Flashmobba
User

Reviews 25
Approval 97%

Soundoffs 10
News Articles 1
Band Edits + Tags 7
Album Edits 2

Album Ratings 656
Objectivity 63%

Last Active 08-03-18 1:18 am
Joined 07-11-16

Review Comments 3,444

 Lists
07.24.25 some MORE all time favorite songs07.21.25 some all time favorite songs
06.22.25 Rec your fav albums (JULY)05.21.25 Rec your fav albums! (JUNE!)
05.17.25 concerts I’ve seen + rated04.28.25 rec your fav album bros
02.03.25 Metal albums with amazing production09.29.24 what kinda jobs do y’all have
10.08.23 10 favorite hip hop albums? 04.13.23 college rant
12.22.22 Feedback on my spacetrap song please03.29.22 rec me some phat drum albums
03.09.22 Favorite Kendrick songs (kinda controve03.07.22 Favorite Radiohead songs? (kinda contro
06.12.20 Made a new triphop record04.26.20 I make ambient house (please check it o
07.05.19 Check my new house track07.01.19 Check out my nocturnal house music pls
More »

rec your fav album bros
1Massive Attack
Mezzanine


shamelessly stealing Mk's and Hawks’ ideas cus it’s dope and I need new music for my birthday month!

as the rule goes, one for every day in May. any genre just so long as I haven’t heard it before (please check out my ratings page to verify). GO GO GO!
2Two Lone Swordsmen
Swimming Not Skimming


MAY 1 - jrlikestodance

Starting off with some ambient techno, this one’s a definite throwback to the sounds of the 90s, bringing to mind early Autechre and The Orb. I’ll admit, my tastes for this side of ambient electronica have soured a bit; the sound is dated and the production value is not up to par with what I personally enjoy, particularly the more hectic drum-heavy tunes. But I can appreciate the vibe and mood of the slower ambient cuts like “Azzolini…”. It’s a fine record to chill out to, and there’s some nice house tunes to play in the background, I just don’t see myself returning to it too often.

3.0/5
3Master P
Ghetto D


MAY 2 - Drifter


Another throwback to the 90s heyday, this time we’re checking out the founder of No Limit Records. I’ll be honest, I’ve heard Master P in the past, and wouldn’t call myself a fan. His flow and lyricism never really impressed me, and his notorious “UUUHHH” ad-lib is one of the most egregious I’ve heard. Unfortunately, this album didn’t do much to change my opinion. I felt bored about halfway through, even though I generally like this kind of G-funk tinged Southern rap, but there was a lack of memorable hooks and melodies as well. Nevertheless, not every rap album needs to reinvent the wheel, and for the most part, the production is decent but a little flat, like a Doggystyle-lite. There’s a few memorable tunes here that I can see myself returning to, such as “We Riders” and “After Dollars, No Cents”.

2.7/5
4The Damned
The Black Album


MAY 3 - widowslaugh123


Taking it way back to the 80s with some nice punk with gothic and psychedelic touches. I don’t know why I haven’t given The Damned much attention, as I do enjoy post-punk from this era quite a bit and this kinda scratches the same itch. Good energy, catchy melodies, and solid performances here while demonstrating a nice bit of versatility with regards to mood and instrumentation. I like the short, punky cuts here, but the album really piques my interest towards the end when the group’s ambitious songwriting really becomes apparent - the last three songs here are definitely my favorite.

3.6/5
5Phyllomedusa
Fijian Fantasies


MAY 4 - brickhed

This is tricky, because grind and gorenoise is the kind of sound that I’ve given a chance before, and I always want to keep an open mind when it comes to music, but I truly can’t understand how people can enjoy this. I enjoy noise rock quite a bit myself, but this is just the wrong kind of excessive. I don’t want to be insulting because people do seem to enjoy this, but personally, this is my least favorite production I’ve heard in a long time. Even at a low volume, this was making my head hurt. The burp-singing over the indiscernible music really made me want to skip the entire thing quite soon. “Yasawa Archipelago” had a decent melody and tempo buried under the horrid mix, and the opening skit was genuinely the only thing that I kinda liked, but everything else here genuinely irritated me. I guess I can give it points for the interesting theme of being stranded on an island, and the exotic interludes sprinkled in. Sorry, don’t think I’ll hear this again.

