Flashmobba
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Last Active 08-03-18 1:18 am
Joined 07-11-16

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 Lists
07.24.25 some MORE all time favorite songs07.21.25 some all time favorite songs
06.22.25 Rec your fav albums (JULY)05.21.25 Rec your fav albums! (JUNE!)
05.17.25 concerts I’ve seen + rated04.28.25 rec your fav album bros
02.03.25 Metal albums with amazing production09.29.24 what kinda jobs do y’all have
10.08.23 10 favorite hip hop albums? 04.13.23 college rant
12.22.22 Feedback on my spacetrap song please03.29.22 rec me some phat drum albums
03.09.22 Favorite Kendrick songs (kinda controve03.07.22 Favorite Radiohead songs? (kinda contro
06.12.20 Made a new triphop record04.26.20 I make ambient house (please check it o
07.05.19 Check my new house track07.01.19 Check out my nocturnal house music pls
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Rec your fav albums! (JUNE!)
1Miles Davis
In a Silent Way


Since we’re approaching the end of the May series, I thought I’d continue since this has become a great way to find new music from my beloved Sputnik community. This time I wanna add a few rules:

you MUST have rated your recommendation at least a 4.5. It must have more than 50 total ratings, and at least a 3.9 average. I’ve been getting lots of obscure niche stuff that isn’t the quality I’m looking for.

Same rules apply otherwise. Recommend me an album you’ve 5’d or 4.5’d. One album per day. Please check if I’ve heard it. Let’s go!
2Fall of Efrafa
Inle


JUNE 1 - Ectier

Starting off with some post-metal, this album has a cool mix of ingredients, with the heaviness, the arrangements, and the production, and I dig the vibe this record has - it feels like something I’d play while sailing with Vikings on my way to pilfer and raid villages. I particularly like the vocalist and his accent, it gives the album a nice bit of edge and authenticity. I’ll be honest though, I haven’t returned much or felt like returning to it much either. The melodies and progressions don’t grab my ear much and grow a bit stale - 7 songs stretched out over 80 minutes, when one of those is a 2-minute filler? It’s just too long-winded. It did engage me for a good amount of time, and the meditative moments are cool, but after a while it felt like it was going through the motions. Still an interesting record.

3.2/5
3Altar of Plagues
Teethed Glory and Injury


JUNE 2 - Wilt

Black metal spliced with post-metal, this is definitely an interesting sound. Black metal is perhaps one of my least favorite flavors of the genre, but post-metal is one of my favorites! As expected, I did prefer the moments where the latter shone through, but the fast-paced riffs here caught my ear too. The mix is a bit shrill and muddy, though sometimes it serves the glacial mood here. The vocals are hit or miss, as expected, the growls and cartoonish banshee shrieks weren’t my cup of tea, but the cleans are good! I like the space provided by the ambient sections here, a nice mix of analogue and digital instruments. I actually quite dig the closer. Thematically the record’s a bit heavy-handed as well (“Raped by a prophet, I watched my son die”? Sheesh.), so I don’t know if I’ll return much to it at all, but I can definitely see the appeal.

3.2/5
4maudlin of the Well
Bath


JUNE 3 - TheSonomaDude

A sorta sister album to Choirs of the Eye, which I did a week ago. The density of creative ideas and versatility here is great, though ostentatious. I like how the songs are shorter but more numerous, so the presentation is tighter yet retains the mystique of COTE. I dig the amount of range these guys are able to cover, and they seem even more brazen here with the flavors of angelic female vocals, funereal organ, fast-paced or sludgy metal, zombie orgy, watery ASMR, Latin-jazz, classical, and even folk. I will say, this one has the opposite problem of COTE, it’s a bit too jarring and all its transitions don’t work too well. The performances are good, but the stitching is a bit iffy. Sometimes the mix is a bit shrill or muddy, and the vocal delivery isn’t perfect. But this is truly unique, several moments had me perplexed or awe-inspired, or both.

3.5/5
5Animals As Leaders
Animals as Leaders


JUNE 4 - NexCeleris

This grew on me a LOT. I’m a bit iffy about instrumental prog of this era since it tends to be either overproduced and/or overly flashy/technical. Though this is guilty of both, man, the writing here really serves. Tosin Abasi manages to imbue passion and catchiness into his inventive explorations of the fretboard. He can groove and freestyle well. It’s the lurid production here that kinda bugged me - programmed drums, really? Meh, but even though they sound really processed, the arrangements are great. The overly glossy guitar tones give this the impression of a very impressive yet highly compressed video game soundtrack, giving it an overly MIDIesque quality (I need some low-end!). But some songs here are positively eargasmic. Impressive, but it needs some kind of remix to rectify the sterility. I concede, replay value takes precedence over production for me here.

