Robbie Williams



by stsoy USER (4 Reviews)
May 10th, 2011 | 10 replies

Release Date: 2006 | Tracklist

Review Summary: The root is bitter but the fruit is sweet. NOT FOR EVERYDAY LISTENING!

This is not what Mr. Williams was expected to release. Previously Robbie has shown us his soul in his songs together with excellent lyrics, sometimes soulful, sometimes hooligan music. But it is quite difficult to imagine Robbie Williams going so deep in electronic music. Not simply into electronic music. But into a sore, somewhere outdated and even ear-aggravating electronic music followed by rap and hip-hop soundings which are simply incoherent with music. What I'm trying to say is that it is a very heavy, eclectic album for a pop musician and thus, there is no doubt why the album was received negatively by many music critics. It’s far not what the public wants to hear. And what the public does not want to hear often receives a bad mark. This is not really good sometimes. In the same way Dostoevsky’s “Crime and Punishment” received appalling reviews from the critics when it was just published. In the similar way, “Rudebox” is extremely monotonic, “over-rap-ped”, heavy, and, in some places, is extremely annoying. But this is it what makes the CD worth listening.

At first, the CD sounds like being over-americanized with hip-hop, rap and electronic music dominating the album. The first set starts with the single “Rudebox”, followed by a cowboy-styled “Viva Life on Mars”, which is in turn substituted by a single “Lovelight”, a cover on “Bongo Bong” and retro-type “She’s Madonna” and it finishes with “Keep On” and “Good Doctor”. These songs have one thing in common: absolutely nonsense lyrics (“She’s Madonna” may be an exception). If the first three songs are at least listenable, other four are simply unlistenable even though Williams reads rap far not bad. These four, starting from "Bongo Bong" and finishing with "Good Doctor" can be called as completely chaotic and unstructured, being backed by aggravatingly monophonic music. After that a simple question may come up to the head: two what Robbie Williams has fallen"

However, the second part of the CD shows us that he hasn’t even. Here, step-by-step, the songs become more and more meaningful, understandable and structured. Moreover, music appears to be significantly juicier, however, the upper section being still like a super-heavy metal element from the Mendeleev’s Periodic Table. Nevertheless, such a feeling goes away after Robbie reluctantly declares “good bye to the normals” in “Burslem Normals” song with the “normals” representing this annoying old-fashioned monotonicity. Furthermore, here Robbie Williams sings warmer and more honestly than the cold and monophonic Robbie Williams in the first part.

The album, finally, finishes with much lighter compositions which are the cover “Kiss Me”, “The 80s”, “The 90s” and, finally, “Summertime” which depicts the lyrical hero of Robbie finally out of his infinite shell of depression and despair.

So, what have we experienced" First, we felt arrogance, boredom and complete uncertainty about the future, the latter being swayed off by the following songs what makes us believe in something happier again. Robbie Williams, in this album, invited us to stand in his shoes, to feel his depression, mental chaos and his mood changes. That is why, maybe, the album is called “Rudebox”. It is rude; its music is in a box of non-originality and over-monotonicity. At the same time, we may feel how the lyrical hero was trapped in this rudebox and how he got out of it in the end. The album may look fancy and cheap by its cover and the first single but in reality it is a very deep and psychological set of songs, which actually tests the listener whether he/she is capable of taking the role of a pop-rock star.

This is what I suppose makes this album exceptional. However, still, why 4" Why not 4.5 or even 5 if it is so good" The answer is quite easy: yes, it is outstanding but it is very unlikely that a random person will agree to be tortured a second time. It's just like reading Maxim Gorky's masterpiece "The Lower Depths". Read it and you will understand what I am writing about.

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Comments:Add a Comment 
May 10th 2011


crap album

May 10th 2011


crap album [2]

May 10th 2011


This was one of the artists that brought me into music when I was little and has been a guilty pleasure since. She's Madonna and We're The Pet Shop Boys are nice tracks but the rest is underwhelming to horribad.

May 10th 2011


Album Rating: 1.0 | Sound Off

The worst thing he has ever put to record.

May 10th 2011


A Robbie review. Ha ha ha, don't see one of these everyday.

May 10th 2011


this is the worst thing anyone has ever put to record

Contributing Reviewer
May 10th 2011


Love the rating chart for this! a big ol' 1

May 11th 2011


Album Rating: 4.0 | Sound Off

Hi there! I'm a novice on SputnikMusic so please, may I ask somebody to rate the review. I'll be very happy to take any criticism for granted! Thanks! :-)

May 13th 2011



May 29th 2017


Album Rating: 4.0

Truly bizzare album, my favourite tracks are the bonkers rap attempts, being the title track, Keep On, Good Doctor and of course The 80s/90s.

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