1.5/5
6Smoke City
Flying Away


MAY 5 - mkmusic1995

Some atmospheric trip-hop that’s cut from the cloth of lounge/chill-out music. This seems to ride the wave of the 90’s trip-hop boom a la Sneaker Pimps. It’s nice, inoffensive stuff, and is probably something I’d have in the background while… hanging with my lady friends, so thanks for that! The singer complements the music nicely with her sensual approach, though her off-the-cuff delivery can be a bit corny at times. Not the most groundbreaking or interesting stuff, but I appreciate the ground covered here, exploring Brazilian music under the disguise of trip-hop. It’s a good vibe, particularly the second half.

3.1/5
7Sage Francis
Personal Journals


MAY 6 - Slothcore Sam

Hmm.. not sure how to feel about this one. Haven’t heard of this guy before but he’s clearly respected in the underground, and I can see why, he’s got lyricism and a machine-gun flow. This just comes down to personal taste, but I’m not really a fan of that breathless, run-on flow displayed here by Sage, and his delivery kinda reminds me of Lloyd and Peter from Epic Rap Battles of History, so make of that what you will. The beats are solid but not anything that really captured me, but perhaps I need more time with this. Hip-hop is perhaps the hardest genre to review quickly, there’s just too much to take in. The songwriting here isn’t exactly memorable, though there’s definitely a few choice cuts here. It’s a bit boring, but perhaps repeated listens will rectify that. Cool stuff, just not the kind of hip-hop I prefer.

3.0/5
8Caligula's Horse
In Contact


MAY 7 - Zac124

Some nice prog metal here that manages to balance technical prowess with good songwriting and an ear for melody. I love Jim Grey’s voice, he imbues the music with a beauty that contrasts nicely with the heavy and hectic instrumentals. My biggest complaint with modern prog is the saccharine sheen of overproduction and cacophonous mastering, but this doesn’t suffer much from it - this has great clarity and good dynamic range. The album also seems to follow a compelling narrative (shoutout to JDubb’s review and cool interpretation). Very nice stuff here, though the replay value is yet to be ascertained. I really dig tracks 3 and 5 in particular. The album’s generic proggisms are sparse but apparent; nonetheless, it’s nice to hear passion and virtuosity at this level.

3.5/5
9David Bowie
Outside


MAY 8 - gabba

I’ll be honest, I’m not the biggest Bowie fanatic though I’ve definitely tried to be. I respect his ideas, ingenuity, and influence, but they’ve never really translated into enjoyable music for me personally. Did Outside sway my opinion? Well, there’s actually some great stuff here that I did enjoy and may revisit. The record screams “90s zeitgeist” with its flavors of art rock, trip-hop and industrial, bringing to mind Radiohead, Massive Attack and NIN. This automatically makes me a fan; so the obvious problem here is the duration. There’s a lot of fat to be trimmed (some unpleasant segues here, and some experiments kinda lose me) that takes away from the moments that are truly enjoyable. However, I’d like to give it the benefit of the doubt; the production, songwriting, and wealth of dark and avant-garde ideas present here definitely captured my interest, and I would like to hear more of this side of Bowie.

3.5/5
10Poets of the Fall
Jealous Gods


MAY 9 - arthropod

Man, this is another tough one… there’s nothing WRONG with this record, it just feels like I’m hearing a very overproduced Top 40 Alt Rock chart like 97.1 The Eagle or something. I do like the singer’s voice and the first few songs I enjoyed - good performances, melodies, and songwriting. Maybe I’d enjoy this a decade ago, but it feels like slightly boring alternative rock repackaged to be extra shiny and polished. Towards the middle I just wanted to hear something else. There’s an aura of glam-rock cheesiness and most songs seem to be power-ballads. I will say, the singer’s voice is very good and unique, and is definitely the star of the show. Daze is a very cool tune. Also cool that these guys are associated with Alan Wake, I remember my cousin couldn’t get enough of that game like 15 years ago.

3.1/5
11Cradle of Filth
Dusk... and Her Embrace


MAY 10 - Hawks

Ah, black metal, ye slippery minx. I like the music here, the performers are clearly talented and know how to craft a good song. But man, most of my attention was captured by the vocals, which were just not my cup of tea. Combining the hideous bat shrieks with the zombified Peter Steele-lite vocals was certainly an interesting combination… did it work for me? I wouldn’t say so. I did like the respite provided by the female voice, and I feel bad for rating this one, because it clearly has a devoted audience, which I just happen to not be a part of. I thought I was hearing a Looney Tunes sketch play over these well-produced metal instrumentals and it kinda broke my heart while simultaneously making me chuckle. It turned the entire experience into a tonally awkward comedy. If you’re gonna sing about doom and death, don’t enlist Taz and Professor Snape! A bit tragic, because again, the music here is impressive, though the aesthetic is quite kitschy.

