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Review Summary: Stemming from nowhere and never ending. First there was nothing…..and then nothing turned itself inside out and became something
Contrary to what the stark minimalism of Yo La Tengo suggest, Nothing Turned Itself has little to do with skeletal instrumentation, or even the slightest textures that seem to taper off into time space continuum. Unlike most indie albums that focus on melodic chordal progressions and elevated, yet restraint structure, this album delves very little into its defined sound and relevance as an album(its subtle unpredictability ultimately epitomized by the sudden distortion on Cherry Chapstick). And Then Nothing Turned Itself Inside Out is the uncertain, yet complete and ever present accumulation of soundwaves produced from obscured, unidentified sources. It presents itself as a symptom of unknown forces and intentions, finding small, yet ever variant textures that help build the most basic musical thought of Yo La Tengo.
Of course all this talk about unidentified sources may come off as some harsh experimental serialist album(it's still a pop album). But Yo La Tengo reach further depths then most musical acts who attempt a display of awe-striking futurism, as far as detaching humanistic aspects present in music. This is shown right off as Everyday starts, from the distant main drone, to sparse frequency peaks and echos that fade off into the endless musical atmosphere created by the group. The loose and characterless approach to the wide palette of sounds and instruments eventually null the initial displayed musical diversity and form into a unique, somehow cohesive musical output. As Georgia Hubley sings on Let's Save Tony Orlando's House "Watch him burn" in a lyrical scenario that seems to describe a plethora of characters, the lack of specificity leaves an impression of vacant art that stems from nothing, yet the the cool, relaxed vibes of Yo La Tengo form something that is undefined, yet gorgeous upon its initial encounter with the listener.
The legacy that And Then Nothing Turned Itself Inside Out has achieved in indie music is impressive, seeing as there is no defining concept, approach, or sound for critics to accurately revolve praise around. Rather it has achieved its high musical status simply for its sublime melodies and airy, atmospheric soundscaping. While this simplistic musical approach doesn't ultimately come off as innovative, the reverberated timbres of their unorganized instrumental approach create an inhuman, accidental sounding atmosphere that truly glistens in pure musical consumption. Its conceptually vague existence truly defines the figurative wordings of the very Sun Ra quote it gets its album title from.
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Album Rating: 4.5
I realize that this review is incredibly pretentious.
but I felt like writing it.
| | | "or even the slightest textures that seem to taper off into time space continuum. "
idk what this means
"and elevated, yet restraint structure,"
i think u messed this up....although i'm not sure what it means even if "restraint" was turned to "restrained"
"this album delves very little into its defined sound and relevance as an album"
i cant really grasp this...does it mean that it doesnt stick to the restraints soundwise and meaningwise that people have put on it since its release?
"yet ever variant textures that help build the most basic musical thought of Yo La Tengo."
is "thought" really the word you're looking for? i'm not sure what it means either (jeez this review is a little dense to read (not a diss) lol), but i think "thought" is a little clunky. or, just plain not what you're looking for.
"Of course some may assess that the unidentifiable sources spoken of clearly deem this album as a non-musical release,"
i dont think anyone would come to this conclusion lol.
"But Yo La Tengo reach further depths then most musical acts who attempt a display of awe-striking futurism as far as detaching humanistic aspects present in music."
than* instead of then. also i think that "most musical acts who" is wrong...i'm not sure if it's "that" or "which" or something, but i don't think it's "who". also maybe replace "as far as" with "by"? maybe not. your call.
"eventually null the musical diversity"
huh? not sure what this means. how do they do this? explain.
"Rather it has achieved it's high musical "
its.
| | | okay so overall:
i feel like you're kind of grasping at an interesting or unique point of view to take, and in doing
so are kind of convincing yourself of a point that, to me, doesn't come off as completely genuine. i
like the approach, and it's an interesting idea, but i feel like you're missing the point. i think
you put much too much emphasis on an "aleatoric" approach that, really, doesn't seem all that
important and definitely isn't as prominent as you seem to display in this review. it's also a
little confusing just what you're trying to say, here. a little less focus than there should
be. also, some things need explaining. sometimes you open up an idea, and just kind of leave it
there.
it's generally well-written and interesting, though.
also, it must be said, it sounds like you've been reading a few too many MichaelJordan reviews (esp.
the jane doe one)
| | | Album Rating: 4.5
jesus, alright I'll try to cover that all.
1. musical description and things
2. restraint as in controlled and musically tight as far as dynamics and structure go?
3. delves as in focus, as in it is not focused around a theme, album like concept, etc.
4. Idk, but I'm keeping that it
5. Michael Jordan
6. I think it would be who, but I'll revise it just in case.
7. I meant nulled the initial thought "wow, sure is a lot of different shit on here", ultimately forming a cohesive album.
8. I'll fix that up and other grammatical errors
| | | "2. restraint as in controlled and musically tight as far as dynamics and structure go?"
i meant "elevated" and "restraint" together...does "elevated" mean musically tight? also, a "structure" can't be "restraint"--at the very least, it's "restrained".
but yeah otherwise good stuff
| | | Album Rating: 4.5
I think if anything it sort of contradicted his Jane Doe analysis. Perhaps subconsciously I was trying to sound like MJ, but I really just thought the Sun Ra quote(see beginning of the review) was fucking awesome sounding and I thought it would be interesting to somehow expand on it in an essay like review(I was actually sort of inspired by thebhoy's essay review things, though the writing style is very different).
| | | also madeline is the most addicting song ever
| | | Album Rating: 4.5
Let's Save Tony Orlando's House is my personal favorite, I especially adore the lyrics
edit: Oh and btw, there's been a recent pattern in my last 4 reviews or where I'll cover a new release and then write a review for
meaningful albums to me like a week or so later.
| | | let's save tony orlando's is pretty excellent, too. gota love dat rhythm section
| | | Album Rating: 4.5
I hope I don't wake up regretting this review, but I suppose there are consequences for writing a review while trying to keep awake. Needless to say, your analysis has left me self conscious ;/
even that emoticon seems questionable right now
| | | dont worry dude it's fine im just a hater
| | | Album Rating: 4.5
Alright I'm taking out the aleatoric, mj bit in the first paragraph
touched up a bit on the second paragraph generally
| | | sometimes i forget this album exists
it's so quiet =(
| | | Album Rating: 4.5
http://www.robertchristgau.com/get_artist.php?name=yo+la+tengo
read the write up for this album, so accurate
| | | Album Rating: 4.5
thank you my rabbit friend
| | | Album Rating: 4.5
Like a rabbit cat, a cabbit or a rat
| | | i dont much enjoy christgau.
| | | Album Rating: 4.5
I think he's cute.
and this http://www.robertchristgau.com/get_album.php?id=13262, lol
| | | Actually who is Cristgau? I see his reviews come up a lot but I've never heard him mentioned before
| | | he's some old-guy reviewer who uses really short reviews with lots of weird, cryptic references and metaphors and whatever else to convey his opinions. basically, when he gets it right, he gets it really right--this is about, uh, 5, maybe 10, percent of the time--and the other ~90% he's just babbling.
an example of him getting it really right is his review for brian wilson's "smile". it's a really gorgeously written paragraph or so.
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