2015 in retrospective
From my favorite to my least-favorite of the albums I've heard from year 2015.
This list will be updated when I'll visit or revisit a record from that year. For now I put indicative scores out of 100, but I will relisten to these records in order to get a real description of them. |
1 | | Steven Wilson Hand. Cannot. Erase.
100/100 |
2 | | Sufjan Stevens Carrie and Lowell
97/100 |
3 | | Father John Misty I Love You, Honeybear
95/100 |
4 | | Blur The Magic Whip
This is Blur's true "modern life is rubbish" statement, and a goddamn fantastic record as well. The band nails both their usual variety and songwriting' brillance, while focusing more on melancholic tones. This newfound emotional core is shown in Albarn's lyrics, which lack the satirical bite he's known for, instead opting for mature and desperate reflections on globalization and loneliness. This is a masterful and bizarrely overlooked release... |
5 | | Jeff Rosenstock We Cool?
Pop-punk and emo at its finest : the songwriting showcases a complexity rarely found in those genre, while the guitar work is downright amazing. Rosenstock has a fragile voice but his poignant delivery and oh-so-relatable words sells absolutely every moment on this. This is a record about the difficulties of growing up, with a nuanced but blunt framing, and the music perfectly matches these existential issues. |
6 | | Kendrick Lamar To Pimp a Butterfly
92/100 |
7 | | Dominique A Éléor
90/100 |
8 | | EL VY Return to the Moon
Musically, indie pop doesn't get more exquisite than Return to the Moon for me : richly textured production, liquid melody lines from a number of instruments, an heartfelt lead performance, and as much layers as it is possible to find in this type of concise gems. The lyrical content is self-awareness at its awkward peak, drawing some gripping imagery with a cruel sense of irony, as Berninger reflects on the worst hidden inside of us in the form of the compelling portrait of a couple of insufferable but never condemned characters. |
9 | | Odezenne Dolziger Str. 2
Odezenne's most experimental work to date, bringing haunting synth melodies to the forefront of their sound with a stronger emphasis on atmosphere. It seems short, but the tightness of the instrumentals and dense wordplay of the two MC's paired with the outstanding flow of the whole piece create a completely fulfilling experience. The subject matter and overall presentation are more abrasive and iconoclastic than most of their contemporaries, sure, but it all feels earned and deeply honest. |
10 | | Marianas Trench Astoria
Astoria is a pop album for the ages, a highly lyrical exploration of the process of moving on from loss which never feels melodramatic thanks to incredibly clever writing, immaculate melodies and Ramsay's amazingly dynamic lead vocals. This is Marianas Trench's finest hour, marrying their knack for hooks with an epic scope and refined instrumentation and production. Solid from beginning to end. |
11 | | Asaf Avidan Gold Shadow
87/100 |
12 | | Baroness Purple
87/100 |
13 | | Joanna Newsom Divers
87/100 |
14 | | Jason Isbell Something More Than Free
87/100 |
15 | | Destroyer Poison Season
86/100 |
16 | | Youth Lagoon Savage Hills Ballroom
86/100 |
17 | | Twenty One Pilots Blurryface
Blurryface sounds like a record that could please any generation, but it isn't bland whatsoever ; Tyler Joseph's insecurities are described with real potency, and the melodies are just too good to deny. The genre-bending approach could lead to a mess of gigantic proportions, but the thematic cohesion and heartfelt performances maintain a sense of focus and singularity. Damn great pop record... |
18 | | Panopticon Autumn Eternal
85/100 |
19 | | Muse Drones
I understand that it's not cool anymore to like Muse, but they have still so much to offer. Their latest record is build on a bleak sound, filled with hard-hitting D-dropped guitar, killer bass lines and crushing percussion, while Bellamy's intense vocals are still as empowering as ever. Drones lacks subtlety in its framing but its anti-conformism messages stay relevant in this day and age. Plus this is just a ton of fun... |
20 | | The Wombats Glitterbug
84/100 |
21 | | Julia Holter Have You In My Wilderness
84/100 |
22 | | Hot Chip Why Make Sense?
83/100 |
23 | | Tom Hummer Sexism Sells
83/100 |
24 | | Deafheaven New Bermuda
82/100 |
25 | | Snarky Puppy Sylva
82/100 |
26 | | Bjork Vulnicura
82/100 |
27 | | Modest Mouse Strangers to Ourselves
81/100 |
28 | | Ryan Adams 1989
81/100 |
29 | | The Maccabees Marks To Prove It
80/100 |
30 | | Belle and Sebastian Girls in Peacetime Want to Dance
80/100 |
31 | | Faith No More Sol Invictus
79/100 |
32 | | Chelsea Wolfe Abyss
79/100 |
33 | | Ghost (SWE) Meliora
78/100 |
34 | | Archive Restriction
78/100 |
35 | | Everything Everything Get To Heaven
78/100 |
36 | | The Cribs For All My Sisters
77/100 |
37 | | Brandon Flowers The Desired Effect
76/100 |
38 | | Metric Pagans In Vegas
76/100 |
39 | | Algiers Algiers
75/100 |
40 | | The Pop Group Citizen Zombie
74/100 |
41 | | The Decemberists What A Terrible World, What A Beautiful World
74/100 |
42 | | The Libertines Anthems For Doomed Youth
73/100 |
43 | | FFS FFS
72/100 |
44 | | Of Montreal Aureate Gloom
71/100 |
45 | | Will Butler Policy
69/100 |
46 | | Sleater-Kinney No Cities to Love
67/100 |
47 | | Marilyn Manson The Pale Emperor
66/100 |
48 | | Tame Impala Currents
65/100 |
49 | | !!! As If
65/100 |
50 | | Alabama Shakes Sound & Color
65/100 |
51 | | Godspeed You! Black Emperor 'Asunder, Sweet and Other Distress'
63/100 |
52 | | No Devotion Permanence
62/100 |
53 | | Beach House Depression Cherry
59/100 |
54 | | CHVRCHES Every Open Eye
48/100 |
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