Manic Street Preachers
Everything Must Go



by Arcade STAFF
March 7th, 2014 | 16 replies

Release Date: 1996 | Tracklist

Review Summary: Under Neon Loneliness, CHAPTER 4: “It’s So Fucking Funny, It’s Obscene…”

PART TWO: Gold Destroys the Soul

The Holy Bible marked a point for the Manic Street Preachers in their career where they were finally succeeding both critically and commercially. While they still slipped down the charts fast to the outer reaches of the Top 40, the band were building a substantial following that was backed by the band moving away from hyper-polished glam metal to post-punk menace. As The Holy Bible was beginning to show promise in the US market of being marketed to the college radio scene, Richey Edwards went on to give damning press of bands who refused to “rub the human race’s face in its own vomit…” and promised a floow-up motivated and influences by “…Pantera, Nine Inch Nails and Primal Scream’s Screamadelica…”

Sadly, as is all too well known, on February 1995, the eve of the Manic’s first US tour for the promotional track “Judge Yr’Self”, Richey Edwards left his Cardiff apartment and was never seen from again. While hints at the time suggested he may have fled to India or other remote parts of the UK, as of 2008 Welsh Police classified him as deceased (he is now a member of the infamous “27” Club, of which he shares membership with idol Kurt Cobain). At the time, there was little in the way of light on the horizon. With magazines all too cynical about preconceived notions of what their 4th LP was to sound like, the blessing of the Edwards family was not enough for the band to continue on. Realistically, the face of the Manic’s was Richey, and continuing on without him would be a difficult proposition. Eschewing expectations, the band set to work on purging their systems of everything that came before and cleaning the slate for what would come next. Nobody expected this.

Finally released in 1996 to critical acclaim, Everything Must Go was a sprightful and elegiac album that turned everything The Holy Bible stood for on its head. No longer charged by Richey Edwards was the vicious rhetoric, now fueled by depression and longing afforded by Nicky Wire penning the vast majority of words- the murky, flat and dead mixing job made to make the menace of Bradfield more prominent is instead exchanged for a bright and uplifting mix that emphasizes big choruses that with clean vocal hooks and foot firmly on the distortion pedal. If you were under the impression the Manic’s were misanthropic, you were wrong; they just hated you.

It’s difficult to pin point any moments of transitional weakness amongst the 12 tracks here and rightfully so. With signature anthem “A Design for Life”, the band willfully performed an ode to the Working Class by spoofing complacency that comes with getting full-time work and supporting your family- none the less opened with the now iconic stanza “Libraries gave us power/then work came and made us free”. Dominated by a string and orchestral section, the likes of “A Design for Life” are powered to become full sounding anthems, with the same being said of the off-kilter rhythm of the title track and the despair-ridden “Kevin Carter” (with lyrical excerpts from Richey Edwards), a harsh critical assessment of a man who sunk into a loophole of ethics that eventually forced him towards suicide.

Even when Wire becomes comically non-succinct with his writing, the troupe of Moore/Bradfield are always there to support with a melodically inclined backing. Tracks such as “Elvis Impersonator: Blackpool Pier”(again with lyrical work by Edwards) and “The Girl Who Wanted to Be God” may boast some rather frilly lyrics but backed by Bradfield’s immense sounds are turned into power pop epics. The best example of their newly simplistic writing style remains the anthemic by nature style of “Australia”, which juxtaposed to wistful melodies and a bouncing guitar riff leaves the songs nature often undiscovered- naturally, the Australian Tourism Board used the track without realizing it was a cry for help from Nicky Wire wishing he could get as far away from his troubles as humanly possible, by taking copious amounts of pills and flying to Australia.

