King Folly



by KotoFtw USER (1 Reviews)
November 16th, 2011 | 15 replies

Release Date: 2011 | Tracklist

Review Summary: King Folly is a slow drive through the town of Hawkboy, allowing you to appreciate the scenery.

King Folly sees Hawkboy take a slightly different direction from their first, self-titled EP. They still utilize tempo and key changes to alter the mood of individual songs, but the feel of the EP, as a whole, is a bit different. The majority of songs are the familiar guitar driven indie-rock, excluding the 4th song, Stained Glass. King Folly, is different in that it takes the scenic route through their sound.

The album opener, Wide Road, starts off in a driving style and continues through the whole song in a way reminiscent of Weezer. There’s a guitar solo after the first chorus and then again at the end which roughly follows the vocal melody of the opening verse, giving the song closure, then transitions into the down-tempo Gotta Get Out. Though the tempo slows for the second song, the drums and overdriven guitar still give the song a certain drive, which you can’t help but nod along to. However, midway through the listen, King Folly, takes a more subdued turn. Corpse Lips throws away the overdriven power chords from the first two songs, and trades them in for soft strumming. The drums in this song also hold back for most of the song, allowing the chord progression and vocal melody to carry the song. The vocal melody and tambourine in the middle of the song sound like something you’d hear in a 1960’s beach film. The song ends with a breakdown through the chorus. Stained Glass sees the EP at it’s most subdued, with the whole song consisting of just vocals, picked guitar chords, and what sounds like a vibraphone. The mood remains calm for the entire song until the title track, King Folly, kicks in. The song starts full force right out of the gate, with the familiar overdriven chords and an upbeat drum pattern. There is a tempo change in the middle of the song, but it picks up the pace afterwards with a snaking guitar riff which transitions into the final chorus.

Instrumentally, this album is dominated by neither the guitar nor drums, as they always seem to work together. Where one pulls back the other will start to shine, like in the trade off between drumbeats and riffs/chords in the title track. The drummer, Aaron Lunsford, has a penchant for ghost notes and syncopated drum beats, tending to stick in the groove of the song, while adding a flair to make it interesting. The drums are similar to most of the work he did on Come Now Sleep and Hell or High Water, but even more stripped down and streamlined. Cody Bonnette also seems to have trimmed the fat from his guitar style, where in As Cities Burn he would prefer slinking around the fretboard on singular strings, he now tends to stick to using bar chords and power chords to push the songs more, such as in most of Wide Road and Gotta Get Out. He uses riffs more when they serve a definite purpose like in the tempo switch near the end of King Folly, which is easily the guitar highlight of the album, weaving through chromatic and pentatonic scales, and switching between chords.

Lyrically the album keeps in the secular vein that the self-titled tended to stick to, with the exclusion of Two Bit. However, it has a song about the church in Stained Glass: “Broke a pane of stained glass, cut your leg as you crawled through. But you came to take back what you gave in the church pews.” Usually the lyrics take a conversational tone, which I think is sometimes meant to be directed at the writer himself. They range from accusatory and warning like in King Folly’s “You’re on thin ice with a heavy heart,” to the chilling lines in Stained Glass: “It’s none of your business, but I need to confess, somebody to talk to. Talk me off of the ledge.”

I wasn’t impressed with King Folly as much as I was with the self-titled at first, but as a listened to the songs more and more, I felt they brought something equally listenable. The album clocks in at around 17 minutes, the same as the self-titled, but feels much longer and more fulfilling due there being an extra song and more variety. It flows well from song to song and just has a rock n’ roll vibe the whole way through. King Folly is a slow drive through the town of Hawkboy, allowing you to appreciate the scenery.

user ratings (35)

Comments:Add a Comment 
November 16th 2011


Album Rating: 4.0

I wrote this pretty quickly, but I'm pleased with it being my first. Constructive criticism is

certainly welcome. I was stuck between a 3.5 and 4, but my love for anything these guys do pushed me

over the edge. Also: How do you edit the review? I would like to bold the song titles and italicize

the album title, and reduce some repetitive phrases.

Edit: Nevermind, found it. Please vote or comment!

November 16th 2011


Album Rating: 3.0

disappointing after the other ep tbh

Digging: Something For Kate - The Modern Medieval

November 16th 2011


Album Rating: 4.0

Yeah I can see that...There's something I really like about this that I can't really explain, though. It feels complete.

November 16th 2011


I dig that summary. Pos'd man. Pretty good first review.

November 16th 2011


Come Now Sleep will always be these guys' best for me. Their first was okay, but Come Now Sleep was monolithic.

Good first review! Pos'd.

November 16th 2011


Album Rating: 3.5

Pretty good review dude. First EP is on a completely different level in my opinion and Im pretty disappointed with this but still excited to hear a full length.

November 16th 2011


Album Rating: 4.0

Thanks guys.

November 17th 2011


Album Rating: 3.5

great first review, might review this sometime myself. "The mood remains calm for the entire song until the title track, [b]King Folly[b], kicks in." fix that tho

unfortunately Cody's voice ranges from okay to terrible on this and he's like an amazing vocalist so idk what happened there. big step down from the s/t ep.

and yea Come Now Sleep is a classic

November 17th 2011


Album Rating: 4.0

Yeah, Eko, I can see where you're coming from with the vocals. But, I like how raw and real they sound in this, it's like they're playing live.

November 19th 2011


Album Rating: 3.5

also, good call on the Weezer influence. I listened to this again and definitely noticed that vibe, especially on the first two tracks.

January 17th 2012


Album Rating: 4.5

Wasn't sure what to think about this ep at first. I've since decided it's pretty damn cool and underrated.

June 9th 2012


1- Two Bit
2- Scoundrel
3- Mother London
4- Damkneesya
5- Irate Blues
6- Wide Awake
7- Gotta Get Out
8- Corpse Lips
9- Stained Glass
10- King Folly

Already have a full length in there, it's pretty cool

October 1st 2012


Album Rating: 4.0

what's up riff at the end of King Folly

Digging: San Fermin - The Cormorant I and II

November 27th 2012


Album Rating: 4.0

Riff at the end of king folly is awesome.

April 2nd 2016


Album Rating: 4.0

I actually prefer this EP personally. Although I did love Mother London. Anyways Hell or High Water will always be my favorite by these guys. I was also wondering if anyone had a tab or chord chart for stained glass?

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