2.7/5
12Meshuggah
Destroy Erase Improve


MAY 11 - NexCeleris

Now we’re talking! This is an album that was actually on my bucket list; I really love Nothing and Obzen’s cool too. This one might be the best though. When it comes to rhythmic technicality + heavy brutality, these guys are untouchable. What a rhythm section, man! Their grooves seriously put me in a transcendental state, and the dissonant harmonies here ranging from beautiful to terrifying definitely help. The production is also virtually flawless, there’s remarkable clarity and harmony between each instrument without forsaking the seismic heaviness, and the guitar tones and Jens’ monstrous roars are also unsurprisingly excellent. If someone called this jazz metal, I wouldn’t disagree, the execution here is incredible. If you’ve played in a band, you can just tell this is greatness. Definitely gonna expedite that scheduled deep dive. Fantastic record across the board.

4.2/5
13Deeds of Flesh
Reduced to Ashes


MAY 12 - Jurtz

This is a pleasant surprise on the list since they feature the “grind” tag in their description, so I didn’t think I’d dig it at all really. I’m not a huge death metal fan aside from, well, the masters, Death. But the riffs here are definitely good, great texture and melodies. The production on the drums is a mixed bag, but I kinda warmed up to it - the snare brought to mind some crazed villager banging on pots and pans, it was interesting though did get a bit irritating. Now the guttural vocals, which are a style I’m still getting used to, actually worked alright for me here. I do wish there was more bass and low-end presence. I’m of the opinion that slower metal genres like doom or stoner are “heavier”, and I prefer them more, but the brutality and production here was a nice different flavor. It did get a bit homogenous rather quickly, but it’s much more listenable than I expected it to be.

3.3/5
14This Will Destroy You
This Will Destroy You


MAY 13 - budgie

Ah post-rock, another tricky minx. All about that crescendo, baby; the buildup and subsequent payoff. When it’s done well, it can be the very best kind of music. But when it isn’t, which usually is the case to my ears, it can be navel-gazey self-indulgent tosh. However, these fellow Texans did alright on this record. This music definitely takes me to great places in my mind - like the rocky beaches of Pakistan. Does it get boring? Of course, but that’s a given with almost any post-rock record for me. Tracks 2 and 3 were my favorites; I wish they explored the ambient-drone territory of the former a bit more. The production definitely feels like a relic of the atrocious “loudness wars” era - the over-compressed drums in particular sound very ugly, like broken glass, so that’s a minus. However, the demonstration of guitar-pedal trickery, combined with some genuinely pretty melodies makes for a decent enough record.

3.3/5
15Kauan
Sorni Nai


MAY 14 - Chippe

I’m kinda disappointed in myself because I don’t think I’ve ever checked out a Russian artist. Well, this record was a great first exposure. Kauan are advertised as atmospheric doom metal, but there’s actually some inspiring and beautiful stuff contained here, despite the harrowing backstory of this concept album. I love the aesthetic here, from its album cover conjuring images of the Russian landscape, to the images described in the lyrics. The compositions and arrangements here are dope, and the way heavy guitars coexist with sweeping strings and gorgeous keys is done very well. I dig the approach here with the male and female vocals switching between singing and growling. The production gives the record a massively spacious and wintry quality, which is very fitting. I think my favorite section was At into Khot. I will say, I have to be in a specific mood to enjoy this, and it meanders just a bit, but it’s a fascinating and mysterious record executed well.

3.7/5
16The Beach Boys
Pet Sounds


MAY 15 - Tundra

This might be the one that gets me crucified. Of course I’ve heard this record, but the reason I’ve refrained from rating such a lauded record is the same reason I haven’t rated The Beatles’ output; I just don’t get it. It’s always felt like a collection of show-tunes or a Disney film soundtrack, which isn’t a bad thing, but I don’t understand how that warrants the superlative praise this gets. All that aside, I do still enjoy it; the harmonies and melodies here are very sweet, and the charm and uplifting spirit of the record is undeniable. Yes, the production is indeed great for its time, but I honestly prefer their other records to this one, particularly the excellent Sunflower. I do appreciate the vibe and songwriting, but I also feel a little bored towards the end. Still, these guys could harmonize! Call me basic, but the most famous ones here are my favorites; “Wouldn’t It Be Nice” and “God Only Knows” are truly terrific songs.