Arguably, the centerpiece remains the acoustic “Small Black Flowers That Grow in the Sky”, a frightfully simple song that sees only contribution from Bradfield/Edwards. As much a final word from Edwards as it is, the song turns typical sixth-form poetry into poignant beauty, as Edwards goes all Morrissey arguing for animal’s rights and the abolishment of Zoos. The stripped away nature with flourishes of strings lends itself nicely to a Bruce Springsteen Nebraska emotive take- if there were ever a better way to present the lyrics, the band never came across it.

As the final album for some time to feature Edwards lyrics and the last one to appeal to the bands core fanbase, 1998 saw the Manic’s take further leaps into the mainstream. Alienating many fans and cutting all ties with their glam punk origins, the band were finally accepted into the intelligentsia of British Music- but at what cost" Whether it be seen as the final album by the first phase of the Manic’s or the beginning of their second one derided by the hardcore, Everything Must Go was without a question the bands last moment of fleeting glory before years of identity crisis and musical confusion.

NEXT: “Sweet Cherry Blossom Tree, At Least You Are Free...”

Recent reviews by this author
Francis and the Lights Just For UsTravis Scott and Quavo Huncho Jack, Jack Huncho
Eminem RevivalBig Sean and Metro Boomin Double Or Nothing
Miguel War and LeisureLady Gaga Joanne
user ratings (298)
other reviews of this album

HolidayKirk (4)
For Tomorrow: A Guide to Contemporary British Music, 1988-2013 (Part 22)...

Comments:Add a Comment 
Staff Reviewer
March 6th 2014


Album Rating: 5.0

Finally got around to putting my second part up of the series. Will be continued from now on (promise). Feedback appreciated

Digging: Maxo Kream - Punken

Staff Reviewer
March 7th 2014


Really good review. POS'd.

This is embarrassing to admit, but I don't think I've ever listened to these guys. I know of them and the mystery of Richey's "disappearance," but like I said I never got into the band. Should I start with The Holy Bible? I've heard so much praise for that album, but I've never got around to listening to it. or do you think there is a better introduction to them?

Staff Reviewer
March 7th 2014


Album Rating: 2.5

The Holy Bible is truly amazing, SgtPepper

They have a lot of great albums but the Holy Bible is their only thing close to a classic

So yeah, start there

March 7th 2014


Album Rating: 4.0

Excellent review for an overall rock solid alt album.

March 7th 2014


Album Rating: 5.0

Classic and a triumph.

March 7th 2014


Album Rating: 4.0

kevin carter rocks

March 16th 2015


Album Rating: 3.5

No Surface All Feeling is where it's at.

June 26th 2016


Album Rating: 3.5

I prefer this as a listen

Digging: Benjamin Clementine - I Tell A Fly

Contributing Reviewer
June 26th 2016


Album Rating: 2.0

the sound of early onset middle age

actually I'd probably love this album now, might need to revisit

still a million times better than 'This is My Truth...'

September 24th 2017


Album Rating: 4.5

The production job on this is extremely uneven. I'd like No Surface All Feeling way more, for instance, if the mixing was better; still a great song but the singles seem to be the ones that have escaped this sound problem and that's only cos of future remasters.

Digging: The Smiths - Singles

November 23rd 2017


Album Rating: 4.0

Prefer this to the Holy Bible tbh call me crazy

November 23rd 2017


Album Rating: 4.0

I mean they're pretty different, so it's not crazy at all.

Demon of the Fall
November 23rd 2017


Album Rating: 2.5

I disagree, that’s nuts!

Digging: Gorguts - Colored Sands

November 23rd 2017


Album Rating: 4.5

I love both albums but yeah that's nuts lol

Papa Universe
November 23rd 2017


Album Rating: 5.0

"Prefer this to the Holy Bible tbh call me crazy"


Let's be crazy together.

Digging: Horna / Pure - Split

November 23rd 2017


Album Rating: 4.5

Tfw the elephant is so ugly

You have to be logged in to post a comment. Login | Create a Profile


Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Site Copyright 2005-2017
All Album Reviews Displayed With Permission of Authors | Terms of Use | Privacy Policy