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Last Active 09-07-22 7:15 am Joined 05-07-11
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| Film of the Year 2k10 - 2k19
FOTY (film of the year) (flick of the year and i'm not talking female masturbation folks,) for every year this decade plus some notable runners up. Going in now somewhat hubristicly - woe betide me for not having seen Alvin and the Chipmunks The Squeakual before penning this - but can't imagine anything supplanting these within the next month and a bit. Without further ado, for your consideration, the best Oscar goes to La La Land, | 1 | | Various Artists Scott Pilgrim vs. the World
2010: Scott Pilgrim vs. The World. A joy and delight to behold for two sustained hours of relentless in-jokes, clever directing choices and wonderful performances: director Edgar Wright throws everything he has at the wall but makes sure there's adhesive tape attached. The tableau created is a wild mess, but the actors are more than up to the task of delivering a film that captured an era - and early twenties ennui and confusion - with direct cinema like precision. If direct cinema charted how much pee you had in your system. The comics are wonderful too! | 2 | | Matana Roberts COIN COIN Chapter Four: Memphis
Honourable mentions, in order of uhh honourableness: Black Swan (aronofsky), The Trip (winterbottom), The Clock (Marclay), Easy A (Gluck), Exit Through the Gift Shop (Banksy), Ano Bisiesto (Rowe) | 3 | | The Velvet Underground The Velvet Underground & Nico
2011: Oslo, August 31st. A film that isn't histrionic about addiction - there's no walking fridges in sight -- but instead is subtly, almost gently, knowing: quitting is the easy part, but re-integration after damage wrought is hard. True to the promise of the title the events occur throughout one day, but a comprehensive biography is accrued through hints and camerawork rather than exposition or speeches. A beautiful, humane and patient film that is a far better requiem to addicts than that "dream" one, with an understated performance by Anders Lie. I have a poster of this on my wall and carved it into my beating heart. | 4 | | Teebs Anicca
The board of Winesburgohio University confers the honourable mentions upon: Into the Abyss (Herzog) (Loud clapping) Sleeping Beauty (Leigh) (Loud clapping) House of Tolerance (Bonello) (Loud clapping) Terri (Jacobs) (Loud clapping) Source Code (Jones) (Loud clapping) and Gnomeo and Juliet (crowd boos and throws potatoes at me) | 5 | | The Gerogerigegege Hell Driver
2012: It's Such a Beautiful Day. Of course. Needs to be viewed in one sitting, as Hertzfeldt's absurd flourishes and repetitions ("the power of christ compels you"), seemingly retreating to his more juvenile earlier work, are function and form of something extremely emotionally potent: decay and decline of memory, emotion, life. The editing on this, with flickering images and bucolic scenes ruined by static, is insanely good and immensely moving; the questions it seeks to resolve - is life worth living if it is defined by suffering, and what constitutes life anyway, and is it worth making connections as a fallible human - are answered with triumphant affirmation, the more so for the deterioration of health that occurs along the way. I always cry. It's kind of a really nice day. | 6 | | Jonny Greenwood The Master OST
...and I'd be remiss leaving The Master (Anderson) in the lurch with a mere "honourable mention". As a fun aside, I was late for the first screening of this and went to a bar to drink my sorrows - said bar was having a BDSM themed night. Only that experience could have prepared me for the tensions and relationship dynamics of The Master. Anderson is so assured and deft a film-maker that the blood and cordite of PTSD seeps off the screen for the first twenty minutes without explicit statement, but consider this as well: for those twenty minutes we *look up* at Freddie through the camera, a master already but in the most beastial way: only when interrogated by Hoffman's character does the camera shift, and when it returns to its low placing, Phoenix dwarfing everyone, it's devastating: truly a master of none. Anderson was savvy enough to realise post-war America needed new anxieties and enemies to keep it defined: here they are writ large through those that subverted them. | 7 | | Mica Levi Under The Skin OST