3.5/5
17Last Days of Humanity
Putrefaction in Progress


MAY 16 - cylinder

Just read my review for no. 5. This is my least favorite genre of music. This one is even worse, it truly annoys me because it seems to take pride in being awful, as evidenced by the titles. Yeah, yeah, that’s the point and all, but intention ≠ quality. Maybe the production is a tad better, but that’s an extremely low bar for this godforsaken genre. They’re even shitting in the songs! How can I be kind to this? They should play this in Guantanamo Bay confinement rooms.

1.3/5
18Cows
Daddy Has A Tail!


MAY 17 - mryrtmrnfoxxxy

What the fuck is this? And why do I enjoy it? Noisy punk with extremely irreverent surrealist humor; this feels like a hilarious bad trip. From the first track’s declaration of “Yo girl, I love it when you make my asshole bleed”, I thought it’d be a juvenile and irritating record. But man, sonically, this is kinda faultless. I adore the production here, it’s a perfectly noisy orgy of distortion and fuzz, and the energetic performances fit the loony lyrics, but are executed so well. This really feels like the punkiest punk I’ve heard in a minute - these guys don’t give a fuck about creating something meaningful/artsy, but they rock the fuck out and create fun tunes, and that in itself, to me, is the essence of punk. It kinda brings to mind classic 90’s Cartoon Network, like the Gangrene Gang covering In Utero in Ed, Edd, n Eddy’s cul-de-sac. The aesthetic doesn’t always land, but there’s excellent songwriting - I think I saved every song to my library.

3.9/5
19Cunninlynguists
Oneirology


MAY 18 - Rowhaus

This record is, on paper, very impressive. Solid production, good cast of features, interesting concept. But again, kinda boring, man. The lyricism here just isn’t on par with the production, which disappointed me because I’ve heard a lot about these guys. It just felt very amateurish to me in delivery, generic to the point of corny. Some of the lines in Enemies with Benefits? Sex cougar? Fuck-goggles? Sad, because that beat was my favorite. Several songs like Stars Shine Brightest are lyrically platitude-filled montage-fillers with cool beats. A lot of the hooks could’ve been improved. While the production was solid, it had that extra squeaky-clean feel that screams FL Studio, which is not the kind of hip-hop I prefer - this record lacks edge, but insists it has it. I can see myself enjoying this in the future, it’s still decent, especially the first third. This could’ve been one of my favorites, but the execution’s just clunky for me.

3.2/5
20Acid Bath
When the Kite String Pops


MAY 19 - Scoot

Another tricky one that I’ve actually heard most of. On paper, I should love this, the production and compositions here are pretty great. But the overall aesthetic and lyricism here just screams ostentatious middle-school shock rock. The juvenile obscenities make it hard for me to take this seriously, but the intensely dark themes explored here are also nothing to take lightly, so the tone of this record is very weird. It just makes me feel uneasy, and not the “oh I actually kinda like how disturbing this is” kind of uneasy, so I personally don’t think I’ll return to it much. It just seems in poor taste. Criticisms aside, there are some great performances here and some songs I may return to. I dig the melding of their grungy and sludgy sounds, and the singer isn’t half-bad either. I think I’d have dug this more about a decade ago. As a whole though, it’s not something I would call myself a big fan of.

3.0/5
21Gridlock
Formless


MAY 20 - mystagogus

Similar to the previous ambient record I did, this one is kind of a mixed bag for me. I think I would have dug it a lot a decade ago. I made the mistake of hearing this when trying to go to sleep, thinking it’d be a nice, calm record… nope. My ears got raped by the distorted and spastic percussive production here, and even when I was in the right headspace to hear this, I couldn’t get past that. The mix just wasn’t for me, the harsh beats didn’t coalesce with the synths and pads for me, and the songwriting wasn’t interesting enough to pull me in. It just felt like standard 90s IDM to me. I did like the post-industrial elements to an extent, but I was mostly bored listening to this.

