Butkuiss
Someone on Reddit claims they called Jeremy Ferwerda to ask about the state of the site
User

Reviews 27
Approval 95%

Soundoffs 119
News Articles 11
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Album Edits 142

Album Ratings 3348
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Last Active 09-25-21 12:42 pm
Joined 09-19-10

Review Comments 8,745

 Lists
06.19.25 Bachelor Pad Boogie: Second Bedroom04.26.25 Bachelor Pad Boogie
02.21.25 JAZZKUISS VI: 21st CENTURY SCHIZOID JAM 02.02.25 HARDKUISS: DAY FIVE - PUSH POWER šŸ‹ļø
12.18.24 JAZZKUISS V: COLD FUSION12.11.24 HARDKUISS: DAY FOUR - PULL HYPER šŸ’ŖšŸ
12.04.24 JAZZKUISS IV: ON STRANGER VIBES11.29.24 The Sole Funk Brother, Pt. 1
11.11.24 JAZZKUISS III: The end of the beginning 11.06.24 HARDKUISS: DAY THREE - LEGS POWER 🦵š
10.17.24 JAZZKUISS: PART DEUX 10.13.24 HARDKUISS: DAY TWO - PUSH HYPER šŸ’ŖšŸ
10.02.24 JAZZKUISS: PART ONE 09.27.24 HARDKUISS: DAY ONE - POWER PULL
09.14.24 Fourteen Years of Sputnik08.10.24 On the bintangs
06.27.24 Artists I’ve Slept With05.26.24 My Wife Left Me
More »

Bachelor Pad Boogie

I know everyone is waiting for the next instalments of HARDKUISS and JAZZKUISS, but unfortunately I’ve had something else come up that, along with work and my masters, been taking the majority of my time. Keeping it quiet irl lest I be labelled a class traitor, but I bought my first apartment. Grateful I’m lucky enough to have a decent stable job but still wouldn’t be able to do this without the little bit of money my moms left me when she died. This dumb site was a really big support for me during that tough time though so thought I’d share the good news with y’all. List is boogie albums I’ll be bumping in the new place, because sput seems to completely disregard this treasure trove of a genre for no good reason. Have we even ever had a boogie list before? We do now.
1Patrice Rushen
Straight From The Heart


For those who remain unenlightened; ā€œBoogieā€ is a retrospective term for a style of dancefloor-oriented R&B that sprung up around the late 70s and early 80s in the wake of disco’s demise, but before Minneapolis Sound or New Jack Swing really took over. It’s characterised by slower tempos than disco, syncopated shuffle grooves, funky basslines and soulful vocals.
2Luther Vandross
Never Too Much


Coming in the immediate post-Steely Dan era, boogie benefited from both the healthy label budgets of the early 80s, and a high level of interest in high-fidelity audio. As a result, the genre is typified by crisp, sleek, highly professional sounding production and mixing. Many of these records have become regular references when testing audio equipment for me - especially this one.
3Evelyn King
Get Loose


Technologically, boogie was probably one of the first forms of R&B to incorporate what are now considered hallmarks of modern pop music: digital synthesisers, samplers, sequencers and drum machines. Combined with the high production values endemic to the genre, it’s quite easy for a lot of boogie to sound fresh and contemporary, even today.
4Howard Johnson
Keepin’ Love New


Despite the use of cutting edge (for the time) technology, however, boogie came early enough in the game that session players hadn’t been completely replaced by synths and samples. The rest is that a lot of boogie records feature a host of well-known session cats tearing their way through these compositions and having audible fun while doing so - just check out Marcus Miller’s many appearances on numerous hallmark records of the time.
5Teena Marie
It Must Be Magic


In the same way, boogie’s cultural context, with many of its biggest names cutting their teeth in church choirs, along with a lack of of widespread pitch correction technology meant that many of the genre’s vocalists had PIPES. I get it, wide dramatic vibrato might not be for everyone, but there’s a certain joy to be had listening to these vocalists absolutely let loose with the euphoric belting.
6Bernard Wright
'Nard


Though a lot of boogie artists were essentially pop vocalists, at the other end of the spectrum, artists like Bernard Wright took the pop idioms of the day and applied them to jazz to create daring fusion successes. And the jazz influence didn’t stop there, with many of boogie’s most prolific session players and arrangers (see: Marcus Miller) being jazz cats themselves. Scratch the surface on a lot of boogie records and there are some really gorgeous, tasty brass and string arrangements.
7Sharon Redd
Redd Hot


One thing I really appreciate about boogie is the earnest levity it comports itself with. Though its lyrics usually stay fairly close to tried and true R&B tropes (love, heartbreak, cheating, and shaking one’s booty), boogie saw a shift to an aesthetic that was bit more urbane and less fantastic than what disco eventually became. Even in many of its ballads, boogie stuck to a single-minded mission: giving you something to groove to at the end of a long work week. It’s a sentiment I can get behind.
8Steve Monite
Only You


Where regional disco scenes were focused mainly on North American and European cities, boogie saw regional adoption as far afield as Brazil, Nigeria and Japan, with influences as disparate as reggae, samba, middle eastern music, and afrobeat incorporated into its sound along the way. International boogie artists really deserve their own list, but the global reach of this music is something I find eminently fascinating.
9Melba Moore
What A Woman Needs


Boogie’s advent was right in the middle of the golden age of the album (before extended CD runtimes killed the art of quality control!), so the fact that boogie records so often incorporate different mixes of songs into a single tracklist might seem a bit odd at first. Something I’ve really come to love though is how boogie artists often inserted an extended mix, or an instrumental, or even a dub remix of a song into an album’s runtime to act as a reprise or leitmotif, like a club DJ spinning back and replaying a banger later in the night. If there’s a way to make including multiple mixes of a song into a single tracklist feel cohesive and not superfluous, I think boogie might’ve got there first.
10Kid Creole and The Coconuts
Tropical Gangsters


Of course, the best part of boogie is the nose beers. Can you imagine how much coke all these folks had to have been snorting to make music that sounds like this? Heroic doses. Insane results. Bring back cocaine chic, I say, and remember to say:

ā€œI’M SORRY MA’AM, NO FISH TODAY!ā€
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