2013: Another shared one, Under the Skin is a laconic, frequently disconcerting exploration of what it is to be human and takes a seemingly dour tone on that front. In one scene reminiscent of a City Symphony, the camera tracks the streets of Edinburgh and what we see is grim, humdrum, a tedious cycle: who'd want to be one of us? The protagonist apparently; bizarre as it is to call such a ponderous, slow film "thrilling" her gradual shift from (literal) alien to someone - something - trying to emulate human niceties is absorbing, and the restless camera work and score aptly augment her journey without forcing the matter. Fascinating, too, that she lets someone with a physical deformity live: "aliens", in society, stretch the bounds of the metaphorical connotations of that word far too often, and in a final scene we see a human reduced to beastial urges, complicating matters further. But whatever: visually stunning, uniquely brooding, finally disquieting, a worthy runner-up to... | 8 | | Earl Sweatshirt Some Rap Songs
'Til Madness Do Us Part. Big Wanged Wang Bing is known for creating films that have a duration longer than most human lifespans and universes do, but then you'd be hard-pressed to call his films "boring" - and this could be the most gripping, and powerful, of the lot. Set in a psychiatric facility in China and running a comparatively digestible 4 hours, it also marks the first time in Bing's filmography where he shifts from direct (fly on the wall) to verite (more active and narrative-focused), even running down a corridor after a "patient" when required. Patients urinate, shout at family members from behind bars, scratch, lay supine, but the Titicut Follies this is not. Most remarkable is the humanity and warmth within the squalor: though still a scathing indictment of China's treatment of the mentally ill, Bing chooses to capture moments of kindness, romance and tenderness amidst the piss and nakedness and squalor. "Don't forget about us" says one patient in a rare outburst. I won't. | 9 | | Stevens/Dessner/Muhly/McAlister Planetarium
...shit almost forgot about Coherence. ideally you'll go in with as little as possible - i only watched it to humour my Dad, who hates movies and thought it was a documentary on Physics. 80 minutes later I was stunned, having experienced every conceivable emotion i'm capable of. the mumblecore works perfectly and intimately, bolstering the fractures when the sci-fi angle comes in, but really this is a study of human nature and the quest - and possibility of - perfection, or at least okayness. rewards repeated viewings. **spoiler zone pls don't read if u haven't seen** when she talks about being an understudy to her own role and then losing it? ingenious foreshadowing my god. | 10 | | Yan Jun and Ben Owen Swimming Salt 游泳的盐
uhh honourable mentions: About Time (shut the fuck up about plot holes i have emotions to feel), The F-Word/What If (US Cut) (shut the fuck up about typical rom-com fare i have emotions to feel) The Spectacular Now (shut the fuck up about typical teen fare i have emotions to feel) Nymphomaniac (shut the fuck up) | 11 | | Takahiro Kawaguchi n
2014: La Isla Minima (Marshland). Though it might be hard to believe it, this was conceived independent of True Detective's first season i.e. the television series that rendered everything else obsolete. There are aerial shots of snaking rivers, and murky ground, interviews in houses suffering abject poverty, complex political ties/machinations and two police partners - well, half the time soppy-sweet, and half at each others throats. But to compare the two is only to demonstrate how good Marshland: shot with appalling nihilism and hopelessness, shot through with claustrophobia and paranoia and intrigue, it's riveting from start to a forceful slap to the face of a finish. RIYL True Detective S1, The Secret in Their Eyes. | 12 | | Jan Garbarek Witchi-Tai-To
esteemed guests that didn't get the nod this year, try again next!: Big Hero 6 (SO LOVELY, how about a film called Mad Betamax and instead of violence everything is solved by hugs), Calvary (McDonagh), Inherent Vice (more like In-her-ent Vice lol) (has anyone noticed Inherent Vice and Bleeding Edge and Infinite Jest have the same amount of letters in their first and second words? hmm) (sorry Anderson only one best of allowed otherwise...) | 13 | | Modest Mouse Interstate 8
2015. Me and Earl and the Dying Girl. Yes, seriously. Yes it's better than the book. Yes, the tracking shot of Greg arguing with his Mum is inspired. Yes, that was Brakhage's name you saw. Yes, the acting is pitch-perfect. Yes, it's fun. Yes, it's sad. Yes, it's heart-breaking. Yes, it's heart-warming. The best teen movie of the decade at least; honest, subversive of cancer lit (or c-lit, as i like to call it) tropes, consistently brilliant and captivating. More formally daring and innovative than most arthouse films aimed at "adults". Also the main actor looks like Bradford Cox, my crush and husband, so | 14 | | ego mackey 22nd Century Dilaudid Blues
