CottonSalad
CottonSalad
User

Album Ratings 0
Last Active 12-24-21 11:46 pm
Joined 08-05-21

Review Comments 3,275

 Lists
06.13.25 The Soup05.22.25 The Mess
05.22.25 The Heat04.18.25 R.I.P. Peter Ablinger
03.18.25 Ulcerate Ranked02.16.25 Cotton Digs
02.02.25 Havey is my favorite Sputnik user12.12.24 Cotton 2024
03.20.22 Cotton Rope01.01.22 Gimme 52 recs
12.30.21 Cotton Sput Appreciation12.21.21 Cotton 2021
10.05.21 Recently08.29.21 Gems
08.25.21 Digs as I move to the UK08.15.21 Introduction to improv trio’s
08.09.21 Gimme your fav 3.508.05.21 Lurking for decade - Looking for death

R.I.P. Peter Ablinger

"My material is not sound. My material is audibility. Like others who work with sound set a sound then a pause I set audibility then inaudibility."
1Peter Ablinger
Weiss / Weisslich


"Inaudibility can arise in different ways.

By quietness but also by loudness.
By too low tones and by too high tones.
By slowness but also by speed.
By too little happening but also by too much happening.
By too much closeness and by too much distance.
By too short durations and by too long durations.
By emptiness and by fullness.

It has to be added that the relation of audibility and inaudibility -in contrast to sound/pause- is in a way a transcending one. First, audibility and inaudibility are not even absolutely separated from each other in the idea but are linked by a "critical band". That is, there is a critical zone within which, somewhat differently for each, the transition from audibility to inaudibility happens. Secondly and more important, the relationship between audibility and inaudibility is not a polar, mutually exclusive one, but the change from audibility to inaudibility signifies a transition to ANOTHER state."
2Peter Ablinger
Verkündigung


"to the masters of flying: Franz Liszt, Alexander Scriabin, Cecil Taylor"
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