3.8/5
6Swans
Soundtracks for the Blind


JUNE 5 - mystagogus

Ah, the most pretentious band of all time. I like some of their post-punk stuff, but I’m not convinced they’re the musical gods everyone makes them out to be, especially regarding this album, which I’ve heard. There’s some interesting stuff here, but I don’t really consider this an album of songs. It’s like a depressing YouTube clip that I don’t really feel like revisiting after the first time. The actual songs here have impressive moments but don’t warrant what seems like hours of empty ambient sound collage to build them up. I also wish they stopped charmlessly grumbling about the sun/incest/rape/whatever taboo subject they can craft a skeletal idea about. I get it, it’s spooky, but what else? My favorite aspect of the record is the eeriness, particularly in “Volcano” - if they channeled that eeriness into some better songwriting and less masturbatory meandering, this would be up my alley. 2.5 hours? Ouch.

2.8/5
7Maxwell
Embrya


JUNE 6 - jrlikestodance

2 minutes in I think I said, “Yeah, I need an edible for this,” and took one. This is smooooth. Neo-soul is tricky; it can be a bit too self-indulgent and aimless, which are traits of this record, but the vibe and musicianship here stick the landing partly. The songs are quite long, and the songwriting feels a bit aimless, but each one fundamentally grooves. The embellishments of all the instruments and Maxwell’s captivating voice definitely help too. I can definitely see the appeal, it’s like a nice mix of Sade and D’Angelo, with a little bit of trip-hop a la Massive Attack or Morcheeba thrown in. It’s obviously sensual music, but there’s a meditative and watery quality to it as well to bring the blood pressure down. Looooove the opener. Cool stuff, I can chill with the ladies to it.

3.4/5
8Earl Sweatshirt
I Don't Like Shit, I Don't Go Outside


JUNE 7 - Hawks

Man I’ve been sleeping on Earl. I keep forgetting he’s both rapper AND producer, and he’s no slouch at either. I adore Some Rap Songs, but it’s a hard listen, so maybe that’s why I was avoiding this. I’ve heard a few songs, like the legendary Grief, and it might just be because of where I am in life right now, but this album just speaks to my soul, man. Such fascinating and wonderful production here, I got touches of Radiohead and DJ Screw. I love Earl’s misanthropic and witty yet heartfelt lyricism and hungry flows. I am glad to see he’s doing better in life, because there’s some dark but honest music here, it feels very ghostly and disoriented, akin to a junkie in a haunted house. I’m not the biggest fan of his delivery, but his lyricism wins me over. I love the brevity as it’s only 30 minutes. Some (of these) rap songs really hit home. Long overdue listen.

4.0/5
9Bone Thugs-N-Harmony
E 1999 Eternal


JUNE 8 - Drifter

I have kind of a love-hate thing with these guys. I dig their EP, as it’s a short burst of everything that makes these guys worth listening to; unique cadences and harmonies, soulful beats and melodies, and a sinister gangster-rap aesthetic. But melodic rap’s an acquired taste - several people I know dislike them as they’re so different. I like them, but in short bursts - an entire album, especially one this long, kinda bored and irritated me. Their flows are a bit TOO musical. It kinda gave me the vibe of a poppy barbershop quartet posing as gangster rappers over these eerie beats. I wish there was a bit more of a monotone delivery to support these edgy bars, they don’t really work as well when they’re harmonizing like choirboys. Nevertheless, there’s still some good tunes here. East 1999 is a fucking BANGER. Maybe more listens will change my mind. Definitely innovators in rap music.

3.4/5
10Turnover
Peripheral Vision


JUNE 9 - Rowhaus

The “emo” tag here kinda scared me, but this isn’t as uncharismatic and whiny as most emo I’ve heard. The first song didn’t grab me, but from the second track onwards this was a pretty solid listen. Now, this is still not my favorite kind of music, it does have a bit of the staleness of similar contemporary dream pop/shoegaze bands, but the songwriting and arrangements here are decent. It’s interesting that all of the band’s most streamed songs come from this album, so it’s clearly loved and I can see why. It’s pretty, morose, and has relatable lyrics. It just doesn’t have that X-factor that’ll keep me returning.