also consider the following: The Lure (Smoczyńska) (psychotic mermaid strippers dismember clients in a musical. yes.) Cemetary of Splendor (Weerasethakul) Brooklyn (Crowley) (godamnit how is Brooklyn so insufferable now), Cinderella (Branagh) (it's just *nice* ok?) | 15 | | Max Richter The Blue Notebooks
2016: Arrival. Villeneuve breaks into the mainstream without wholly abandoning his outre, exotic roots: the result is immensely rewarding. The twist works exquisitely (should be the most iconic, i think, since The Sixth Sense - so well handled) but more than that what intrigued me about the movie was the linguistic element and attendant incommunicability of some things that a linguist is forced to deal with in a cruel irony. ...actually if there is a bone to pick is i would have liked some more focus on how language is shared and formed but you can't have everything i guess. | 16 | | Luisa Maita Fio da Memória
take a bow Colossal (Vigalondo), Hunt for the Wilderpeople (Waititi), Personal Shopper (Assayas) (did NOT know he did Irma Vep! interesting), A Monster Calls (Bayona) (i cri every tim ;'(), Paterson (Jarmusch at his most tranquil and unintrusive; as delicate as the protagonists watch and equally as eye-catching) | 17 | | Hank Williams Alone With His Guitar
2017? Columbus. 1) if u don't like John Cho u gotta go 2) exquisite direction and intelligence to make architecture a facet rather than focus 3) holy shit the performances 4) slow, but brimming with life 5) patient enough to let audiences work out dynamics by themselves, aided occasionally by mirror and reflection and 6) a cooling balm to wanderlust that won't take it away but will contextualise where you are and assure you it's ok, and you'll know when it isn't 7) magical; an Ozu fanatic directs a film better than most Ozu films. | 18 | | Lil Ugly Mane Songs That People Emailed Me About...
First Reformed (Schrader) (more horrific than most horror films), Brigsby Bear (McCary) (The Lonely Island rewrite Mysterious Skin), Paddington 2 (King) (Hugh Grant was robbed; also it's like all my favourite actors in one joyous delightful caper that is probably top10 of the decade) Call me by your name (would be higher but see: https://rateyourmusic.com/film_collection/neverdenudesz/review216476), The Shape of Water (Del Toro) (pitch perfect but what's that feeling in my heart, like it's swollen?) | 19 | | Various Artists Yaqui Dances: The Pascola Music of the Yaqui...
2018: Roma. Consider the use of the fundamental elements: the film begins with water sloshing during menial duties; a fire breaks out on vacation when our protagonist confides in others about her pregnancy; there is an earthquake; planes fly over as a motif, a symbol for her permanence by circumstances in drudgery to the extent travel isn't even considered; water, again, this time treacherous, no longer menial but threatening. A life lived and defined by fundamentals; a touching and fraught apologia from Cuaron. Other symbols abound but this will do for now and also like you know it's incredible. | 20 | | Bonnie 'Prince' Billy, Bryce Dessner and Eighth Blackbird When We Are Inhuman
and speaking of apologia, sorry High Life sorry Support the Girls sorry Suspiria sorry Shoplifters sorry Sorry to Bother You | 21 | | They Live tape one
2019 is currently tied between Shazam! and Enter the Spiderverse (i haven't enjoyed a movie with such a constant buoyed grin at boths sheer audacity and charm since, like Scott Pilgrim) and Bacurau (ONE MOVIE. FIFTY GENRES. DOES IT WORK? WHO CARES!) recommendations welcome haven't really seen much this year thanks | 22 | | Alvvays Antisocialites
e: i neglected to mention The Exquisite Corpus, but on reflection that's a mea culpa. The 2015 short film by Peter Tscherkassky - the most painstaking director and editor in the world - continues his compulsion to deconstruct and then reconstruct genre tropes, but here he turns attention to sex. A naked woman washes ashore to faint in the arms of another naked woman in a Garden of Eden state, and the fever dream that follows is a complex, Foucault-oriented exploration of Sex as Cultural History, navigating the way bodies are framed and practices imbued and repeated on them until the body becomes sexual: sexual liberation became sexual liberalisation, something else expected of and imprinted unto the body until it's very platonic ideal is reshaped. ...so uhh there's some porn and erotica in it, is what i'm saying. and it's like 18 minutes so u have no excuse cheers i'm handsome | |
chemicalmarriage
11.09.19 | I appreciate your efforts | Lord(e)Po)))ts
11.09.19 | "2019 is currently tied between Shazam! "
tha fuck!? | budgie
11.09.19 | yawn | Lord(e)Po)))ts
11.09.19 | Shut up budgie | ArsMoriendi
11.09.19 | No mention of Anomalisa for 2015? | Winesburgohio
11.09.19 | still haven't seen it, despite really liking Kaufman: i'll report back presently.
