Queens of the Stone Age
Lullabies to Paralyze


4.0
excellent

Review

by profoundword USER (15 Reviews)
July 18th, 2012 | 357 replies


Release Date: 2005 | Tracklist

Review Summary: Out of the desert and into the forest.

The record that first saw Josh Homme step out of his musical comfort zone turns out to be one of his most enduring works, showing that there is more to Queens than many people had previously given them credit for. That Lullabies to Paralyze was the follow up to their hugely successful breakthrough album, Songs for the Deaf, makes it an intriguing album to listen to, and an even weirder change of direction for Queens of the Stone Age.

Like most of Homme’s work prior to Lullabies, SFTD was a beast of a record that paid plenty of reference to his Palm Desert scene roots. As with his fuzzed out, heavy, stoner grooves with Kyuss, SFTD was a slab of heavy desert rock which was driven as much by the drumming of Dave Grohl and bass work of Nick Oliveri as the song writing of Homme. However, after Grohl returned to the Foo Fighters and Oliveri was kicked out of the band, Queens were back to square one with Homme suddenly becoming the sole creative influence in what was essentially a new band.

While the rock world waited on another heavy, fuzzed out desert rock record, Queens were busy crafting a more atmospheric album that invokes images of spooky European forests in place of the sparse isolation of the American desert that had inspired so much of Homme’s previous work with Kyuss, Queens and the Desert Sessions. Where these other bands had let their high energy and heavy, fuzzed out musical chemistry assault the ears of their listeners from the get go, Lullabies instead tries to lure the listener in with carefully constructed atmosphere before taking off on an experimental journey into unchartered musical territory for Homme.

Album opener ‘This Lullaby’ sets the mood from the beginning with some careful acoustic picking accompanied by Mark Lanegan’s moody baritone vocals that stand in stark contrast to frenetic SFTD opener ‘You Think I Ain’t Worth A Dollar But I Feel Like A Millionaire’. Moving straight onto fast rocker ‘Medication’ shows that Queens weren’t abandoning their rock sound, as many alleged at the time, but that Homme had grown tired of mere fuzz and was experimenting with various different guitar sounds and song writing approaches. The abundance of different guitar tones in Lullabies is one of its best features, which allows the band much more versatility. The textured, reverb laden guitar sounds that make up so much of the record also perfectly compliment Homme’s voice in my mind, allowing him to build up plenty of layered washes of melody before bursting into trademark driving rock choruses. Lyrically, Lullabies finds Josh in an uncharacteristically dreamy, contemplative, ethereal headspace. Most of the songs are sung like gothic fairy tales, particularly ‘The Blood Is Love’, ‘Someone’s In The Wolf’ and ‘Burn The Witch’, which are some of the best songs on the album and also some of the most creative work Homme has ever done. The less experimental rock tracks like ‘Little Sister’, while not as adventurous, also stand up as great Queens songs and restore a bit of balance to the album, as well giving old fans something to enjoy.

When all is said and done, Lullabies is easily Queens’ most creative record. While it differs hugely from their earlier work and alienated plenty of fans in the process, it adds a layer of depth to their discography that shows that they are capable of being thoughtful, creative musicians as well as powerful desert rockers. Having a musician like Josh Homme willing to experiment with new sounds, and be able to pull it off like he did here is a great feat and makes Lullabies to Paralyze in my mind one of the most interesting and rewarding mainstream rock records of the 2000’s.

Recommended Songs:
The Blood Is Love
I Never Came
Someone’s In The Wolf
Tangled Up In Plaid
Burn The Witch



Recent reviews by this author
Silverchair Neon BallroomLadyhawke Anxiety
The Smith Street Band No One Gets Lost AnymoreThe Jesus Lizard Down
Fucked Up Hidden WorldMudhoney Every Good Boy Deserves Fudge
user ratings (2513)
3.7
great
other reviews of this album


Comments:Add a Comment 
MeatSalad
July 18th 2012


18662 Comments

Album Rating: 3.5

It's a solid album in their discog.

profoundword
July 18th 2012


239 Comments

Album Rating: 4.0

I guess if you started with Songs for the Death, Lullabies would be a bit tame in comparison.. this and Rated R are probably their best imo.

insomniac15
Staff Reviewer
July 18th 2012


6264 Comments

Album Rating: 4.0

Songs For The Deaf is harder, but Lullabies is darker and anyway, they're of a really different nature. Still, I like them both. Nice review, but a bit too subjective.

KILL
July 18th 2012


81580 Comments

Album Rating: 3.5

gd shit

qwe3
July 18th 2012


21836 Comments

Album Rating: 3.0

burn the witch rules

Cosmiche
July 18th 2012


362 Comments

Album Rating: 3.5

"Songs For The Deaf is harder, but Lullabies is darker and anyway, they're of a really different nature. Still, I like them both. Nice review, but a bit too subjective."



please tell how us how to objectively rate music.

evilford
July 18th 2012


67401 Comments

Album Rating: 4.5

nice review, especially towards the beginning. your feelings on Era Vulgaris are not relevant to this album though, so I would have left that out.



I def agree this album is overlooked and underappreciated. so many great songs. especially burn the witch and someone's in the wolf

tarkus
July 18th 2012


5568 Comments

Album Rating: 4.0

def underappreciated

insomniac15
Staff Reviewer
July 18th 2012


6264 Comments

Album Rating: 4.0

"please tell how us how to objectively rate music."



Dude, I was saying this about the review not about the rating. Anyway, it was just an opinion, the review is okay.

greg84
Emeritus
July 18th 2012


7654 Comments

Album Rating: 4.5

I think this is underrated. Probably my favorite LP of theirs. Good review too. Have a pos.

bloc
July 18th 2012


70694 Comments


Album rules hard.

I remember being slightly disappointed when it first came out but eventually it was all ace.

evilford
July 18th 2012


67401 Comments

Album Rating: 4.5

"I remember being slightly disappointed when it first came out but eventually it was all ace."



that's kind of how it was for me. loved it at first. after a couple listens I was like this really isn't that great. now I have realized that over time it is pretty sweet.





profoundword
July 19th 2012


239 Comments

Album Rating: 4.0

"your feelings on Era Vulgaris are not relevant to this album though, so I would have left that out."



Yeah, tend to agree in hindsight.. I'll go bash it somewhere else.



Thanks guys

tarkus
July 19th 2012


5568 Comments

Album Rating: 4.0

album is juicy

ZedO
July 19th 2012


1096 Comments

Album Rating: 4.0

love this so much

evilford
July 19th 2012


67401 Comments

Album Rating: 4.5

"Yeah, tend to agree in hindsight.. I'll go bash it somewhere else."



not saying I don't agree, haha. I'll end up bashing it soon too.





slagun
February 20th 2013


814 Comments

Album Rating: 3.5

Good review, I just got into QOTSA and cant wait to check this one out. Your review really makes the album seem appealing to me.

profoundword
March 20th 2013


239 Comments

Album Rating: 4.0

Thanks slagun, hope you enjoy it!

evilford
March 20th 2013


67401 Comments

Album Rating: 4.5

awesome album really. will get overlooked in their discog after their first 3 but this is sweetness

TheBarber
June 24th 2014


4130 Comments


Everybody Knows That You're Insane is my jam



You have to be logged in to post a comment. Login | Create a Profile





STAFF & CONTRIBUTORS // CONTACT US

Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Site Copyright 2005-2023 Sputnikmusic.com
All Album Reviews Displayed With Permission of Authors | Terms of Use | Privacy Policy