2.9/5
22Cult of Luna and Julie Christmas
Mariner


MAY 21 - DType

Heard a lot about this album, and I’m a bit torn. The songwriting is great here, each track is like a lumbering colossus with great riffs and progressions. The mix kinda hurt my ears, and would benefit from some clarity and stereo separation, and way less compression. The collaboration between the two vocalists is definitely interesting and serves the music well, but they’re not perfect; Julie’s screams are a bit rough, and she just sounds a bit too much like a pop star at points. The male vocalist(s?) was slightly better; I wasn’t a huge fan of his shouted delivery, his cleans in the penultimate track were more interesting to me. The bookends are my favorite tracks here. I don’t know what it is, but this album doesn’t emotionally resonate with me as much as I’d like it to, which might be because of the production, though I do like the electronic and ambient touches here. Still a good listen.

3.4/5
23Morphine
Cure for Pain


MAY 22 - Butkuiss

Is alternative jazz a thing? I’m an idiot, I remember checking these guys out years ago in high school and digging them, but for whatever reason I never heard a full album after hearing Buena. This is just 37 minutes of pure cool that SCREAMS 90s. The production here is just immaculate; as much as I love the expressive sax playing here, I gotta show love to the bass - what an incredible tone! The drumming is also fantastic, I love the brushed strokes and hits, very technical yet very fitting playing. Mark Sandman’s voice and bass-playing is excellent, and he brings to mind a contemporary Sinatra. Funnily enough, this really reminded me of the astoundingly good soundtrack of the beloved Hey Arnold! It’s like being in a dirty urban dive bar, yet it’s just so easy on the ears. It does get a bit same-y, and I would have liked some more variety. A bit of a one-trick pony, but the trick warrants repeated listens. RIP, Mr. Sandman.

3.7/5
24Tommy Wright III
Ashes 2 Ashes, Dust 2 Dust


MAY 23 - Hawks (2)

This might be the most interesting entry here. Lo-fi hip-hop done right, with the right kinda edge and mystique. It feels like hip-hop’s SAW 85-92. I feel like I cooked up these beats on my 8-track and SP-1200, free-styling in my rundown Dodge minivan in the backseat with my friends before doing a hit. Takes me back to the times I could’ve been arrested with my hoodlum friends - legendary. The flowetry presented like voicemails fits these eerie and badass beats really well. The ghostly production truly is a double-edged sword, and that’s what makes the record so interesting. Sure, this could sound better in higher fidelity as it sounds paper-thin at times, but the sound oddly fills out in the whip! This has the inimitable grit and conviction that’s truly missed in today’s rap. Even if it’s flawed it captures the essence of hip-hop in many ways, and I revisit it a lot. Someone review this (I’d be glad to be the first)!

4.3/5
25Bisbaye
Gestalt


MAY 24 - brickhed (2)

Damn, this one has almost no digital presence - I tried Spotify, YouTube, and even the nerdiest of all music sites, RYM, and this only had 9 ratings! Which is a shame, because this is my kind of metal. Erratic polyrhythms, spiraling crunchy guitar lines, and an awesome rhythm section keeping everything locked in. This brought to mind King Crimson, Intronaut, and Porcupine Tree, so I have a big soft spot for it. The jazzy melodies and ghost notes here really caught my ear. The production here is also very adequate, great tones, mixing, and use of stereo separation, though I do wish there was just a bit more low-end oomph and grit - the suite had a snarling, monstrous bass tone and a doom-y section, and was hence my favorite part of the album. There were times when it got a bit overwhelming and a bit too math-y, but for the most part, this is awesome stuff. Music like this makes me wanna take up drumming again. Deserves way more exposure.

3.9/5
26Gojira
The Way of All Flesh


MAY 25 - NexCeleris (2)

I don’t know what it is about Gojira, they make great music, but I never really crave their music. They’re like grumpy ecologists doing preachy metal, reminding me that the planet is dying and it’s my fault, and it kinda bums me out. Kidding aside, it is a bit hard for their music to emotionally resonate with me. But a lot of what’s here is impressive. The production, the performances, the musicianship; it reminds me of why I was so wowed when I saw them live with Deftones years ago. There’s moments when I do get a bit bored, because I think the songwriting is a tad homogenous, so I appreciate songs that switch it up like “A Sight to Behold” and “The Art of Dying”. Some songs do drag a tad bit, and the record would definitely benefit from trimming; 75 minutes is a bit tedious. I wish it was just a bit more ear-wormy.