3.2/5
11Skee Mask
Compro


JUNE 10 - CottonSalad

Wow. Mother of high fidelity and sound engineering. Every producer should hear this. Absolutely perfect mixing, clarity and stereo separation. AND it’s a dance album?! This is the kind of IDM/techno I’d hope to expect in this day and age, combining the creative engine of the 90s age with the high fidelity of today’s production standard. It’s spacious yet tight, and brings to mind an indefatigable dance-floor of an alien world. This brought to mind some of my favorite electronic artists, like Autechre, Aphex Twin, and Caribou, but it’s incredibly original in execution and finesse. The icy ambient explorations, the subterranean harmonies, and the earthmoving percussion; I’m a fan of everything. Germans just really know their electronics. Some of my favorite electronic tunes ever here, I’m gonna wear this thing out on the highway. Deserves a higher average.

4.6/5
12Marillion
Script For A Jester's Tear


JUNE 11 - Chippe

Prog may be the most promising yet oft-frustrating genre descriptor there is, and this 80s throwback is a good reason why. It’s got flash, structure, and the charismatic cheese of that era, yet that gestalt is not enough to save it from the staleness of this sound. I appreciate the energy here, the pop sensibilities mixed with the prog stylings creates a winning formula that has clearly helped these guys sell millions of records. It’s just not crazy enough in its flash or tight enough in its songwriting to properly pull me in. The standard reverb-heavy 80s production is in full gaudy effect too and doesn’t help. It feels like one of the bands whom Spinal Tap were making fun of.

2.7/5
13Kinoko Teikoku
Uzu Ni Naru


JUNE 12 - Zac124

This is a bit of a mixed bag for me. I like how it started off; the first song, and the second one to a lesser extent, are really nice throwbacks to the more muscular 90s shoegaze sound demonstrated by Ride and Swervedriver. The subsequent tracks where the focus becomes more punky alt. rock kinda loses me, and feels like anime intro music. Regarding the singer, she’s alright, and I don’t know how I feel about the phonetics of Japanese in music like this. The performances are solid throughout, but it peaks during the first two songs, and I’m left a bit bored throughout the rest of it.

3.0/5
14Meat Puppets
Meat Puppets II


JUNE 13 - mryrtmrnfoxxxy

Some more noisy hillbilly punk - sounds disgusting, but I just really dig it, man. These guys are heroes too, immortalized by Nirvana’s Unplugged. This album just screams sloppiness and apathy, but there’s a math to their laziness. It’s got such a charming vibe, and it’s dynamic with dexterous songwriting and progressions. Some of the best melodies I’ve heard in a while here (Aurora Borealis? Wow). Similar to Cows, these guys just understand punk, but the Meat Puppets embody a more friendly, laidback style. The singer’s offbeat delivery has a magnetic effect, and the production here is great for ‘84. The ethos of this record lives on in every slacker 40 years on. Very fun and comforting, I revisit it a lot.

4.1/5
15Karnivool
Themata


JUNE 14 - arthropod

This is a toughie. Karnivool’s actually a band my brother loves and he showed me a bit of Sound Awake, which I was lukewarm about. This record feels like a more radio-friendly version of what I heard. The riffs and melodies are cool, but I can’t help but feel that this seems like a potpourri of alt. metal tropes of its era: Mean riffs, melodic choruses, compressed mix etc. It’s not the most original stuff, and parts of it ooze 2000’s alt. metal cheese, but it’s not offensively bad like a lot of that genre was back then. These guys are clearly talented musicians and know how to craft songs, it’s just that I didn’t, or don’t, connect to this kind of music as much as I used to. Decent, but slightly boring.

3.2/5
16Greyhaven
Empty Black


JUNE 15 - HooperD87

When I saw the metal-core tag I was a bit apprehensive. As soon as he started screaming I gritted my teeth, but to my pleasant surprise the atmospheric and softer parts here were decently done. The heavy parts are well performed, but something about metal-core like this is so gauche. It’s like the runt of the metal litter, lacking in subtlety and grace but full of melodramatic energy. It’s honestly a repellent sound to me. Nevertheless, I kept an open mind. The production’s actually solid and I can see how people would like this, but to me it’s just an amalgamation of all the corny alternative metal tropes of yore with a bit of technicality thrown in. Polished but really flat and kinda annoying to me. I really don’t want to return to it.

2.7/5
17The Gathering
Souvenirs


JUNE 16 - JohnnyoftheWell

Oooh yes, I’ve heard this one. Well, skimmed it, but I remember digging it quite a bit. Trip-hop infused with alternative rock, like a dream collaboration between Massive Attack and A Perfect Circle. I remember thinking the album feels grandiloquent, a bit too much at points which hinders its casual replay value. I think it’s the vocalist; she has a nice voice, but her delivery can be a bit too dramatic for the songs that may benefit from a more understated approach. Like an Opera singer crooning over alt rock spliced downtempo. Odd combination - too intense yet simultaneously mellow - but the songwriting here justifies the pairing (usually). The progressions these songs take are often melodically and structurally interesting but some take a bit to fully develop, and others miss the mark. Great mix of flavors, a few of which just feel a bit stale.