@pots dude it's so much fun and i have a hard-on for Zachary Levi | Lord(e)Po)))ts
11.09.19 | i mean it was okay yeah buuuuuuuuut | Chortles
11.09.19 | hello, this is really very nice. I love the words here, especially about Roma... I never would have connected those elemental events and i think that's a beautiful reading. also your last claim about Columbus is bold but I'm here for it
from this year, might I recommend two favorites: The Last Black Man in San Francisco and Pain & Glory. both create sobering, nuanced portraits of places/people in divine (and very different) ways | neekafat
11.09.19 | agreed on arrival, haven't seen more of these than I care to admit | neekafat
11.09.19 | also spiderverse is 2018 I believe!! | Rowan5215
11.09.19 | suspiria > | Pheromone
11.09.19 | I love the love It's Such a Beautiful Day gets here | JohnnyoftheWell
11.09.19 | Any list that puts Roma and Scott Pilgrim on the same (high) platform is a winner in my book | mynameischan
11.09.19 | sorry to bother you deserves more than an honorable mention | tectactoe
11.09.19 | WINES YOU MADMAN. Love film lists, looking forward to the inevitable 00s, 90s, 80s, etc., lists :o)
We diverge heavily at '17 and '18 - COLUMBUS and ROMA are two of my least favorite films of those respective years (though I understand the appeal, they strike me as mostly [boring] empty formalism) but I love the shout outs to SUPPORT THE GIRLS (actually just saw HIGH LIFE last week and was ambivalent) and FIRST REFORMED.
I can dig ARRIVAL, love the shout out to PERSONAL SHOPPER (severely underrated film imo).
Haven't seen ME AND EARL AND THE DYING GIRL, actually...to be honest, it seems like the kind of forcefully twee indie fare that I usually hate, but I really liked LARS AND THE REAL GIRL (and had the same impression of that beforehand) so who knows. Maybe I need to trust you on this one. CEMETERY OF SPLENDOR, though - nice. Love some Joe.
Nice eclectic '14 pick. Have you seen DUKE OF BURGUNDY? I feel like you'd dig it.
Lovely '13 picks, one of the few Wang Bing pictures that justifies it's length (yes I said it, fuck WEST OF THE TRACKS). Might be my favorite year of the past decade. Either '13 or '12. Obviously you know my love of THE MASTER and IT'S SUCH A BEAUTIFUL DAY - the two best films of the decade imo. Nice picks.
Lastly - where did you watch THE CLOCK? I've been looking for that film for a loooong time but haven't been able to find a serviceable copy. Did you see it online, or at some kind of exhibit?
| ItsTheSquirrel
11.09.19 | Don't know if you've seen Isle Of Dogs but it came out last year and it's absolutely incredible so I'd recommend that | Thane
11.09.19 | 3 is my all time fav, it means so much to me on many different levels | Gyromania
11.09.19 | Epic list. Seek out Calibre, I'm positive you'd love it. Under the Skin, Spiderverse, and Arrival aren't super popular choices but they'll all appear on my decade list for sure. | IronGiant
11.09.19 | where the FUCK is the Farewell and Shoplifters??? Two of my favorites in recent memory | hal1ax
11.09.19 | lol ilu wines | budgie
11.09.19 | ilu hal1ax | hal1ax
11.09.19 | mwaah | budgie
11.09.19 | MWWWWWWWWWWWAH | hal1ax
11.10.19 | how do you guys feel about Loveless, from, i think, 2017 | hal1ax
11.10.19 | cuz i dig | Winesburgohio
11.10.19 | all recs taken on board, will make use of my local library! Meek's Cutoff is sitting there waiting to be picked up, can't wait.
