda boring sometimes. Overall, a great album, but could use some more variation. Daylight is obviously the greatest track on here, that one line about how "life's not a bit-ch" is awesome.

Dancin' Man
April 13th 2006


Album Rating: 4.5

I love the lyrics. They are intelligent. He brings forth ideas and metaphors most rappers wouldn't bother to learn, let alone use.

May 23rd 2007


One of the best emo rap albums ever!

July 6th 2007


Album Rating: 4.0

i need to get this album soon. im on a roll with getting really good rap/hip-hop albums so i hope to continue with this one

March 15th 2008


Album Rating: 4.0

so this guy is pretty fucking good

July 23rd 2008


wtf is emo rap

September 6th 2008


Album Rating: 4.0

its that stuff that doesn't deal with how damn it feels good to be a gangstaThis Message Edited On 09.05.08

September 6th 2008


Album Rating: 4.0

Nothing wrong with rapping about hood life. This album energizes my man juices.

October 24th 2008


Album Rating: 4.0

Nice review, very easy to read and made me want to finish reading.

I just got this album, and I love it already. There are so many underrated rappers out there, and Aesop Rock is one of them.

January 4th 2009


Album Rating: 4.5

Wonderful review, you really did the album the justice it deserves!

January 15th 2009


Album Rating: 4.0

this album is the shit. i'll probably make it a 4.5 in the future. Save Yourself is my favorite so far. the part where he speeds up all the sudden is badass.This Message Edited On 01.15.09

March 3rd 2009


Aesop has a smart mouth, probably my favorite release from him.

March 26th 2009


Album Rating: 4.5

who ever wrote this obiviosly doesnt know what he is talking about

all the tracks on here are some of the songs i have ever heard

non of the lyrics are him rambling if you were smart enough you might be able to figure them out but for the most part alot of them nobody will reallly know what they mean but aesop

and the music goes along with the lyrics perfectly your just ignorant

and aesop doesnt take turns rapping with anyone during no regrets he is the only one on that track retard

March 26th 2009


dude I think that the reviewer knows very well what he is talkin about.

September 26th 2009


Album Rating: 4.5

if the revolution aint gon be televised

then fuck, i'll probably miss it

September 27th 2009


Album Rating: 3.5

Tap water builds character

Right, I irrigate it straight to mainline

You want to do the same? Fine

These pretty profit grommet teams solidify the clot to slippery city salt piston pump drain

You have to be logged in to post a comment. Login | Create a Profile


Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Site Copyright 2005-2022 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Terms of Use | Privacy Policy