3.5/5
18Gang of Four
Entertainment!


JUNE 17 - gabba

Post-punk is one of my favorite genres, so I’ve obviously heard most of this. For whatever reason, it didn’t click with me so I didn’t rate it, but after yesterday’s edible it kinda did. I know, I know, it’s mega influential and sounds 20 years ahead of its time, but it felt like standard radio dance-punk. It still hasn’t won me over completely, but I’ve kinda warmed up to it. Good energy and good songwriting, but honestly, the unlikely winner here might be the lyricism. The biting yet charmingly delivered social commentary really accentuates the impact of the music. It can definitely get one-note though. All in all, it’s repetitious, but fun, ahead of its time, and most importantly, punk.

3.4/5
19Counterparts
Nothing Left to Love


JUNE 18 - Dedes

Yeah, metalcore isn’t beating the mediocrity allegations any time soon for me. I’ve given it so many chances. Whiny vocals that horribly shout everything over technical yet uninteresting and gaudy metal - I just don’t know, man, this sound makes me cringe too much, it’s just not my kind of music. I would have heard this in seventh grade, and even by then it would have sounded gauche. The title track is a nice change of pace, but it’s not enough to save the staleness that permeates every inch of this record.

2.6/5
20Impaled Northern Moonforest
Impaled Northern Moonforest


JUNE 19 - CugnoBrasso

There’s always one of those. Man, this is BAD. Yes I get it, it’s a parody. Was I amused? Not really. I get it, I dislike black metal too, but this won’t even get funny points because it’s kinda just ear-rape. Badly produced parodies are a bit of a gamble. It’s like South Park but without the nuanced satirical commentary. So really crappy South Park. At least it’s short!

1.4/5 (1.8 as a parody, 1.0 for the “music”)
21Coil
Love's Secret Domain


JUNE 20 - bach

I don’t get these guys, but I’ve really tried to. I dig their strange, creepy aesthetic, but like Swans, they seem to squander their potential with aimless self-indulgence and bad songwriting. The industrial production here is interesting, but all of these sound like the incomplete workings or ideas of songs rather than songs themselves. The ones that I do dig, such as The Snow and Dark River, seem to drag on without adequate progression, marring the positive impression they first had on me. Then there’s other songs here that I just really don’t wanna hear again. Maybe I should give one of their other records a try, though I don’t remember loving Ape of Naples either. A weird mix of bizarre and simultaneously boring.

2.7/5
22UGK
Ridin' Dirty


JUNE 21 - Typhoon24

Of course I’ve heard some of this one, but I’ve never been a huge fan of UGK. They’re obviously pioneers of southern hip-hop and I credit them for their huge influence, but I never personally bumped their music like that. Revisiting this reminded me why; the raps aren’t amazing, though it’s the porno-funk beats and Diddy-esque hooks that really kinda leave a sour taste in my mouth. It feels like an out-of-touch A&R’s wet dream - conventional funky gangster-rap with some edge that ticks the commerciality boxes. It just doesn’t translate all too well for me, though there are some good tunes here, specifically the deep cuts (3ITM and T/T are my favorites). I should love it a lot more, but I gotta be honest, it’s just ok.

3.1/5
23Silversun Pickups
Carnavas


JUNE 22 - Futures

I remember skimming this a long time ago but not remembering much apart from Lazy Eye. Which is a shame, because this is actually really solid. Great production and songwriting - does this remind anyone else of golden-age era Smashing Pumpkins? The guitar and bass tones in particular are very easy on the ears. I remember having a problem with the androgynous vocal delivery before but it’s not as big of a problem now, I think it complements the music well (to an extent). It takes all the good ingredients of the 90s alternative scene and blends it into a relatively fresh mix of muscular shoe-gaze and twinkly fuzz-rock. It probably would’ve hit harder for me about a decade ago. That is some seriously nice fuzz. Very nostalgic edge to this one.

3.7/5
24Kylesa
Spiral Shadow


JUNE 23 - FrozenFirebug

Hmm, this is actually pretty cool, but it sounds like a pastiche of stoner rock and hardcore punk that I’ve heard elsewhere. I like the robust sound here and the meaty riffs, and the dual vocals are a nice touch. I don’t know if the songwriting really grabs me much, honestly, but it’s still solid. I like how straightforward some of it is, songs like Don’t Look Back especially, but that bluntness also gives way to blandness. The psychedelic touches are nice though, and the production works. Not sure I’ll revisit it a lot, but if it came on the radio I wouldn’t be mad. Maybe further listens will make it grow on me more.

