Theory of a Deadman



by Eclectic USER (42 Reviews)
September 24th, 2009 | 21 replies

Release Date: 2005 | Tracklist

Review Summary: An average mainstream rock band produces an average mainstream rock album that manages to lift itself just that little bit higher than its colleagues with a good final half.

Theory Of A Deadman are:
Tyler Connelly – Vocals, Guitar
Dave Brenner - Rhythm Guitar
Dean Back - Bass
Brent Fitz - Drums

Theory of a Deadman copped some major flack back when their debut album was released in 2002. Their songwriting was ludicrously terrible, and the similarities between them and Nickelback were too glaringly obvious for anyone to take them seriously. So when the follow up was released it was not without a decent amount of hesitation that critics picked it up. Most, I expect, were waiting for it to be the same pile of dribble that the debut was. How wrong they were.
Well, not quite.

The songwriting has matured immensely, as has the musicianship and the vocals. The quartet have pulled away from being Chad Kroeger’s illegitimate children and at the same time have created an album with a few decent hooks, a few good riffs, and a few songs that stand above the rest. Noticing the trend" 3 or 4 tracks amongst a bunch of mediocre trash does not a great album make.
The issue here is the repetitiveness. I am so tempted to list all the songs that are about relationships, more specifically breakups, but I’m not going to because its most of the album. No joke, 10 out of the 13 tracks are about Connelly breaking up with someone.
The musicianship also falls into that trap, with most of the album sounding almost exactly the same. A lot of the time the guitar work dissolves into an almost solid wall of sound during the choruses. Try to dissect it and you get something that resembles good music, but not enough for it to be worth it.
The album attempts to rock hard but ultimately fails.

Right about now I bet you’re wondering why I gave this a 3, and not, say, a 2. Surely with this amount of crap this is one of those annoying mainstream albums that the fans adore and real musicians play Frisbee with. I’ll admit it’s close to that, but there are a few redeeming factors that are very hard to ignore.

The most outstanding of these is the catchiness of the songs. Just about every song has a hook the size of a harpoon. Its just a shame that on several occasions the verses let it down big-time. Luckily, sometimes Tyler decides to clean up his vocals and shows he can sing far better then some of his contemporaries. In songs like “Santa Monica” you can’t help but join in and feel the man behind the words. This isn’t to say that the album is only good during the more mellow tracks, far from it. “Better Off” has the harder rock edge of “Hating Hollywood” but with a better build up and finish, and an excellent hook. They also repeat this success quite well on the some of the other tracks like “Save the Best for Last”.
And it’s almost impossible to forget this line from “Me & My Girl”
“Now things are all f****d up
Instead of kissing her lips
I want to staple them shut”

Whether you think its a pile of garbage or not is irrelevant, it was stuck in my head for days, and that's what quite a lot of these bands aim for.

Also, though the guitar does dissolve into a solid wall of sound, this allows the vocals to soar. Admittedly I would have liked both to have been good, but I don't think TOAD are capable of that, as this album demonstrates, so 1 out of 2 isn't that bad.

When Connelly and Brenner actually work together its nothing incredible, some catchy riffs, acoustic backing and acoustic lead occasionally (Hello Lonely, Santa Monica, In The Middle) that gives the song an overall fuller sound, but nothing that will make your jaw drop. Then again, nobody really expected that from an average mainstream rock band, and if you did than you are in for some major disappointments when the real world comes knocking on your door.

The bass, funnily enough, stands out more than I was expecting. On quite a few tracks it pokes its head up and gleams a little brighter than the average American rock band would have you believe it was possible for it to; most notably on “No Way Out” and “No Surprise”. It’s a nice change from the quiet and shy bass that bands like Nickelback tend to have. What a shame the rest of the music in those tracks is pretty much useless, making the track, as a whole, skippable.

And finally the drumming: I could say the same thing here that I said about the guitar. Occasionally it produces it something interesting, a good catchy beat (Save The Best For Last) but most of the time its nothing special, it sits in the background doing nothing more than keeping the beat.

Its good for what it is, but because of what it is this was never going to get above a 3.5 for me, and the earlier tracks and a few filler songs let it down.

Recommended Tracks:
Santa Monica
Better Off
Say Goodbye
Save the Best for Last
(I could keep listing here, but I’d only do it because the chorus is catchy as hell and it’s stuck in my head, the bastard)

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Comments:Add a Comment 
September 24th 2009


Album Rating: 3.0

And let the burning begin.

I'm not going to tell you to be nice because its my first review, if there's something wrong tell me and I will learn from it and grow.

I know this needs improvement, I would be worried if it didn't, but I have been editing this for a month now, going over it all in my head endlessly, and finally decided to fuckit and just submit the damn thing.

September 24th 2009


the only major recommendation i will make is that it's ok to write shorter reviews. this is quite a marathon in the grand scheme of things and could certainly be more concise.

overall though this a great first review man.

September 24th 2009


Album Rating: 3.0

Awesome, thanks.

Yeah, I'll probably shorten the next one by a considerable amount, I was actually surprised to find that a 2 page Word document stretched that far here, particularly since I wasn't struggling to find that much material.

September 24th 2009


My friends like this band, from one song they feel like generic mainstream stuff and I can't see why I would ever delve into their stuff. Good review.

September 24th 2009


Yeah these guys are pretty much part of the Nickelback/Buckcherry/Hinder group. Meaning I hate them.

September 25th 2009


Along with what bahamut said, combine all these basic ideas into a smaller number of larger but not-too-huge paragraphs.
I remember hearing some single (presumably from this) and laughing at how bad the lyrics were.

September 25th 2009


Album Rating: 3.0

Ok, taken onboard.

I wouldn't be surprised if you hated them, you have every right to. Their latest album was onpar with their debut and instantly turned me off them, but, surprise surprise, gave them more mainstream success.

Yet another reason why any real music fan avoids the radio unless they either want to be disgusted or laugh their head off.

September 25th 2009


Album Rating: 1.5

Good review, but I cant stand this band at all.

September 25th 2009


ugh, this is so bad. Just what the world needs, more nickelbacks

September 25th 2009


Santa Monica isn't terrible, but this album and band pretty much are. Review is fine though.

November 6th 2009


Album Rating: 3.0

ugh, i listened to the follow up to this album, its such a major stepdown (just imagine the horror!)

February 10th 2013



February 10th 2013


slipn's on a rampage today

February 10th 2013



Staff Reviewer
March 13th 2013


Genuinely an innovative force in music today. 5/5

March 13th 2013


innovation at its finest

March 13th 2013


I thought Santa Monica was a Staind song for the longest time back in 2006. Wasn't that song used in some PS2 action game that was like really good but no one played it?

June 10th 2013


Boring album.

August 6th 2013


only came here to listen to santa monica which was on an awesome cinema interactive game called fahrenehit(indigo prophecy in the US)


March 29th 2017


Dudes have some jams.

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