3.4/5
27Requin chagrin
Semaphore


MAY 26 - budgie (2)

Glittery saccharine French dream-pop. Agh, this just screams vacuous Instagram-story energy to me. It’s not bad, but it really fails to elicit any emotion out of me other than mild irritation. If I was a ditzy high-school girl, this might be the kind of music I worship. All those haterisms aside, there’s nothing really wrong with this. It’s pretty stuff and the production’s ok. It’s just not my thing. Dream pop has always screamed style over substance to me, the novelty of the aesthetic kinda wears off if the songwriting isn’t strong enough, and that’s what happens here. I got bored and irritated relatively quickly. Might be something I play when I’m with a girl or something my sister might enjoy, so I get the appeal, but it’s just not for me.

2.7/5
28The Midnight
Monsters


MAY 27 - NudeTayne

Another style over substance affair, this has some nice production but it feels like just another 80s-pop revival effort with nothing really interesting to say. Again, the songwriting here is just not strong or memorable, and a lot of the lyrics and the overall execution is just cheesy to me, especially with the lyrics and vocal delivery. It brings to mind Ed Sheeran doing a throwback record. This kind of music has a lot of potential, but this just feels so neutered and sterile to me. Now I can’t front, I REALLY like one song here, “America Online”, some perfectly fine synth-pop with a Kavinsky-esque vocal filter. “Night Skies” is similar, and also solid. The rest sounds like disposable influencer montage music from the last decade to me.

2.7/5
29Three 6 Mafia
Mystic Stylez


MAY 28 - bach

Yes, yes, of course I’ve heard this before. But I was young and it legitimately terrified me and I just didn’t hear the whole thing. Now that I’ve grown a pair and revisited it, yes, I can see why it’s the king of horrorcore. Every rapper here brings their A-game with their inventive cadences, flows, and rhymes, and the production team of DJ Paul and Juicy J does a FANTASTIC job. I’ve heard lots of scary records spanning various genres, but this stands out. The way these guys manage to create this horrifying, atmospheric music and still manage to make it memorable and catchy enough to bump in the whip? No wonder this is one of the most influential rap albums of all time, modern trap probably wouldn’t exist without it. Sure, it can get a bit one-note and a couple of songs are duds, but the highs here are HIGH, and for the most part, this is a landmark of 90s music, and one of the spookiest records I’ve heard.

4.2/5
30Alpha Wann
Une Main Lave l'Autre


MAY 29 - dedex

This one is in a bit of an unfortunate position, the French language is not one of my favorites phonetically - it works well in the pop context, but hearing someone rap in it just feels awkward, like they’re threateningly spitting at me. I obviously can’t get what he’s saying, and not that that’s a knock on the record’s quality, it just obviously fails to elicit any emotion out of me. The beats are pretty cool, but usually not interesting enough to offset the aforementioned complaints. It feels well put together, so I wanna give it the benefit of the doubt. I can see the appeal for sure, but it’s just not for me.

2.7/5
31Kayo Dot
Choirs of the Eye


MAY 30 - JohnnyoftheWell

Finally gave this a long overdue listen, I think I skimmed it a long time ago. This is metal with lots of different flavors, genres, and styles. The arrangements, progressions, performances, moods, musicality; it’s an impressively eclectic mix done well. Horns, Rhodes keys, and strings alongside cavernously heavy guitars? Nice. This thing has a haunting yet comforting atmosphere, like spelunking in dark, hot springs. This is what I think Grace by Jeff Buckley would be, were it a prog-metal experiment. The melodies and textures here are colorful and compelling, and elicit a great deal of emotions. Now, it can definitely get a little too highfalutin and drag quite a bit. I’m also not entirely sold on the vocals. But still, it’s a truly unique and varied experience, which we need more of in metal.

3.7/5
32Atheist
Unquestionable Presence


MAY 31 - TheArtofTheGanja

This was recommended me to lots - I can see why. This is like a combination of Rush + Death showing the music world how it’s done. Every musician here is essentially a master of his craft, not only is there insane technical proficiency displayed here, but each song is passionate and memorable. Some of these lyrics are so very thought-provoking and really interesting, and they were delivered excellently by the growl of Kelly Schaefer. The jazzy rhythms and melodies were fantastic and threw my mind for a loop but managed to keep me head-banging, which is a huge plus in my book. The production for 1991 is great - very heavy yet clear, and the way the bass is EQ’d so prominently here makes me happy. The whole record is terrific, features unimpeachable guitarwork, incredible basswork, and inventively relentless drumming.
Must-hear for metal.

4.3/5
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