AsleepInTheBack
Ben
Staff

Reviews 98
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Album Ratings 2430
Objectivity 79%

Last Active 01-01-70 12:00 am
Joined 01-01-70

Review Comments 10,105

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04.05.24 sleeplog24(4)03.19.24 Headphones? Headphones!!!
03.03.24 sleeplog24(3)02.01.24 sleeplog24(2)
01.18.24 Rating Art Is Dumb01.14.24 Good Music Books?
01.02.24 sleeplog24(1)12.30.23 a sleepy 2023
11.26.23 rec me: YOU!!! (December 2023: Final Ch 10.31.23 REC ME: pOst-hardcOre (November 2023: C
10.01.23 REC ME: WEED đŸ„Š (October 2023: Chapte 09.09.23 CUM on REC me NOISE (September 2023: Ch
07.30.23 REC ME: experiMENTAL (August 2023: Chap 07.02.23 FUNK ME: rec (July 2023: Chapter 7)
06.01.23 REC ME: FOLK (June 2023: Chapter 6) 05.01.23 JohnnyoftheWell recs me (May 2023: Chap
03.31.23 REC ME: BLACK METAL † (April 2023: Ch 02.28.23 REC ME: [H I P H O P] (March 2023 -:- C
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Rating Art Is Dumb
1Ornette Coleman
Science Fiction


Historically, I have been obsessive over my rating system, and whether particular albums are appropriately categorised.

Does that 3.7 shimmer with enough 3.7ness to justify its status as such, or does one get a whiff of overegged 3.5 or underappreciated 4?

I shall set the standard of 5 so high as to eliminate anything other than decade-old love affairs with intimate folk albums.

3 always feels to harsh for good but not great albums and therefore became redundant upon staffdom, supplanted by the elusive and useless 3.3.

I never use 1. Why is it different to 1.5? Is there a difference between bad and bad?
2Death
Scream Bloody Gore


The categorisation process, I felt, kept getting in the way of just experiencing the art without a flash card deck of 1 through 5 fluttering through by brain during each initial listen. The problem was worsened with the increased decimalisation of STAFF and the act of being staff and tasked with writing about a thing and having to appraise it in some objective critic authoritarian way when its just art (it is an burden woe is me i know i know). It's also worsened the broader my tastes have gotten - being pedantic about what can and can't attain a particular rating, the precise/imprecise level with which an record must resonate with an soul to justify an placement, it DOES NOT WORK when you can't compare like-for-like - death metal and jazz rap and harsh noise and downtempo are incomparable. It also lead (leads?) to a lot of underenthusiasm, keeping my 5s so tightly cropped, only 4.5ing one or two albums a year, actual 5s and 4.5s becoming less representative of actual taste but merely the highest longest highs of my musical life from years past, their roots in childhood, university, previous bouts of depression and love loss and dead family.
3Ryuichi Sakamoto
12


INITIAL SOLUTION: I kept the further decimalisation to a minimum, only allowing myself the following slots:

5

4.7

4.5

4.3

4

3.7

3.5

3.3

3

2.7

2.5

2

1.5

1

This, however, was still too much choice. Because being a stingy rater is dull, what I would have rated 3 simply became 3.3; what was 3.5 became 3.7 (etcetcetc). THEN making such categories redundant. Also I'm sorry but 14 (fourteen) different categories of "good" are too many categories. If we must rate art, from categorising / cultural amalgamation / roadmapping benefits (which are good benefits) the 1 to 5 star system seems about as much as you need:

1 is shit

2 is bad

3 is good

4 is more than good

5 is special
4Xiu Xiu
Knife Play


I had therefore intended to switch to a 5 rating system, move all current ratings into either 1s, 2s, 3s, 4s or 5s. More of a potsian/acad styled thing.

HOWEVER, I then got all anxious and shit about the fact that this would just bottleneck and reduce the meaning in each rating category. There is a gulf of a difference between 4, 4.5 and 5, and losing the 4.5 from my system would mean that either I'd overrate everything to 5, devaluing the 5, or be a negative nelly and keep almost everything in 4, which seemed a sad sput existance. AND i do value the self-definition ability a carefully curated list of ratings can provide. I wanted to fixate less on the granular pedantic internal arguments, and general stupidity of viewing art through a numerical lens, without losing the--

[[[SIDE NOTE: I acknowledge there is massive value in rating system precision AS A COLLECTIVE (i.e. if we all rate with good intentions we can try as a group sort wheat from not wheat and provide a route to the good music) and AS WELL AS when writing in a critical / analytical sense ... and as a staff writer i intend to keep all the granular power at my current disposal. simply from a personal rating cataloguing perspective however is where i am speaking to you from.]]]

--plot. Idk identity has always been a weird thing for me, not in a dysphoric sense, just that music is a root of relative stability that I cling onto during the storm season, when everything else is turbulent, I have music. But maybe its not my sense of coherent taste that is important but the aggressive, blind, modest act of throwing self into all that music is and lapping it all up without knowledge or judgement like child with innocence.
5The Mountain Goats
All Hail West Texas


CURRENT REVISED SOLUTION: I have adopted the following:

5

4.5

4

3.5

3

2

1

So I have removed the 1.5 and 2.5 (pointless) kept the 3 to 5 point 5 increments as that's where most of the thinking is done anyway, but removed the further granular increment options of staffdom. I am going to see if this achieves what I wanted it to or not. Goal probably being to move to 1, 2, 3, 4 and 5 but I am not there yet.

Rating art is dumb, probably. Other than collective benefits, outlined above, surely it must not be such that it gets in way of discovery process or enjoyment of specific pieces of art? Or discussion!!! The amount of thread arguments that have revolved around the distinction between 3.5 and 4 take up too much space, though I suppose it is a shorthand or stand in for an argument re the values underlying those numbers, but i digress. This isnt me preaching at you btw this is me preaching at me. I am the one in the sin bin.
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