@Chortles yes but what does it mean? ...the answer is probably blindingly obvious but i still can't work it out, glad u dig bb
@tec damn someone get their mans i will brook no dissent on Ti Xi Qu and as such I will not divulge secrets of The Clock to u!!! uhh saw some of it at an exhibition/installation in CHCH of all places but most of it via other, less savoury means but desperate times... glad you enjoyed the list despite our occasionally combative tastes, please give Earl a chance #freeearl
@hal loved it on first watch but repeated viewing kind of exposed it as misery porn, and not the good consensual kind!!! still great but less awed than i was previous | tectactoe
11.10.19 | I think Maddin’s THE FORBIDDEN ROOM is my favorite film of the decade that isn’t mentioned anywhere here (behind ISABD, THE MASTER, and COHERENCE), which is going to prompt the inevitable “why haven’t you seen it yet?” (Or, conversely, if you have, why isn’t it on this cot dam list?) | budgie
11.10.19 | hal1ax can i have some of your breakfast pleeease | hal1ax
11.10.19 | I don’t eat breakfast :/
You can have my lunch 💋 | MindsOfMen
11.10.19 | Didn't Spider-Verse come out last year? | theBoneyKing
11.10.19 | Yo Shazam and Spider-Verse are both super overrated, and I generally like comic book movies. | zaruyache
11.10.19 | Hoping that Blood Machines tops my list if it ever streams this year. | Winesburgohio
11.10.19 | Spiderverse came out in 2019 where i'm situated :).
oh god i have failed you once again Dad but i thought The Forbidden Room was too much form not enough substance: snippets of brilliance but mostly infuriating. please spank me for my transgressions | Havey
11.10.19 | making this before seeing vitalina varela lol bro im cringing | Winesburgohio
11.11.19 | ironic considering you just posted cringe lmao!!! | tectactoe
11.11.19 | it’s okay i’m not upset *dies a little inside*
actually just saw THE LIGHTHOUSE today. wild. | Winesburgohio
11.11.19 | ohhhh is it good? | tectactoe
11.11.19 | It is great for two-thirds and stupid for one-third, but it's growing in my estimation and hopefully a second viewing will help me rectify some of the stuff I thought was dumb. Overall I'd say yes, though, a good experience, and significantly better than THE WITCH (which I did not care for at all, tbh). | furpa
11.12.19 | Good list, there's a few I haven't heard of on here so imma look into some.
Also PLEASE PLEASE PLEASE if you haven't seen Parasite yet I implore you to seek it out and watch it. It is unquestionably my film of the year 2019 and everyone I've made watch it (lol) agrees it's a masterpiece. Closest movie I've seen this year to a hard 10/10. | budgie
11.12.19 | how does this list not have CarousHELL??
fucking shameful man fucking shameful | Winesburgohio
11.13.19 | Puppet Master: Axis of Evil came close if that's any consolation
ehh the more I think about Parasite the more flimsily constructed it seems, although it's definitely really good. weirdly if i was going to pick any Bong Joon-Ho film from this decade it would be Snowpiercer - i prefer him completely bonkers i guess | DocSportello
11.13.19 | I went to go see The Lighthouse the other day with a group of fellow grad students. We chatted afterwards outside the theater and lots of them were doing the dance and going on about how it failed to earn its gestures towards Greek comedy/tragedy or how it had nothing substantial to say about madness or how it embodies and aestheticizes interpersonal denial and so on and evokes a technology fetish and so on and so forth and that's nice and all but goddamn it was just plain entertaining. Maybe one of my favorite movies of the decade. Good list, though! | tectactoe
11.13.19 | Here's my take on THE LIGHTHOUSE (spoilers) ripped from my review:
As far as “interpretations” go, I’ll give it a shot because why the hell not. On the surface, it seems like lunacy fueled by isolation and extreme conditions. Sure, but that’s too obvious and, to my mind, doesn’t fully justify abstractness outright. I’ve seen a few takes that suggest Dafoe is a self-inflicted vision of the rotten old curmudgeon that Pattinson thinks he’ll eventually turn into, or that Pattinson is a self-inflicted vision that Dafoe conjures up of his “younger self” at the behest of his eminent loneliness. Those are both fun, but little more than glorified retreads of similar split-persona conceits that have been done a million times over. What I think - and I could very well be way off-base here, as I have been before, but bear with me - is that “the rock” is a metaphorical purgatory. Pattinson’s boat may have crashed on the shore of this secluded island, and we are witnessing his judgment unto either heaven or hell. Dafoe, in this case, is the omnipotent adjudicator (explaining a lot of the logic behind his constantly overlooking Pattinson, to say nothing of that nude, beaming pose that briefly materializes). If I’m not mistaken, the film finds “Winslow” guilty of each of the seven deadly sins at some point—pride, envy, wrath, sloth, greed, gluttony, lust—after which his feigned, last-ditch attempt for absolution takes the literal form of a half-hearted confession to Dafoe (for which he’s not truly sorry) and the symbolic form of an overwhelming reaction to the lighthouse’s light (i.e., heaven) that sends him tumbling down a circular pit of steps. The next time we see him is lifeless and ashore, being picked apart by seagulls - this is where the film both begins and ends imo. | Winesburgohio
11.13.19 | Ooh colour me exceptionally intrigued | bloc
11.13.19 | Coherence fuckin slapped. The acting is top notch. | blastOFFitsPARTYtime
11.13.19 | Needs more Taika, but lots of good picks nonetheless. | TheSupernatural
11.13.19 | These threads make me feel so uncultured cause I've only seen like 3 of these and they weren't my favorites. I love linguistics and I thought Arrival was so underwhelming... maybe because I wanted it to be about language and not the Tralfamadorians from Slaughterhouse Five.
My favorites from the decade are Whiplash, Nightcrawler, Zootopia, The Hunt, and Django Unchained. Not an impressive list. I saw Parasite a few days ago and it easily makes that list too. | klap
11.14.19 | nympho over melancholia eh? | Havey
11.14.19 | try kazuhiro soda’s latest to knock roma off the list for good | wwf
11.14.19 | such a good list til 2019 ngl lmao | renegadestrings
11.15.19 | Coherence | samwise2000
11.15.19 | Movie of the year this year is The Lighthouse or Parasite for me! | bigguytoo9
11.15.19 | Parasite is the best film of the year unless THE IRISHMEN dethrones it. I do love me Scorsese and Mob Films. | Rowan5215
11.22.19 | welp time to revise this to include Knives Out huh | tectactoe
11.22.19 | Am I the only one who thought PARASITE was really good but nowhere near the masterpiece people are making it seem? I mean holy shit, it's the #1 highest rated film of all time on Letterboxd now. What the fuck.
I thought Lee's BURNING from the previous year was significantly better, but for some reason that one didn't catch this amount of steam. (Hell PARASITE isn't even Bong's best film...MEMORIES OF A MURDER is superior imo.) | Winesburgohio
11.22.19 | obviously we have similar taste but i completely agree Tec, and I think Memories of Murder is his best. it's hard because it's undeniably a *good* *film* but in such an obvious *good* *film* way it's hard to adulate it beyond being good - sometimes great - but nothing spectacular | Winesburgohio
11.22.19 | The Irishman was... interesting. While some directors shine when given complete creative control (Cuaron and Lynch spring to mind) Scorcese seemed to follow the Apatow trajectory: it's just too long, especially in the midsection. But then the acting was exquisite and the final act was so poignant and moving; just took too many unneccessary detours en route | tectactoe
11.22.19 | I'm taking the plebeian route and waiting for the Netflix release (that's what having kids does to you, man), which gives me the benefit (curse??) of gauging reactions of others beforehand. I've heard everything from "long and boring af" to "Scorsese's best film" to "eh, it was occasionally great but also not that great."
I really, reeeeeally have no idea what to expect. | Winesburgohio
11.25.19 | Fuck saw a movie a couple of years ago at a festival; Mexican, monster gives hitherto unknown sexual pleasure, madness ensues. | Winesburgohio
11.25.19 | Anyone know it? Really daring and multi_faceted | tectactoe
11.25.19 | Sounds like THE UNTAMED. | Winesburgohio
11.25.19 | yes! ta tectac < 3 | Winesburgohio
12.13.19 | update: Marriage Story is my #1 of the year and one of the best of the decade. watch this fucking film. cheers. | artiswar
12.13.19 | Scorsese just ripped off Apatow, agreed. |
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