3.2/5
25Cardiacs
Sing to God


JUNE 24 - Squiggly

This is a strange one. I don’t know whether I despise it or appreciate it, maybe a mix of both. These guys have clearly influenced a lot of my favorite bands. They feel like a British progressive punk inspiration to Mr. Bungle, evidenced by their theatrical and dynamic songwriting. The album has some interesting moments, but it’s just a bit too much for me - it’s like splattering liters of paint on a canvas and just when something is starting to form, the overpainting ruins the entire thing. It erred more on the side of annoying rather than impressive. Still, it’s easy to see that these guys have entertained their cult following for many years. Some fun tunes here. Personally, it’s way too long, and kinda irritating.

2.8/5
26Castevet
Obsian


JUNE 25 - osmark86

Wow, black metal with vocals that are actually cool? And the chord progressions are… beautiful? This is genuinely a very welcome surprise. I love the sonic assault here; the guitars have a very rich and warm sound, like there’s massive tube-amps pummeling you from every direction. The drums are loud and cavernous (pun-intended, that song is great), and complement the rumbling yet groovy bass well. This is the perfect kind of “blackgaze” sound to me, not whatever the hell Deafheaven and their goblin-shrieking-over-white-noise is. I like how the vocalist actually sounds like a mean badass instead of Frieza or Gollum, which this genre loves to feature. Dynamic progressions, heavy sludginess, and a murky yet beautiful atmosphere. Love the grungy ending too. It’s a shame these guys have so few monthly listeners. I see y’all, I do. Seriously, this is awesome.

4.2/5
27Stick Figure
Burial Ground


JUNE 26 - TheArtofTheGanja

Ah, reggae is somewhat of a hit-or-miss thing for me. Sure, if it’s spiced with some dubby trip-hop or some nice guitar doodling a la Sublime’s Badfish, I’m game. But a whole album of the same offbeat rhythm and the air-headed easygoing melodies - I just felt very blasé about the whole thing. The production is okay, and the vocals are decent too. There’s nothing awful about this, just an unfortunate case of over-saturation with a flavor that isn’t my favorite.

2.9/5
28Venom
Welcome to Hell


JUNE 27 - ToSmokMuzyki

Another band that seems like the butt of Spinal Tap’s jokes. These guys seem to play into their Satanist schtick in a tongue-in-cheek way, but it doesn’t really translate to enjoyable music. The lyrics are insipid, the production is mediocre, and the songwriting isn’t amazing. All of these are pretty standard heavy metal songs, but there are moments of fun sprinkled throughout this. They reek of influence, but they reek of a lot of other things too.

2.7/5
29Atomic Rooster
Death Walks Behind You


JUNE 28 - Uzumaki

I wasn’t expecting to like this much, but damn, these guys can jam. I love their bluesy sound in conjunction with the organ (which is such an underutilized instrument in most music), and the vocals are charming too. I actually played this on loop while trying to go to sleep and heard it in my lucid dreams which was a trip, before switching to some Miles Davis. It’s nice and laidback but simultaneously has a good amount of energy. There’s some really great musicianship here, illustrated best in the instrumental cuts here, especially the closer. This is really chill and groovy, but there’s moments of bizarre experimentation too. Consider it dug.

3.5/5
30Underoath
Define The Great Line


JUNE 29 - Emim

Twinkcore yet again, ugh. The songwriting here isn’t awful, but the vocals, in true metalcore fashion, are very off-putting. The substandard 2000s production doesn’t help either. I’ve heard that fans don’t like to call this screamo, but that’s exactly what this sounds like to me, and I can’t stand it. Even the cleans make my teeth grit, but are still better than the wails - he just can’t scream without sounding like a prepubescent whiner. I guess I can give props to the instrumental versatility, but it’s like praising a seasoned rotting egg. I just don’t like this kind of music, I’m sorry.

2.4/5
31Sly and The Family Stone
Fresh


JUNE 30 - jrlikestodance (2)

I don’t want to be disrespectful because this guy was clearly a legend and just passed recently. But in the interest of keeping it a buck, this was extremely average to me. I can appreciate the vibe of it, but nothing about the songwriting grabs me. The vocal melodies and harmonies aren’t great - even as background music this was getting boring. It’s why soul and funk is hit or miss for me, a lot of it feels like “cool” music on the surface but upon closer inspection, it does absolutely nothing for me. Sorry Sly, RIP.

2.5/5
32Darude
Before the Storm


JUNE 39 - bitchy
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